Melissa Dollman, PhD

Tribesourcing Southwest Film Project (formerly University of North Carolina at Chapel Hill)

As contributor

[in]Transition

Gone Estray

By
Melissa Dollman University of North Carolina at Chapel Hill

Reviewed by
Jaimie Baron University of Alberta

University of Kentucky College of Law

December 31, 2018
1 comment

Gone Estray Creator's Statement “Ordinary affects are public feelings that begin and end in broad circulation, but they’re also the stuff that seemingly intimate lives are made of.” – Kathleen Stewart in Ordinary Affects [i] estray (e-stray), n. (16 ...

As commenter

[in]Transition

Re: Gone Estray

Quick update

By
Melissa Dollman University of North Carolina at Chapel Hill

Monday, January 14, 2019 — 5:49 pm
First, I could not have been more delighted to discover that Jaimie Baron and Bryan L. Frye, whose work I admire (and discuss!), were my reviewers. One important point I want to clear up right away, is that between the time Baron and Frye each reviewed th ...

Bio

I am a PhD candidate at the University of North Carolina at Chapel Hill in American Studies (dissertation project: “Changing Lanes: A Reanimation of Shell Oil’s Carol Lane”). I have been a cataloguer, audiovisual archivist, intern, volunteer, adjunct faculty, exhibit developer, and researcher for cultural heritage institutions including Women In Film Foundation, UCLA Film and Television Archive, Academy Film Archive, Schlesinger Library at Harvard University, State Archives of North Carolina, and North Carolina State University. I have presented at numerous conferences and symposia as well as written short pieces in the journal The Moving Image, and a chapter on privacy and home movies in Amateur Movie Making: Aesthetics of the Everyday in New England, 1915-1960 (Indiana University Press, 2017). My first videographic essay about a history of women in 1980s public access television, Cue the Women(2015), was cablecasted on public access television in North Carolina.

See my latest essay for [In]Transition, Gone Estray, from Journal of Videographic Film and Moving Image Studies 5.4.

As contributor

Gone Estray

As commenter

Quick update