Archives Displaying 11 - 20 of 37 Sort by Oldest firstNewest first Journal of Videographic Film & Moving Image Studies, 7.2, 2020August 30, 2020Curated by Christian KeathleyMiddlebury College Power TripBy Christopher Boulton Reviewed by Tiago de Luca Anthony Patrickson Saturday, August 29, 2020 Why Hasn't Animated Horror Succeeded?By Tuakana Metuarau Reviewed by Aylish Wood Wednesday, September 16, 2020 ClemBy William Brown Reviewed by Maria Pramaggiore Ming-yu Lee Friday, August 28, 2020 Why VR Does Not Promote EmpathyBy Dirk Eitzen Reviewed by Miriam Ross Adriano D'Aloia Friday, September 18, 2020 Tarkovsky's NapesBy Pavel Tavares Reviewed by Matilda Mroz Eric Faden Wednesday, September 16, 2020 La Cupola: Revisiting L'Avventura through 'building' and 'dwelling'By Peter Spence Reviewed by Laura Rascaroli Adrian Martin Tuesday, September 29, 2020 Journal of Videographic Film & Moving Image Studies, 7.1, 2020March 30, 2020Curated by Drew MortonTexas A&M University-Texarkana Feeling and Thought as They Take Form: Early Steadicam, Labor, and Technology (1974-1985)By Katie Bird Reviewed by Kerry Hegarty Patrick Keating Monday, March 30, 2020 Reclaiming Uncanny Spaces: Australian Landscapes from the New Wave to the New Indigenous CinemaBy Matthew Campora Reviewed by Austin Fisher Jennifer O'Meara Monday, March 30, 2020 Who Ever Heard…?By Matthew Thomas Payne Reviewed by Corey K Creekmur Benjamin Sampson Tuesday, March 31, 2020 1 comment Santa y Teresa: A Walking Dialogue between two Cuban CharactersBy Michelle Leigh Farrell Reviewed by Dunja Fehimovic Dolores Tierney Tuesday, March 31, 2020 Empathy with the MassesBy Catherine Gough-Brady Reviewed by Alan O'Leary Julia Vassilieva Tuesday, March 31, 2020 Journal of Videographic Film & Moving Image Studies, 6.4, 2019January 11, 2020Curated by Julia VassilievaMonash University Introduction: Montage ReloadedBy Julia Vassilieva Monday, January 6, 2020 The Future Within UsBy Helen Grace Reviewed by Julia Vassilieva Saturday, January 4, 2020 The Idea of a Series: Energy Vectors in MontageBy Adrian Martin Cristina Álvarez López Reviewed by Ivan Pintor Iranzo Friday, January 3, 2020 Reimagining Glass HouseBy Zoe Beloff Reviewed by Dustin Condren Friday, January 3, 2020 After the FactsBy Karen Pearlman Reviewed by Jane M. Gaines Monday, January 6, 2020 Journal of Videographic Film & Moving Image Studies, 6.3, 2019August 12, 2019Curated by Drew MortonTexas A&M University-Texarkana Occupying Time: The Battle of AlgiersBy Alan O'Leary Reviewed by Nick Warr Michael Talbott Monday, August 12, 2019 3 comments The ABCs of Bette DavisBy Pamela Wojcik Reviewed by Jenny Oyallon-Koloski Allison McCracken Tuesday, August 13, 2019 Watching The Pain of OthersBy Chloé Galibert-Laîné Reviewed by Alisa Lebow Maria Hofmann Tuesday, August 13, 2019 Special EffectivitiesBy Ian Bryce Jones Reviewed by Jamie Poster David O'Grady Tuesday, August 13, 2019 Dr. Caligari’s Francis: A Sane ReadingBy Alan Blanchard Reviewed by Patrick Keating Thomas Elsaesser Tuesday, August 13, 2019 Pan Scan VenkmanBy Cormac Donnelly Reviewed by Charlie Shackleton Caetlin Benson-Allott Tuesday, August 13, 2019 The Technicolor Legacy, Color Consciousness and Hammer HorrorBy Paul Frith Reviewed by Simon Brown Darren Elliott-Smith Tuesday, August 13, 2019 Reproductive Futurism and the Politics of the SequelBy Kathleen Loock Reviewed by Amanda Ann Klein Drew Morton Sunday, August 25, 2019 Journal of Videographic Film & Moving Image Studies, 6.2, 2019June 10, 2019Curated by Neil VermaNorthwestern UniversityJacob SmithNorthwestern University Listening for ReligionBy Lauren Pond Reviewed by Neil Verma, Jacob Smith Shayna Silverstein Monday, June 3, 2019 Catching Flies and Catching Memories: The Skin-Crawling Sounds of Yoko Ono's FLY (1970)By Amy Skjerseth Reviewed by Neil Verma, Jacob Smith Jean Ma Monday, June 3, 2019 Itinéraire d’un ciné-fils de… #3: Le cercle rouge (1970)By Christian Gosvig Olesen Reviewed by Neil Verma, Jacob Smith Jeff Smith Monday, June 3, 2019 Syrian Bodies, Sonic RupturesBy Shayna Silverstein Reviewed by Neil Verma, Jacob Smith Robert Beahrs Monday, June 3, 2019 Eye Contact with the City: A Discourse on Contemporary Urban SoundsBy Budhaditya Chattopadhyay Maria Papadomanolaki Reviewed by Neil Verma, Jacob Smith Stephan Moore Monday, June 3, 2019 Am I Pretty?By Jennifer Proctor Reviewed by Neil Verma, Jacob Smith Kiri Miller Monday, June 3, 2019 Covenant of the TongueBy Karen Werner Reviewed by Neil Verma, Jacob Smith Anna Friz Monday, June 3, 2019 Record Everything: Archive 81 and the Sounds of PreservationBy Jeremy Morris Tom Welch Reviewed by Neil Verma, Jacob Smith Josie Torres Barth Monday, June 3, 2019 Journal of Videographic Film & Moving Image Studies, 6.1, 2019March 9, 2019Curated by Chiara GrizzaffiUniversità IULM - Milan Beyond the Screen #nofilter By Maria Hofmann Reviewed by Deane Williams Irene Gustafson Saturday, March 9, 2019 Message from ChileBy José Miguel Palacios Elizabeth Ramirez-Soto Reviewed by Dolores Tierney Jeffrey Romero Middents Friday, March 8, 2019 The Two IrisesBy Eleni Palis Reviewed by Jessica McGoff Friday, March 8, 2019 A Dalek is (now) a many-splendored thingBy Keith M. Johnston Reviewed by Susan Murray Matt Hills Saturday, March 9, 2019 1 comment Echoes Beyond TimeBy Padraic Killeen Reviewed by Paul Ramaeker Rashna Wadia Richards Thursday, March 7, 2019 Journal of Videographic Film & Moving Image Studies, 5.4, 2019January 13, 2019Curated by Chiara GrizzaffiUniversità IULM - Milan The Birds After HitchcockBy Miguel Mesquita Duarte Reviewed by Catherine Fowler Gordon Hon Monday, December 31, 2018 The Death of a TextBy David Safin Reviewed by Jacob Smith Tom Brown Monday, December 31, 2018 Gone EstrayBy Melissa Dollman, PhD Reviewed by Jaimie Baron Brian L. Frye Monday, December 31, 2018 1 comment Negative SpaceBy Allain Daigle Reviewed by DanielleMBouchard Susan Potter Tuesday, January 1, 2019 Visual DisturbancesBy Eric Faden Reviewed by Tessa Dwyer Steve Anderson Tuesday, January 1, 2019 Journal of Videographic Film & Moving Image Studies, 5.3, 2018October 4, 2018Curated by Christian KeathleyMiddlebury College Cruising Différance in 3 ScenesBy Marc Francis Reviewed by Joe Wlodarz Luke Robinson Tuesday, October 2, 2018 Some People Like Hearing Sad ThingsBy Nicole Morse Reviewed by Michele Aaron Patricia White Tuesday, October 2, 2018 Sound in Hanna-BarberaBy Patrick Sullivan Reviewed by Jason Mittell Nic Sammond Tuesday, October 2, 2018 America is (Not) CoolBy Jenny Oyallon-Koloski Reviewed by Catherine Grant Cara Hagan Monday, October 1, 2018 Journal of Videographic Film & Moving Image Studies, 5.2, 2018Curated by Drew MortonTexas A&M University-Texarkana Women's Time-ImageBy Jessica McGoff Reviewed by Kristi McKim David Sorfa Sunday, April 29, 2018 Playing at the MarginsBy John Gibbs and Suzana Reck Miranda Reviewed by Ian Garwood Sunday, April 29, 2018 A Place in the Nation: Nationhood in Larraín's NO (2013)By Niall Ó Murchú Reviewed by Cristina Álvarez López Monday, April 30, 2018 Of Love and LongingBy Allain Daigle Reviewed by Melanie Kohnen Jaap Kooijman Wednesday, May 2, 2018 Suffering In Rhythm: The ‘Haunting Melody’ in Film NoirBy Padraic Killeen Reviewed by Robert Miklitsch Jennifer Proctor Wednesday, May 2, 2018 Journal of Videographic Film & Moving Image Studies, 5.1, 2018Curated by Christian KeathleyMiddlebury CollegeJason MittellMiddlebury College I Feel, Therefore I Can Be FreeBy Nzingha Kendall Reviewed by Dolores Tierney Thursday, March 8, 2018 Berlin MovesBy Evelyn Kreutzer Reviewed by Nick Warr Wednesday, March 7, 2018 Remixing Rose HobartBy Derek Long Reviewed by Kevin Lee Wednesday, March 7, 2018 Cinders of La InvasionBy Nike Nivar Ortiz Reviewed by Robert Burgoyne Jeffrey Romero Middents Thursday, March 8, 2018 The Follow ShotBy Jordan Schonig Reviewed by Luis Rocha Antunes Patrick Keating Thursday, March 8, 2018 Pages« first ‹ previous 1 2 3 4 next › last »
