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The Smithsonian Museums are the “official” museums of the United States. They are funded by tax dollars and have a prominent place on the National Mall. During this time of social distancing relegated by Covid-19, museums have had to place more emphasis on virtual tours. With museums playing a large role in public memory, this new emphasis creates issues for the meaning that is rooted in place. However, there are positives to an expansion and promotion of virtual tours, mainly being greater access for the public and a more interpretive idea of meaning from the less guided construct of the institution created by the physical space.
Visiting the Smithsonian Museums and the National Mall in Washington D.C. is a chance to understand the societal and political public memory our nation tries to convey to its peoples. As noted by Atwater and Herndon, “the physical location of a museum produces a powerful message” (15). The Smithsonian Museums’ location of the U.S. capital conveys a sense of authority and authenticity. In other words, these museums’ locations are provided a type of gravitas that lends official legitimacy of meaning for the residents of the U.S., whatever that may be for each individual. As the pandemic has restricted our ability to physically visit these museums, the power of their material location is diminished. For virtual tour-goers, the power of place and authority created by these museums being located in the nation’s capital is lost.
On the other hand, there are positives from allowing virtual tours, including ease of access and enhanced autonomy to form individual views of public memory. More and more people will have access to see the museums, regardless of their physical distance from the capital, which will at least allow some form of public memory to take shape. Will the issue of physical immediacy impact meaning? Probably, but by how much? We know that online public memory allows for the creation of meaning (Hess 816). Virtual tours could allow for more focus on the material objects presented for memory, because there is a less guided interpretation from the museum. This is happening because the Smithsonian’s placards that offer description can be challenging to see online. Without access to that information, people will be able to form their own interpretation of what they are seeing and define importance and meaning in their own way. Thus, the role of public memory and power of artifacts may change because of the role of place and access.
Atwater, Deborah and Sandra Herndon. “Cultural Space and Race: The National Civil Right Museum and Museum Africa.” Howard Journal of Communication, vol. 14, No. 1, 2003, pp. 15-28.
Hess, Aaron. “In Digital Remembrance: Vernacular Memory and the Rhetorical Construction of Web Memorials.” Media, Culture, and Society, vol. 29, no. 5, 2007, pp. 812-830.