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liquid blackness

Reflections on Music Video as Black Art: Claiming the B-SIde

Theme week organized by
liquid blacknessGeorgia State University

The Power of the Return

By Michele Prettyman

Sent to See

By Stefano Harney

Riffs on Spiritual Metadata

By Kya Lou

“It’s already legit”: Rhizomatic Influence in Contemporary Black Filmmaking

By Jenny Gunn

liquid blackness Presents: Music Video as Black Art: Claiming the B-Side

Theme week organized by
liquid blacknessGeorgia State University

liquid blackness Presents: Music Video as Black Art: Claiming the B-Side

By Alessandra Raengo

Black Study as Practice: Claiming the B-Side as Black Study

By djones

A Pedagogy of the B-Side

By Daren Fowler

“It’s already legit”: Rhizomatic Influence in Contemporary Black Filmmaking

By Jenny Gunn

Haptic Aesthetics as a Form of Strategic Slowness in Black Cinema

By Corey Couch

The Music Film as Argument

By James Tobias
2 comments

The Redux of REBIRTH IS NECESSARY

By Jenny Gunn

Suspension, Revisited

By Alessandra Raengo

Untitled

By James Tobias

byway

By Sarah Jane Cervenak

Distinction and Conjunction in the Films of Kahlil Joseph

By Charles P. Linscott
2 comments

Holding Blackness in Suspension: A Study

By Lauren Cramer
5 comments