Christian Keathley

Middlebury College

As contributor

[in]Transition

Digital Technologies and Videographic Research Practice

By
Christian Keathley Middlebury College

March 17, 2017
Digital Technologies and Videographic Research Practice Creator's Statement In The Great Cat Massacre, historian Robert Darnton describes one aspect of his research practice: “There is no better way, I believe, than to wander through the archives. On ...
[in]Transition

The ABCs of Forms & Genres

By
Christian Keathley Middlebury College

June 16, 2014
6 comments

The ABCs of Forms & Genres Creator's Statement The ABCs of Forms & Genres A few months back, at the Facebook page for the Audiovisualcy group, [in]Transition co-editor Catherine Grant invited her fellow members to join in a game, doing the r ...
[in]Transition

WHAT IS NEOREALISM (Kogonada)

By
Christian Keathley Middlebury College

February 28, 2014
WHAT IS NEOREALISM (Kogonada) David Selznick Kogonada Terminal Station Vittorio De Sica Creator's Statement What is Neorealism? Kogonada, UK, 2013. First published in 'Video essay: What is neorealism?', Sight & Sound magazine, May 2013. ...
In Media Res

A Whirlpool of Things

By
Christian Keathley Middlebury College

May 14, 2007
A Whirlpool of Things ambiguity praxis Otto Preminger Whirlpool 1940s critical commentary mystery multi-modal scholarship Curator's Note Consider this clip from Otto Preminger’s Whirlpool (1949). Even within the context of the film at this point, the ...

As curator/editor

[in]Transition

Journal of Videographic Film & Moving Image Studies, 8.3, 2021
October 26, 2021 to October 26, 2021

Catherine Grant Birkbeck, University of London

Christian Keathley Middlebury College

Tel Aviv University
[in]Transition

Journal of Videographic Film & Moving Image Studies, 7.2, 2020
August 30, 2020 to August 30, 2020

Christian Keathley Middlebury College
[in]Transition

Journal of Videographic Film & Moving Image Studies, 5.3, 2018
October 04, 2018 to October 04, 2018

Christian Keathley Middlebury College
[in]Transition

Journal of Videographic Film & Moving Image Studies, 5.1, 2018
March 07, 2018 to March 07, 2018

Christian Keathley Middlebury College

Jason Mittell Middlebury College
[in]Transition

Journal of Videographic Film & Moving Image Studies, 3.2, 2016
June 13, 2016 to June 13, 2016

Christian Keathley Middlebury College
[in]Transition

Journal of Videographic Film & Moving Image Studies, 1.1, 2014
March 01, 2016 to March 07, 2016

Catherine Grant Birkbeck, University of London

Christian Keathley Middlebury College

Drew Morton Texas A&M University-Texarkana
[in]Transition

Journal of Videographic Film & Moving Image Studies, 2.4, 2016
December 29, 2015 to December 29, 2015

Christian Keathley Middlebury College

Jason Mittell Middlebury College
[in]Transition

Journal of Videographic Film & Moving Image Studies, 2.1, 2015
March 09, 2015 to March 09, 2015

Christian Keathley Middlebury College
[in]Transition

Journal of Videographic Film & Moving Image Studies, 1.2, 2014
June 16, 2014 to June 16, 2014

Christian Keathley Middlebury College

As reviewer

[in]Transition

Tarkovsky's Napes

By
Cultivamos Cultura

September 16, 2020
Review by
Matilda Mroz University of Sussex

Eric Faden Bucknell University
[in]Transition

Power Trip

By
Christopher Boulton The University of Tampa

August 29, 2020
Review by
Tiago de Luca University of Liverpool

Anthony Patrickson Galway/Mayo Institute of Technology
[in]Transition

La Cupola: Revisiting L'Avventura through 'building' and 'dwelling'

By
Peter Spence Sheffield Hallam University, UK

September 29, 2020
Review by
Laura Rascaroli University College Cork

Adrian Martin Monash and Goethe Universities
[in]Transition

Clem

By
William Brown University of Roehampton

August 29, 2020
Review by
Maria Pramaggiore Maynooth University

Shih Hsin University
[in]Transition

Why VR Does Not Promote Empathy

By
Franklin & Marshall

September 18, 2020
Review by
Miriam Ross Victoria University of Wellington

Adriano D'Aloia Università degli Studi della Campania
[in]Transition

Why VR Does Not Promote Empathy

By
Franklin & Marshall

September 18, 2020
Review by
Miriam Ross Victoria University of Wellington

Adriano D'Aloia Università degli Studi della Campania
[in]Transition

Clem

By
William Brown University of Roehampton

August 29, 2020
Review by
Maria Pramaggiore Maynooth University

Shih Hsin University
[in]Transition

La Cupola: Revisiting L'Avventura through 'building' and 'dwelling'

By
Peter Spence Sheffield Hallam University, UK

September 29, 2020
Review by
Laura Rascaroli University College Cork

Adrian Martin Monash and Goethe Universities
[in]Transition

Power Trip

By
Christopher Boulton The University of Tampa

August 29, 2020
Review by
Tiago de Luca University of Liverpool

Anthony Patrickson Galway/Mayo Institute of Technology
[in]Transition

Why Hasn't Animated Horror Succeeded?

By
Victoria University Te Herenga Waka

September 16, 2020
Review by
University of Kent

As commenter

In Media Res

Re: You don’t know Hollywood

Amelie -- I think this is

By
Christian Keathley Middlebury College

Thursday, February 8, 2007 — 5:26 pm
Amelie-- I think this is terrific-- a most provocative way to consider not only the "disappearance" of Ida Lupino, but also the ongoing vexed relationship between cinema and tv, and the way the latter both erases and allows for the reappearance ...
[in]Transition

Re: From Idea to Concept

Let me second Ian’s point

By
Christian Keathley Middlebury College

Friday, September 19, 2014 — 1:53 pm
Let me second Ian's point that this sounds like a wonderful exercise for students. I have twice taught a course on videographic film studies and am always on the lookout for exercises that can get the students working with their film-- especially exe ...
[in]Transition

Re: The ABCs of Forms & Genres

Thanks for this, Dave.

By
Christian Keathley Middlebury College

Monday, July 7, 2014 — 11:27 pm
Thanks for this, Dave. Bellour on cinema and the museum space is something I need to explore more thoroughly, and this link also points up (again) the extent to which establishing this journal on videographic criticism also inevitably meant taking the fir ...
[in]Transition

Re: The ABCs of Forms & Genres

Thanks for this, Kevin. Your

By
Christian Keathley Middlebury College

Thursday, July 10, 2014 — 2:30 pm
Thanks for this, Kevin. Your use of words like "intuitive" and "obsession" to describe works like this one on Lynch resonates for me. As you note, Bocko's video seems to mirror Lynch's obsessions, or lay his own matching set ...