Contents

1. On videographic film and moving image studies
   1. Books, book chapters and offline journals
   2. Online studies: collections
   3. Online studies: individual items
   4. Videographic film and moving image studies websites
   5. Other journals and websites with related content
2. On the found footage film, compilation film, essay film, supercut and audiovisual criticism traditions
3. Practicalities

1. On videographic film and moving image studies

A. Books, book chapters and offline journals

• Bellour, Raymond. (1975/) 2000. "The Unattainable Text." Analysis of Film. Bloomington and Indianapolis: Indiana University Press: pp. 21-27.

• Bellour, Raymond. (1990/) 2012. Between-the-Images. Zurich: JRP/Ringier and Les Presses du Réel.

• Keathley, Christian. 2011. “La caméra-stylo: Notes on Video Criticism and Cinephilia.” In The Language and Style of Film Criticism, ed. Alex Clayton and Andrew Klevan. London: Routledge.

• Mulvey, Laura. 2006. Death 24x a Second: Stillness and the Moving Image. London: Reaktion.

• Mulvey, Laura. 2014. "Cinematic gesture: the ghost in the machine." Journal for Cultural Research, forthcoming

• Wahl, Chris. 2011. “Sortation: On an User-Based Approach to Digital Meta-Archives.” In L'archivio/The archive. Atti del XVIII Convegno internazionale di studi sul cinema. Udine, 5-7 aprile 2011. ed Bordina, Alessandro; Campanini, Sonia; Mariani, Andrea. Udine: Forum: pp. 191-195

B. Online studies: collections

• Society for Cinema and Media Studies Workshop -Visualizing Media Studies  Workshop, Seattle, USA, March 20, 2014 [Video recordings]:
  • Part 1 (0:14:00 - scroll to 5:58 for Chris Becker's introduction and then to 8:40 for the first part of Drew Morton's presentation)
  • Part 2 (1:35:49 - DM's presentation continues then scroll to 4:20 for Catherine Grant; to 20:50 for Christian Keathley; to 28:14 for Matthias Stork; to 40:00 for Ben Sampson; to 54:30 for Jason Mittell; and to 58:15 for the Q&A session)

• ANIKI: Portuguese Journal of the Moving Image [Thematic Dossier on Cinephilia] 1.1, 2014, edited by Tiago Baptista (including the following selection on videographic film studies):

  • Tiago Baptista, 'Delaying Cinema: An Interview with Laura Mulvey': http://aim.org.pt/ojs/index.php/revista/article/view/58/25;

  • Catherine Grant, 'The Shudder of a Cinephiliac Idea? Videographic Film Studies Practice as Material Thinking': http://aim.org.pt/ojs/index.php/revista/article/view/59/html;

  • Malte Hagener, 'How the Nouvelle Vague Invented the DVD: Cinephilia, new waves and film culture in the age of digital dissemination': http://aim.org.pt/ojs/index.php/revista/article/view/61/29.

• THE CINE-FILES, Issue 7 (Fall 2014) on 'The Video Essay: Parameters, Practice, Pedagogy'

• Cinema Journal Teaching Dossier: The Video Essay Assignment: Vol. 1 (2), 2013; co-edited by Christine Becker and Erin Copple Smith. Online at: http://www.teachingmedia.org/the-video-essay-assignment-cinema-journal-teaching-dossier-vol-12/:

  • Ashley Hinck, "Framing the Video Essay as Argument": http://www.teachingmedia.org/framing-the-video-essay-as-argument/;

  • Suzanne Scott, "Teaching Tranformativity/Transformative Teaching: Fair Use and the Video Essay": http://www.teachingmedia.org/teaching-transformativitytransformative-teaching-fair-use-and-the-video-essay/;

  • Leah Shafer, "The Video Essay as Curatorial Enterprise": http://www.teachingmedia.org/the-video-essay-as-curatorial-enterprise/;

  • Brett Boessen, "Production as Plug-in: Considerations for Teaching Production Skills in Non-Production Courses": http://www.teachingmedia.org/production-as-plug-in-considerations-for-teaching-production-skills-in-non-production-courses-2/;

  • Jennifer Proctor, "Teaching the Annotated Video Essay with Mozilla’s Popcorn Maker": http://www.teachingmedia.org/teaching-the-annotated-video-essay-with-mozillas-popcorn-maker/;

  • Kelli Marshall, "Grading Rubrics and Assessing the Video Essay in the Media Studies Classroom": http://www.teachingmedia.org/grading-rubrics-and-assessing-the-video-essay-in-the-media-studies-classroom/;

• Frames Cinema Journal Special Issue: "Film and Moving Image Studies Re-Born Digital?" (including the following selected items on videographic film studies), 1.1, July 2012. Guest-edited by Catherine Grant. Online at: http://framescinemajournal.com/?issue=issue1

  • Catherine Grant, "Film and Moving Image Studies: Re-Born Digital? Some Participant Observations": http://framescinemajournal.com/article/re-born-digital/;

  • Katherine Groo, "Cut, Paste, Glitch, and Stutter: Remixing Film History": http://framescinemajournal.com/article/cut-paste-glitch-and-stutter/;

  • Richard Misek, "Mapping Rohmer – A Video Essay": http://framescinemajournal.com/article/mapping-rohmer-a-video-essay/;

  • Erlend Lavik, "The Video Essay: The Future of Academic Film and Television Criticism?": http://framescinemajournal.com/article/the-video-essay-the-future/;

  • Matthias Stork, "In Touch with the Film Object: Cinephilia, the Video Essay, and Chaos Cinema": http://framescinemajournal.com/article/in-touch-with-the-film-object/;

  • Cristina Álvarez López, "Double Lives, Second Chances": http://framescinemajournal.com/article/double-lives-second-chances/;

  • Adrian Martin, "In So Many Words": http://framescinemajournal.com/article/in-so-many-words/;

  • Kevin B. Lee, "Interface 2.0": http://framescinemajournal.com/article/interface-2-0/;

  • Matthias Stork, "Moving Pieces": http://framescinemajournal.com/article/moving-pieces/;

  • Erlend Lavik, "Some Reflections On My Video Essay Venture 'Style in The Wire'”: http://framescinemajournal.com/article/some-reflections-on-my-video-essay-venture/;

  • Matthias Stork and Janet Bergstrom, "Film Studies with High Production Values: An Interview with Janet Bergstrom on Making and Teaching Audiovisual Essays": http://framescinemajournal.com/article/film-studies-with-high-production-values/ and "A Comprehensive List of Visual Essay Projects Created in Janet Bergstrom’s UCLA Seminar": http://framescinemajournal.com/article/film-studies-with-high-production-values/2/;

  • Christian Keathley, "Teaching the Scholarly Video": http://framescinemajournal.com/article/teaching-the-scholarly-video/;

  • Kelli Marshall, "Video Essays in the Cinema History Classroom": http://framescinemajournal.com/article/video-essays-in-the-cinema-history-classroom/;

  • Catherine Grant, "Bonus Tracks: The Making of Touching the Film Object and Skipping ROPE (Through Hitchcock’s Joins)": http://framescinemajournal.com/article/bonus-tracks/;

  • Andrew Myers, "Click Here To Print This Video Essay: Observations on Open Access and Non-Traditional Format in Digital Cinema and Media Studies Publishing": http://framescinemajournal.com/article/click-here-to-print-this-video-essay/;

  • Emily Jeremiah, James S. Williams and Gillian Wylde, "Snakes and Funerals": http://framescinemajournal.com/article/snakes-and-funerals/.

C. Online studies: individual items

• Balsom, Erika. 2008. “Qu’est’ce qu’une madeleine interactive? Chris Marker’s Immemory and the Possibility of a Digital Archive”, in E-Media Studies, 1.1. Online at: http://journals.dartmouth.edu/cgi-bin/WebObjects/Journals.woa/xmlpage/4/article/289

• Baute, Michael; Pantenburg,Volker; Pethke, Stefan. 2009. “Truly Doing Film Criticism: Interview with Tag Gallagher.” Kunst der Vermittlung. Online at: http://www.kunst-der-vermittlung.de/dossiers/filmgeschichte-gallagher/tag-gallagher-truly-doing-film-criticsm/

• Bordwell, David. 2012. "News! A video essay on constructive editing", Observations on Film Art. Online at: http://www.davidbordwell.net/blog/2012/10/28/news-a-video-essay-on-constructive-editing/

• Brotto, Denis. 2013. “A Digital Way for Film Studies & Soundscape Retrieval.” Cinergie 3. March. Online at: http://www.cinergie.it/?p=2335#sdendnote11anc

• Gosvig Olesen, Christian. 2014. "Digital Film Historiography – A Bibliography." Film History in the Making. Online at: http://filmhistoryinthemaking.com/digital-film-historiography-a-bibliography/

• Grant Catherine; Keathley, Christian. 2014. "The Use of an Illusion: Childhood cinephilia, object relations, and videographic film studies." Photogénie 0 June. Online at: http://www.photogenie.be/photogenie_blog/article/use-illusion

• Grant, Catherine. 2013. "Déjà-Viewing?: Videographic Experiments in Intertextual Film Studies." Mediascape: UCLA's Journal of Cinema and Media Studies (winter 2013). Online at: http://www.tft.ucla.edu/mediascape/Winter2013_DejaViewing.html

• Grant, Catherine. 2009. "Video Essays on Films: A Multiprotagonist Manifesto." Film Studies For Free. Online at: http://filmstudiesforfree.blogspot.com/2009/07/video-essays-on-films-multiprotagonist.html

• Grant, Catherine. 2012. "Video Essays and Scholarly Remix: Film Scholarship’s Emergent Forms - Audiovisual Film Studies, Pt 2." Film Studies For Free. Online at: http://filmstudiesforfree.blogspot.com/2012/03/video-essays-and-scholarly-remix-film.html

• Grant, Catherine. 2012. "Knowing that/knowing how? On audiovisual film studies, part 1: practice-led film research." Film Studies For Free. Online at: http://filmstudiesforfree.blogspot.com/2012/03/knowing-thatknowing-how-on-audiovisual.html.

• Grant, Catherine. 2014. "The Marriages of Laurel Dallas: Or, The Maternal Melodrama of the Unknown Feminist Film Spectator." Mediascape: UCLA's Journal of Cinema and Media Studies (winter 2013). Online at: http://www.tft.ucla.edu/mediascape/Fall2014_MarriagesMelodrama.html

• Grizzaffi, Chiara. 2013. "The Analysis of Film in the Digital Age: Online Video Essays." Paper at Media Mutations 5 Conference, Bologna, May. Online at: http://archivi.dar.unibo.it/index.php/archivi-video/conferenze/mediamutations/mediamutations-5/.

• Keathley, Christian; Miller, Andrew; Faden, Eric; Mittell, Jason. 2009. "The Scholarship of Sound and Image: Producing Media Criticism in the Digital Age.", MIT6 Stone Papyrus Storage and Transmission Conference, April 24-26. Online at: http://web.mit.edu/comm-forum/mit6/papers/Keathley.pdf

• Kolker, Robert. 2004. “Digital Media and the Analysis of Film”, in Susan Schreibman, Ray Siemens and John Unsworth (eds.), A Companion to Digital Humanities. Oxford: Blackwell Publishing. Online at: http://digitalhumanities.org/companion/view?docId=blackwell/9781405103213/9781405103213.xml&chunk.id=ss1-4-7&toc.id=0&brand=9781405103213_brand

• Lee, Kevin B. 2012. "VIDEO ESSAY: The #1 Textbook on Film, Now with Video." PressPlay | Indiewire, April 10. Online at: http://blogs.indiewire.com/pressplay/video-essay-the-1-textbook-on-film-now-with-video

• MacKenzie , Scott. 2007. “The Horror, Piglet, The Horror: Found Footage, Mash-Ups, AMVs, the avant-garde, and the Strange Case of Apocalypse Pooh.” CineAction 72. Online at: http://www.cineaction.ca/wp-content/uploads/2014/04/issue72sample1.pdf

• Manovich, Lev. 2012. “Media Visualization: Visual Techniques for Exploring Large Media Collections.” Originally published in Media Studies Futures , Kelly Gates (ed). London: Blackwell. Online at: http://lab.softwarestudies.com/p/publications.html

• Martin, Adrian. 2012. "A Voice Too Much." FilmKrant. 322. Online at: http://www.filmkrant.nl/av/org/filmkran/archief/fk322/engls322.html

• Morton, Drew. 2013. “The Visual Essay as Digital Publishing.” MediaCommons. Online at: http://mediacommons.futureofthebook.org/question/what-are-new-insights-digital-publishing/response/visual-essay-digital-publishing

• Pantenburg, Volker. 2014. "Instruments of Vision [An interview with Cristina Álvarez López (Spain) and Adrian Martin (Australia) on Audiovisual Essay Work." The Way Beyond. April 28. Online at: http://wayward-cloud.blogspot.de/2014/04/instruments-of-vision.html

• Shambu, Girish, 2012. "Video Essays." Girish, February 27. Online (with comments) at: http://girishshambu.blogspot.com/2012/02/video-essays.html

• Sillars, Jane. 2014. "Making More Films about Films: The Essay Video." IAD4LEARN, March 5. Online at: http://iad4learnteach.wordpress.com/2014/03/05/making-more-films-about-films-the-essay-video/

• Smith, Iain Robert (ed). 2009. Studies "Cultural Borrowings: Appropriation, Reworking, Transformation." Special Issue of Scope: An Online Journal of Film 15 October. Online at: https://www.academia.edu/207383/Cultural_Borrowings_Appropriation_Reworking_Transformation (also at Scope but that is currently offline)

• Stork, Matthias. 2013. "On Cinemetrics, Video Essays, and Digital Scholarship – An Interview with Dr. Yuri Tsivian and Dr. Daria Khitrova." Mediascape – UCLA’s Journal of Cinema and Media Studies, Vol. 9, Fall. Online at: http://www.tft.ucla.edu/mediascape/Winter2013_Cinemetrics.html

• Thompson, Kristin. 2011 'A variation on a sunbeam: Exploring a Griffith Biograph film.' Observations on Film Art. September 5. Online at: http://www.davidbordwell.net/blog/2011/09/05/a-variation-on-a-sunbeam-exploring-a-griffith-biograph-film/.

• Thompson, Kristen; Bordwell, David. 2012. "FILM ART: AN INTRODUCTION reaches a milestone, with help from the Criterion Collection." Observations on Film Art, March 16. Online at: http://www.davidbordwell.net/blog/2012/03/16/film-art-an-introduction-reaches-a-milestone-with-help-from-the-criterion-collection/

D. Videographic film and moving image studies websites

• The Audiovisual Essay; Practice and Theory of Videographic Film and Moving Image Studies. Online at: http://reframe.sussex.ac.uk/audiovisualessay/

• Audiovisualcy: Videographic Film and Moving Image Studies. Online at: https://vimeo.com/groups/audiovisualcy

• Essay Film Festival. Online at: http://www.essayfilmfestival.com

• Keyframe | Fandor. Online at: http://www.fandor.com/keyframe/category/videos.

• Kunst de Vermittlung: Aus den Archiven des Filmvermittelnden Films. Online at: http://www.kunst-der-vermittlung.de/

• Kurzfilmtage: Film Studies in motion. Online at: http://www.kurzfilmtage.de/en/looking-back/2012/podium/film-studies-in-motion.html

• Moving Image Source. Online at: http://www.movingimagesource.us/

• Press Play | IndieWire. Online at: http://blogs.indiewire.com/pressplay/

• Kevin B. Lee's Shooting Down Pictures. Online at: http://alsolikelife.com/shooting/

• Transit: cine y otros desvíos. Online at: http://cinentransit.com/

E. Other journals and websites with related content

• Audiovisual Thinking. Online at: http://www.audiovisualthinking.org/

• In Media Res. Online at: http://mediacommons.futureofthebook.org/imr/

  • Christian Keathley, "A Whirlpool of Things [on critical commentary and Otto Preminger’s Whirlpool]." In Media Res, May 14 , 2007. Online at: http://mediacommons.futureofthebook.org/imr/2007/05/14/a-whirlpool-of-things.

• LOLA. Online at: http://www.lolajournal.com/

• Mediascape: UCLA's Journal of Cinema and Media Studies. Online at: http://www.tft.ucla.edu/mediascape/

  • Brian Hu – “Pop Music and Wong Kar Wai” [published in MEDIASCAPE, Winter 2011]

  • Adam Fish – “World of Wonder: An Unauthorized Documentary of a Production Company” [published in MEDIASCAPE, Spring 2008]

  • Erin Hill, Brian Hu – “HBO’s Cinematized Television” [published in MEDIASCAPE, Fall 2009]

  • Ben Sampson – “Layers of Paradox in F for Fake” [published at MEDIASCAPE, Fall 2009]

  • Clifford Hilo, Maya Montañez Smukler, Julia Wright – “White House, Black President” [published at MEDIASCAPE, Fall 2009]

  • Drew Morton, David O’Grady, Jennifer Porst – “Towards a New Genre of Video Game Play” [published at MEDIASCAPE, Fall 2009]

  • Alexandra Schroeder – “What Happens When You Sleep? Multiple Layers of Voyeurism in the Paranormal Activity Trilogy” [published at MEDIASCAPE, Fall 2012]

  • Matthias Stork – “Transmedia Synergies: Remediating Films and Video Games” [published at MEDIASCAPE, Fall 2012]

• NECSUS: European Journal of Media Studies (audiovisual essay section curated by Adrian Martin and Cristina Álvarez López). Online at: http://www.necsus-ejms.org/portfolio-type/journal/

• Vectors Journal. Online at: http://www.vectorsjournal.org/archive/

  • Eric Faden, "Tracking Theory: The Synthetic Philosophy of The Glance." Vectors, 4, 2005. Online at: http://www.vectorsjournal.org/projects/index.php?project=78

2. On the found footage film, compilation film, essay film, supercut and audiovisual criticism traditions

• Alter, Nora. 2007. "Translating the Essay into Film and Installation." Journal of Visual Culture, 6:1: pp. 44-57.
• Arthur, Paul. 1999. "The Status of Found Footage." Spectator 20 (1): 57–69.
• Balsom,  Erica. 2013. Exhibiting Cinema in Contemporary Art. Amsterdam: Amsterdam University Press. Online at: http://www.oapen.org/search?identifier=442726.
• Baron, Jaimie. 2014. The Archive Effect: Found Footage and the Audiovisual Experience of History. London: Routledge.
• Basilico, Stefano. 2004. “The Editor.” In Cut: Film as Found Object in Contemporary Video, edited by Stefano Basilico, 29-45. Milwaukee: Milwaukee Art Museum.
• Bate, Jonathan and Pigott, Michael. 2013. Joseph Cornell Versus Cinema. London: Bloomsbury.
• Biemann, Ursula (ed.). 2003. Stuff It: The Video Essay in the Digital Age. Zurich: Edition: Voldemeer.
• Blümlinger, Christa and Wulff, Constantin (eds). 1993. Schreiben Bilder Sprechen: Texte zum essayistischen Film. Wien: Sonderzahl.
• Blümlinger, Christa. 2009. Kino aus zweiter Hand. Zur Ästhetik materieller Aneignung im Film und in der Medienkunst. Vorwerk 8, Berlin, 2009; translated into French by Pierre Rusch and Christophe Jouanlanne, as Cinéma de seconde main. Esthétique du remploi dans l'art du film et des nouveaux médias. Klincksieck, Paris, 2013.
• Brenez, Nicole. 2010. "Recycling, Visual Study, Expanded Theory: Ken Jacobs, Theorist, or the Long Song of the Sons," in Michele Pierson, David E. James, and Paul Arthur (eds.), Optic Antics: The Cinema of Ken Jacobs. New York: Oxford University Press: pp. 158-174.
• Cagle, Chris. 2014. "Jaimie Baron interview." Category D: A Film and Media Studies Blog, March 11. Online at: http://categoryd.blogspot.co.uk/2014/03/jaimie-baron-interview.html
• Corless, Kieron. 2013. "Thought in Action: The Art of the Essay Film." BFI Southbank Programme Booklet, August.
• Corrigan, Timothy. 2011. "Expression, the Essayistic, and Thinking in Images.' Vectors, 4, 2005. Online at: http://www.facstaff.bucknell.edu/efaden/ms5/corrigan1.htm.
• Corrigan, Timothy. 2011. The Essay Film: From Montaigne, After Marker, Oxford: Oxford University Press.
• Cousins, Mark. 2013. "The Essay Film - A Manifesto by Mark Cousins". Online at: http://notesoncinematograph.blogspot.co.uk/2013/08/essayfilm.html
• Elsaesser, Thomas. 2009. “Ingmar Bergman in the museum? Thresholds, limits, conditions of possibility.” Journal of Aesthetics & Culture, Vol. 1. Online at: http://www.aestheticsandculture.net/index.php/jac/article/view/2123/2613
• Herbert, Daniel. 2006. "To Mock a Killingbird: Martin Arnold's Passage à l'Acte and the Dissymmetries of Cultural Exchange." MFJ No. 45/46 (Fall) Hybrids. Online at: http://mfj-online.org/journalPages/MFJ45/Herbertpage.html
• Kiss, Miklós. 2013. "Creativity Beyond Originality: György Pálfi’s Final Cut as Narrative Supercut." Senses of Cinema, 67, July. Online at: http://sensesofcinema.com/2013/feature-articles/creativity-beyond-originality-gyorgy-palfis-final-cut-as-narrative-supercut/
• Lebow, Alisa. 2012. "Introduction." in Alisa Lebow (ed.), The Cinema of Me: The Self and Subjectivity in First Person Documentary, London: Wallflower: pp. 1-14.
• Lee, Kevin B. 2013. "Video Essay: The Essay Film: some thoughts of discontent [Kevin B Lee, USA, 2013, 7min]." Sight & Sound, Febuary 14. Online at: http://www.bfi.org.uk/news-opinion/sight-sound-magazine/features/deep-focus/video-essay-essay-film-some-thoughts.
• Leyda, Jay. 1964. Films Beget Films. London: Allen and Unwin.
• Lopate, Philip. 1992. "In Search of the Centaur: The Essay-Film." The Threepenny Review, No. 48 (Winter): pp. 19-22.
• Montero, David. 2012. "Essayistic Filmmaking as a Non-Fictional Practice: Self-reflexivity and Heteroglossia in Harun Farocki’s Workers Leaving the Factory, José Luis Guerin’s Train of Shadows and Chris Marker’s Sunless," in Thinking Images: The Essay Film as a Dialogic Form in European Cinema, Bern: Peter Lang: pp. 49-68.
• Mulvey, Laura. 2006. Death 24x a Second: Stillness and the Moving Image. London: Reaktion.
• Rascaroli, Laura. 2009. ‘The Essay Film: Problems, Definitions, Textual Commitments." in The Personal Camera: Subjective Cinema and The Essay Film (London: Wallflower Press: 21-43.
• Richter, Hans. 1999. “Der Filmessay. Eine neue Form des Dokumentarfilms [1940].” In Schreiben Bilder Sprechen: Texte zum essayistischen Film. Eds. Christa Blümlinger and Constantin Wulff. Wien: Sonderzahl: pp. 195-198
• Rosenbaum, Jonathan. 1990-1991. "Criticism on Film." Sight & Sound, 60/1, Winter: pp. 51-54.
• Russell, Catherine. 2007. “Dialectical Film Criticism: Walter Benjamin’s Historiography, Cultural Critique and the Archive.” Transformations 15. November. Online at: http://www.transformationsjournal.org/journal/issue_15/article_08.shtml
• Russell, Catherine . 1999. "Autoethnography: Journeys of the Self," in Experimental Ethnography: The Work of Film in the Age of Video, Durham: Duke University Press,: pp. 275-314.
• Scherer, Christina. 2001. Ivens, Marker, Godard, Jarman — Erinnerung im Essayfilm. Munich: Wilhelm Fink Verlag.
• Shambu, Girish. 2006. "Martin Arnold." Girish, May 15. Online (with comments) at: http://girishshambu.blogspot.co.uk/2006/05/martin-arnold.html
• Sjöberg, Patrik. 2001. The World in Pieces: A Study of Compilation Film. Stockholm: Aura Forlag.
• Summers, Francis. 2010. "(Re)Counting Love: Martin Arnold’s Pièce Touchée." Paper at Transmission: Hospitality
  
  Conference, July 1-2. Sheffield Hallam University. Online at: http://extra.shu.ac.uk/transmission/papers/SUMMERS%20Francis.pdf
• Tracey, Andrew. 2013. "The Essay Film." Sight and Sound, 23.8: pp. 44-48.
• Wees, William.1993. Recycled Images: The Art and Politics of Found Footage Films. New York: Anthology Film Archives.
• Witt, Michael. 2013. Jean-Luc Godard: Cinema Historian, Bloomington and Indianapolis: Indiana University Press.
• Witt, Michael. 2014. 'Archaeology of Histoire(s) du cinéma', in Jean-Luc Godard, Introduction to a True History of Cinema and Television, ed. and trans. Timothy Barnard. Montreal: Caboose (forthcoming April 2014). Online at: http://www.caboosebooks.net/true-history-of-the-cinema.

3. Practicalities

• Anderson, Steven. 2012. "Fair Use and Media Studies in the Digital Age", Frames Cinema Journal, 1.1. Online at: http://framescinemajournal.com/article/fair-use-and-media-studies-in-the-digital-age/
• Butler, Jeremy. 2011. "Clip-DVD Tutorial (Mac)", Television: Critical Methods & Applications. Online at: http://tvcrit3.tvcrit.com/content/view/68/116/
• Center for Social Media and Impact's Fair Use Information. Online at: http://www.cmsimpact.org/blog/fair-use
• CopyrightUser.org. 2014. Online at: http://copyrightuser.org/
• Mittell, Jason. 2012. "How to Rip DVD Clips." Chronicle of Higher Education, August 12. Online at: http://chronicle.com/blogs/profhacker/how-to-rip-dvd-clips/26090
• Ross, Miriam and Greer Fyfe. 'How-to Video Essays.' The Audiovisual Essay: Practice and Theory of Videographic Film and Moving Image Studies, February 2015. Online at: http://reframe.sussex.ac.uk/audiovisualessay/resources/how-to-guides/how-to-video-essays-by-greer-fyfe-and-miriam-ross/

• GUIDE A: Downloading Audiovisual Content
• GUIDE B: Editing your Own Content
• GUIDE C: Creating a Mash Up
• GUIDE D: Sharing your Work
• GUIDE E: Extra Software
• How-to Video Essays [as PDF]

• Society for Cinema & Media Studies' "Fair Use policies." Online at: http://www.cmstudies.org/default.asp?page=fair_use

Resources originally compiled by Catherine Grant, March 2014. Last updated by CG, March 19, 2014.

Thanks to Chiara Grizzaffi and Michael Witt for their additions.