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Journal of Videographic Film & Moving Image Studies, 4.4, 2017

Curated by
Chiara GrizzaffiUniversità IULM - Milan

Lizard Train

By Kevin L. Ferguson
Reviewed by Tracy Cox-Stanton

Inception – A Surrealist Tale About Lost Love

By Agnieszka Piotrowska
Reviewed by Benjamin Sampson Douglas Julien

Flow/Job

By Darren Elliott-Smith
Reviewed by Jennifer Moorman

"The fire and the rose are one." Motifs of Tarkovsky

By Peter Kravanja
Reviewed by Matilda Mroz Anne Bachmann

The Sexuality of Space: St Mary Magdalen’s Home Movies

By William Brown
Reviewed by Darren Elliott-Smith Cüneyt Çakırlar
Heatmap

Journal of Videographic Film & Moving Image Studies, 4.3, 2017

Curated by
Tessa DwyerMonash University
Sean RedmondDeakin University
Claire PerkinsMonash University

Unseen Screens: Eye Tracking, Magic and Misdirection

By Tessa Dwyer
Reviewed by Sarah Thomas Dan North
5 comments

Materialisation, Emotion, & Attention: Tracking Sound’s Perceptual Effects in Film

By Darrin Verhagen
Reviewed by Murray Smith William Brown

The Ear That Dreams: Eye Tracking Sound in the Moving Image

By Sean Redmond
Reviewed by Murray Smith Drew Morton

Dead Time

By Claire Perkins Catherine Fowler
Reviewed by Christian Keathley Matilda Mroz

Journal of Videographic Film & Moving Image Studies, 4.2b, 2017

Curated by
Richard MisekUniversity of Bergen

Martyrs for the Mass

By Kevin Lee
Reviewed by Drew Morton

Flicker and Shutter

By Tracy Cox-Stanton
Reviewed by Chiara Grizzaffi

WTF IS THAT? The Pre- and Post-Cinematic Tendencies of Paranormal Activity

By Allison de Fren
Reviewed by Catherine Grant

In Praise of Blur

By Richard Misek

Emerald Transmutations

By Patricia Pisters
Reviewed by Christian Keathley

Journal of Videographic Film & Moving Image Studies, 4.2a, 2017

Curated by
Richard MisekUniversity of Bergen

Indefinite Visions: An Introduction

By Richard Misek

Frames and Containers

By Charlie Shackleton
Reviewed by Drew Morton

Ray/Godard

By David Verdeure
Reviewed by Catherine Grant

The Black Screen

By Richard Misek
Reviewed by Chiara Grizzaffi

The Blackout Period

By Patricia Pisters

Journal of Videographic Film & Moving Image Studies, 4.1, 2017

Looking at To-Be-Looked-at-Ness: Feminist Videographic Criticism

By Catherine Grant

Let Them Speak! Against Standardization in Videographic Criticism

By Chiara Grizzaffi

Digital Technologies and Videographic Research Practice

By Christian Keathley

Videographic Telephilia

By Jason Mittell

Videographic Criticism and Documentary Modes

By Drew Morton

Journal of Videographic Film & Moving Image Studies, 3.4, 2016

Curated by
Catherine GrantAarhus Universitet
Chiara GrizzaffiUniversità IULM - Milan

Thinking Through Acting: Performative Indices and Philosophical Assertions

By Aaron Taylor Bryn Hewko
Reviewed by Jennifer O'Meara
1 comment

Give Me a Smile

By Caroline Rumley
Reviewed by Rob Stone Adrian Martin

HANNIBAL: A Fanvid

By Lori Morimoto
Reviewed by Louisa Stein Francesca Coppa

Don’t Look Now: Paradoxes of Suture

By Shane Denson
Reviewed by Alisa Lebow Richard Misek

Landscape in Paradigms: Ford’s Monument Valley

By Booth Wilson
Reviewed by Stephen Mamber Allison Butler

Journal of Videographic Film & Moving Image Studies, 3.3, 2016

Curated by
Nicolas PoppeMiddlebury College
Michael TalbottCastleton University

"You Looking at Me?" The Misleading Counter-Shot in The Hour of the Star (1986)

By Nilo Couret
Reviewed by Kerry Hegarty Tatiana Signorelli Heise

Still Brazil

By Stefan Solomon
Reviewed by Violet Lucca Tiago de Luca

Hunger and Rotten Flesh: Cinema Novo, Pasolini, Eisenstein

By Albert Elduque
Reviewed by Rielle Navitski Liz Greene

¿Por qué me miras así? Magaly, Dolores, and the Authentic Indigenous Icon

By Jeffrey Romero Middents
Reviewed by Amalia Cordova Niamh Thornton

Buñuel in Mexico: The Logic of Delirium

By Cristina Álvarez López

Journal of Videographic Film & Moving Image Studies, 3.2, 2016

Curated by
Christian KeathleyMiddlebury College

Quantum Haunting

By Kevin L. Ferguson
Reviewed by Laura Rascaroli Shane Denson

Honolulu Mon Amour

By Nick Warr
Reviewed by Gordon Hon Christine Becker

Stereotowns

By Miriam Ross
Reviewed by Eric Faden Maria A. Velez-Serna

Opening Movements in Ophuls

By John Gibbs
Reviewed by David T. Johnson Susan Smith

Revisiting Bruxelles-Transit

By Jasper Stratil
Reviewed by Alisa Lebow Franklin Cason

Journal of Videographic Film & Moving Image Studies, 3.1, 2016

Curated by
Catherine GrantAarhus Universitet

Facing the Subject (On Observation)

By Irene Gustafson
Reviewed by Seung-hoon Jeong Richard Misek

ADAPTATION.'s Anomalies

By Jason Mittell
Reviewed by Adrian Martin Kevin L. Ferguson

Kataskopos: The Extraterrestrial View of the Earth in Film

By Anthony Patrickson
Reviewed by Shane Denson Steve Anderson

The Spielberg Touchscreen

By Ken Provencher
Reviewed by Kelli Marshall Chiara Grizzaffi

Mothers on the Line: The Allure of Julianne Moore

By Cüneyt Çakırlar
Reviewed by Jaap Kooijman Liz Greene
4 comments

Journal of Videographic Film & Moving Image Studies, 2.4, 2016

Curated by
Christian KeathleyMiddlebury College
Jason MittellMiddlebury College

Fembot in a Red Dress

By Allison de Fren
Reviewed by Elana Levine Kevin Lee

Sight and Sound Conspire: Monstrous Audio-Vision in James Whale’s Frankenstein

By Shane Denson
Reviewed by Drew Morton Steven Shaviro

A Homeless Ghost: The Moving Camera and its Analogies

By Patrick Keating
Reviewed by Matt Zoller Seitz Kristin Thompson

Success

By Jaap Kooijman
Reviewed by Chiara Grizzaffi Richard Dyer

Encounters

By Michael Talbott
Reviewed by Michael Koresky Austin Fisher

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