Foucault and Film (Part II)

Theme week organized by
Jenny GunnGeorgia State University
Co-editor

“My memory comes in the way of your history”: Radical remembrance in Amma Ariyan as a route to politicizing history

By SanchariDuttaChowdhury

Ray vs. Foucault on the speech of the ‘mad’ subject

By Basudhara Purkait

The Empty Panopticon: Surveillance and Parrhesia in Iranian Cinema

By Parsa Naji

Sing Sing and The Cinematic Prison

By Jeffrey W. Peterson

Prisons of Rhythm

By Jarred Biederstaedt