Archives Displaying 21 - 30 of 40 Sort by Oldest firstNewest first Journal of Videographic Film & Moving Image Studies, 5.3, 2018October 4, 2018Curated by Christian KeathleyMiddlebury College Cruising Différance in 3 ScenesBy Marc Francis Reviewed by Joe Wlodarz Luke Robinson Tuesday, October 2, 2018 Some People Like Hearing Sad ThingsBy Nicole Morse Reviewed by Michele Aaron Patricia White Tuesday, October 2, 2018 Sound in Hanna-BarberaBy Patrick Sullivan Reviewed by Jason Mittell Nic Sammond Tuesday, October 2, 2018 America is (Not) CoolBy Jenny Oyallon-Koloski Reviewed by Catherine Grant Cara Hagan Monday, October 1, 2018 Journal of Videographic Film & Moving Image Studies, 5.2, 2018Curated by Drew MortonTexas A&M University-Texarkana Women's Time-ImageBy Jessica McGoff Reviewed by Kristi McKim David Sorfa Sunday, April 29, 2018 Playing at the MarginsBy John Gibbs and Suzana Reck Miranda Reviewed by Ian Garwood Sunday, April 29, 2018 A Place in the Nation: Nationhood in Larraín's NO (2013)By Niall Ó Murchú Reviewed by Cristina Álvarez López Monday, April 30, 2018 Of Love and LongingBy Allain Daigle Reviewed by Melanie Kohnen Jaap Kooijman Wednesday, May 2, 2018 Suffering In Rhythm: The ‘Haunting Melody’ in Film NoirBy Padraic Killeen Reviewed by Robert Miklitsch Jennifer Proctor Wednesday, May 2, 2018 Journal of Videographic Film & Moving Image Studies, 5.1, 2018Curated by Christian KeathleyMiddlebury CollegeJason MittellMiddlebury College I Feel, Therefore I Can Be FreeBy Nzingha Kendall Reviewed by Dolores Tierney Thursday, March 8, 2018 Berlin MovesBy Evelyn Kreutzer Reviewed by Nick Warr Wednesday, March 7, 2018 Remixing Rose HobartBy Derek Long Reviewed by Kevin Lee Wednesday, March 7, 2018 Cinders of La InvasionBy Nike Nivar Ortiz Reviewed by Robert Burgoyne Jeffrey Romero Middents Thursday, March 8, 2018 The Follow ShotBy Jordan Schonig Reviewed by Luis Rocha Antunes Patrick Keating Thursday, March 8, 2018 Journal of Videographic Film & Moving Image Studies, 4.4, 2017Curated by Chiara GrizzaffiUniversità IULM - Milan Lizard TrainBy Kevin L. Ferguson Reviewed by Tracy Cox-Stanton Wednesday, January 10, 2018 Inception – A Surrealist Tale About Lost LoveBy Agnieszka Piotrowska Reviewed by Benjamin Sampson Douglas Julien Thursday, January 11, 2018 Flow/JobBy Darren Elliott-Smith Reviewed by Jennifer Moorman Wednesday, January 10, 2018 "The fire and the rose are one." Motifs of Tarkovsky By Peter Kravanja Reviewed by Matilda Mroz Anne Bachmann Wednesday, January 10, 2018 The Sexuality of Space: St Mary Magdalen’s Home MoviesBy William Brown Reviewed by Darren Elliott-Smith Cüneyt Çakırlar Wednesday, January 10, 2018 Journal of Videographic Film & Moving Image Studies, 4.3, 2017Curated by Tessa DwyerMonash UniversitySean RedmondDeakin UniversityClaire PerkinsMonash University Unseen Screens: Eye Tracking, Magic and MisdirectionBy Tessa Dwyer Reviewed by Sarah Thomas Dan North Tuesday, September 5, 2017 5 comments Materialisation, Emotion, & Attention: Tracking Sound’s Perceptual Effects in FilmBy Darrin Verhagen Reviewed by Murray Smith William Brown Wednesday, September 6, 2017 The Ear That Dreams: Eye Tracking Sound in the Moving ImageBy Sean Redmond Reviewed by Murray Smith Drew Morton Thursday, September 7, 2017 Dead TimeBy Claire Perkins Catherine Fowler Reviewed by Christian Keathley Matilda Mroz Wednesday, September 6, 2017 Journal of Videographic Film & Moving Image Studies, 4.2b, 2017November 1, 2016 to December 1, 2016Curated by Richard MisekUniversity of Bergen Martyrs for the MassBy Kevin Lee Reviewed by Drew Morton Thursday, June 1, 2017 Flicker and ShutterBy Tracy Cox-Stanton Reviewed by Chiara Grizzaffi Thursday, June 1, 2017 WTF IS THAT? The Pre- and Post-Cinematic Tendencies of Paranormal ActivityBy Allison de Fren Reviewed by Catherine Grant Thursday, June 1, 2017 In Praise of BlurBy Richard Misek Tuesday, July 11, 2017 Emerald TransmutationsBy Patricia Pisters Reviewed by Christian Keathley Thursday, June 1, 2017 Journal of Videographic Film & Moving Image Studies, 4.2a, 2017Curated by Richard MisekUniversity of Bergen Indefinite Visions: An IntroductionBy Richard Misek Wednesday, May 31, 2017 Frames and ContainersBy Charlie Shackleton Reviewed by Drew Morton Wednesday, May 31, 2017 Ray/GodardBy David Verdeure Reviewed by Catherine Grant Thursday, June 1, 2017 The Black ScreenBy Richard Misek Reviewed by Chiara Grizzaffi Thursday, June 1, 2017 The Blackout PeriodBy Patricia Pisters Thursday, June 1, 2017 Journal of Videographic Film & Moving Image Studies, 4.1, 2017 Looking at To-Be-Looked-at-Ness: Feminist Videographic CriticismBy Catherine Grant Sunday, March 12, 2017 Let Them Speak! Against Standardization in Videographic Criticism By Chiara Grizzaffi Tuesday, March 21, 2017 Digital Technologies and Videographic Research PracticeBy Christian Keathley Friday, March 17, 2017 Videographic TelephiliaBy Jason Mittell Monday, March 13, 2017 Videographic Criticism and Documentary ModesBy Drew Morton Monday, March 13, 2017 Journal of Videographic Film & Moving Image Studies, 3.4, 2016Curated by Catherine GrantAarhus UniversitetChiara GrizzaffiUniversità IULM - Milan Thinking Through Acting: Performative Indices and Philosophical AssertionsBy Aaron Taylor Bryn Hewko Reviewed by Jennifer O'Meara Monday, November 21, 2016 1 comment Give Me a SmileBy Caroline Rumley Reviewed by Rob Stone Adrian Martin Tuesday, December 20, 2016 HANNIBAL: A FanvidBy Lori Morimoto Reviewed by Louisa Stein Francesca Coppa Thursday, October 6, 2016 Don’t Look Now: Paradoxes of SutureBy Shane Denson Reviewed by Alisa Lebow Richard Misek Thursday, October 6, 2016 Landscape in Paradigms: Ford’s Monument ValleyBy Booth Wilson Reviewed by Stephen Mamber Allison Butler Tuesday, December 20, 2016 Journal of Videographic Film & Moving Image Studies, 3.3, 2016Curated by Nicolas PoppeMiddlebury CollegeMichael TalbottCastleton University "You Looking at Me?" The Misleading Counter-Shot in The Hour of the Star (1986)By Nilo Couret Reviewed by Kerry Hegarty Tatiana Signorelli Heise Monday, October 17, 2016 Still BrazilBy Stefan Solomon Reviewed by Violet Lucca Tiago de Luca Friday, October 7, 2016 Hunger and Rotten Flesh: Cinema Novo, Pasolini, EisensteinBy Albert Elduque Reviewed by Rielle Navitski Liz Greene Tuesday, October 18, 2016 ¿Por qué me miras así? Magaly, Dolores, and the Authentic Indigenous IconBy Jeffrey Romero Middents Reviewed by Amalia Cordova Niamh Thornton Thursday, September 29, 2016 Buñuel in Mexico: The Logic of DeliriumBy Cristina Álvarez López Sunday, October 2, 2016 Pages« first ‹ previous 1 2 3 4 next › last »