Creative Commons Attribution 2.0 Generic

Anxious Love, Anxious Laughter: The Art of Comedy in American Jewish Films.

Monday, September 9, 2024

Theme week organized by

Joseph OziasUniversity of Cincinnati

Co-editor

Sara Ghazi Asadollahi

On the Cringe of Success: Finding the Humor in the Pain in Claudia Weill’s Girlfriends

By Joseph Ozias

Monday, September 9, 2024

The Good, The Bad, and The Ugly: How A Car Ride Can Make or Break a Relationship in The Heartbreak Kid

By Stella Fried

Monday, September 9, 2024

“You’re Hurting Me”: Comedic Rhythms for Tragic Ends in Ronald Bronstein’s Frownland

By Clark Comstock

Monday, September 9, 2024

Uncertainty and Liminality in the Coen Brothers’s A Serious Man (2009)

By Bryce Bullins

Monday, September 9, 2024

"To Speak or to Die”: Voice, Love, and Loss in Call Me By Your Name

Monday, September 9, 2024

Featured Content

9/9/2024
Anxious Love, Anxious Laughter: The Art of Comedy in American Jewish Films.

Theme week organized by
Joseph OziasUniversity of Cincinnati
4/29/2024 to 5/5/2024
Montage/Composite/Exchange II

Theme week organized by
Jordan ChrietzbergGeorgia State University
4/22/2024 to 4/28/2024
Cinema and Visual Arts

Theme week organized by
Sara Ghazi AsadollahiGeorgia State University
4/15/2024 to 4/21/2024
Montage/Composite/Exchange I

Theme week organized by
Jordan ChrietzbergGeorgia State University
4/8/2024 to 4/14/2024
The Curse

Theme week organized by
Mychal Reiff-Shanks
3/18/2024 to 3/24/2024
Labor and the Moving Image

Theme week organized by
Jordan ChrietzbergGeorgia State University