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CONSTELLATIONS (Part II)

Queer World Building and Utopian Possibilities

By Stacy Rusnak

Failing to Arouse: Pornographic Aesthetics of Queerness

By Daren Fowler

One last Shot for the Sake of Correction: a re-look at the finale of my Constellations paper.

By Christopher Minz

Bresson Errs; Who Would Have Thought?

By Sara Ghazi Asadollahi

CONSTELLATIONS (Part I)

Constellations—A Call for Practice

By Jordan Chrietzberg

Try This at Home

By Alessandra Raengo

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By Jenny Gunn

Through Forbidden Frames: New Visions in Contemporary Iranian Cinema

Theme week organized by
Sara Ghazi AsadollahiGeorgia State University

Preposterous cinema, or The Death of a Nation 

By WilliamBrown

Gender, Ethnicity, and Subtraction of Blackness in Mohammad Rasoulof's (Trans)National Cinema

By Mehran Abdollahi

Between Fact and Fiction: Reading Rasoulof’s The Seed of the Sacred Fig as Documentary

By Michelle Quay

The fictional construction of reality in Careless Crime

By Venus Bayat

Emerging Trends in Iranian Cinema: 2010-2025

By Mehrdad Babadi

Foucault and Film (Part II)

Theme week organized by
Jenny GunnGeorgia State University

“My memory comes in the way of your history”: Radical remembrance in Amma Ariyan as a route to politicizing history

By SanchariDuttaChowdhury

Ray vs. Foucault on the speech of the ‘mad’ subject

By Basudhara Purkait

The Empty Panopticon: Surveillance and Parrhesia in Iranian Cinema

By Parsa Naji

Sing Sing and The Cinematic Prison

By Jeffrey W. Peterson

Prisons of Rhythm

By Jarred Biederstaedt
Poster designed by Sara Ghazi Asadollahi

Foucault and Film (Part I)

Theme week organized by
Jenny GunnGeorgia State University

Foucault’s ‘Cinematicity’

By Jenny Gunn

The Lonsdale Operator

By Jordan Chrietzberg

The HETEROTOPIA OF SAINT PETERSBURG: Film Landmark of POLITICAL CHANGE

By Xenia Leonteva

Untethering Structures of Power: Re-Examining Foucault’s Heterotopia

By Tara Heimberger

Auteurs in the Age of Social Media

Theme week organized by
Cáit MurphyTrinity College Dublin

Goncharov’s Auteurish Aesthetics

By Olivia Stowell

TikTok Wes (AI)nderson

By Cáit Murphy

Jim Jarmusch as (Instagram) Collage Artist

By Jennifer O'Meara

The Masculine Surreal: Damon Packard’s AI-Aided Auteurship

By Jaka Lombar

Collaborative Authorship and Lulu Wang’s Expats

By Stefania Marghitu

Religious Cinematics: Visualising Faith in the 21st Century

Theme week organized by
SanchariDuttaChowdhuryGeorgia State University - Department of Communication

The Religious Experience as Politics of Insurgency?

By AbinashDashChoudhury

Abject Martyrdom_ Queer Becomings in João Pedro Rodrigues

By Daren Fowler

Toward a Vulvar Signifier: Rob Zombie’s 21st Century Mytho-Poetic Revision

By Christopher Minz

A24’s “Heretic” and The History of Mormonism in Cinema

By Mickey Randle

Deus Ex Machina: Transcendental Style, Post-Secular Cinema, and After Yang

By Caleb Ward

Rebel With a Cause: Women and the Art of Defiance in Iran

Theme week organized by
Navid DarvishzadehGeorgia State University

Cinema and Women’s Representation: Visibility and the Making of Modern Iranian Woman

By Shiva Rahbaran

Generations of the Women’s Movement in Post-revolutionary Iran

By Alejandra González Guerrero

What Is So Wrong with Being Personal? Understanding Iranian Women's Use of Social Media for Their Activism and How It Connects Iranians Transnationally

By Ahou Koutchesfahani

Toward a New Particular Universal

By Catherine Z. Sameh

Rethinking Cozy Games

Theme week organized by
Mickey RandleGeorgia State University

What Is A Cozy Game?

By Mickey Randle

Motivation Through Coziness

By Justin Buergi

Fashion Games, Feminine Consumption, and Cozy Gambling

By Taylore Woodhouse

Cozy Horror: Crow Country’s Cathartic Return to Playing Fear

By Caleb Ward

VR Game Design and the Limits of Creating a ‘Cozy’ Game Space

By Jacob Mertens

21st Century Cinema at 24

Theme week organized by
Jenny GunnGeorgia State University

21st Century Cinema at 24

By Jenny Gunn

A woman driving around Bucharest in 1981 and 2023

By Andrei Gorzo

“To Cut or Not to Cut. . .”: Michel Hazanavicius’ Coupez! (2022)

By Marc Furstenau

Imprisoned Interactivity

By Courtney R. Baker

Without Cheese, There Wouldn’t Be an Inland Empire

By Timothy Holland

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