As commenter

• In Media Res
  Re: Reading Hedwig and the Angry Inch, Otherwise: A Reparative Reading on the Art of Enacting Middle

  Race in Hedwig + Sargent Luther and Hansel

  By

  Robert Summers Otis College of Art

  Sunday, February 6, 2011 — 4:57 am

  Thank you for your question regarding race, and the only significant character, with a small role on screen, in the film is of color: Black.  Here, I would like to quote, as well as comment on, Stockton’s Beautiful Bottom, Beautiful Shame (Duke, 2006): ‘T ...
• In Media Res
  Re: Reading Hedwig and the Angry Inch, Otherwise: A Reparative Reading on the Art of Enacting Middle

  Middle: Deleuze and Guattariand John Ricco

  By

  Robert Summers Otis College of Art

  Sunday, February 6, 2011 — 5:07 am

  Thank you for your question.  I will only discuss middle.   But, I also hope the relation between the Black sergeant and Hansel became clearer in my response to Michael’s question-- I may have to return to it.  It is tricky, but I want to refuse the black ...
• In Media Res
  Re: John Cameron Mitchell's Relationscapes

  Shortbus: 'Biogram' and 'Middle'

  By

  Robert Summers Otis College of Art

  Tuesday, February 1, 2011 — 9:15 pm

  Thank you Karin and Michael for a post that opened up Shortbus in other, interesting, and fabulous ways. I have a question, which I hope you may be able to answer, and thus expand on your piece: May we think the 'biogram' and 'middle' ...