Archives Displaying 1 - 10 of 606 Sort by Oldest firstNewest first Robert BressonMarch 4, 2024 to March 10, 2024Theme week organized by Sara Ghazi AsadollahiGeorgia State University What if Bresson’s Crew Had Not?By Raymond Watkins Monday, March 4, 2024 Robert Bresson’s The Devil, Probably: The Rhythms of Proletarian LifeBy Colin Burnett Alan Zhou Monday, March 4, 2024 On the Odd Satisfaction of BressonBy Jordan Schonig Monday, March 4, 2024 Christ and Metal: Une femme douce and its symmetriesBy Vahid Mortazavi Monday, March 4, 2024 Bresson’s Choreography of WritingBy Sara Ghazi Asadollahi Monday, March 4, 2024 Labor and the Moving ImageMarch 18, 2024 to March 24, 2024Theme week organized by Jordan ChrietzbergGeorgia State University The Labor of SpectatorshipBy Pansy Duncan Tuesday, March 19, 2024 Of Widows and Maids: Production, Reproduction, CaregivingBy Alessandra Raengo Wednesday, March 20, 2024 Media War: Boron LockoutBy John T. Caldwell Thursday, March 21, 2024 Zoned for InterestBy Jordan Chrietzberg Friday, March 22, 2024 Critique and the Moving Image IIIFebruary 26, 2024 to March 3, 2024Theme week organized by Jordan ChrietzbergGeorgia State University Ideology, Critique, and Post-CinemaBy Michael Cramer Monday, February 26, 2024 On the Borders of Virtual RealityBy Juan Llamas-Rodriguez Tuesday, February 27, 2024 The Digital CrowdBy Kartik Nair Wednesday, February 28, 2024 Form as Critique: On Fire at SeaBy Mauro Resmini Thursday, February 29, 2024 Children’s Television: Sesame FranchiseFebruary 19, 2024 to February 25, 2024Theme week organized by Kate MorganNewscastic/The Electric Feast Sesame Street and the Chromatic Scale Jazz SoundtrackBy Kate Morgan Monday, February 19, 2024 Empowering Futures: Africa and School/Street ProjectsBy Kizito Moses Tuesday, February 20, 2024 Children's Television Impact: Global Thoughts on Public TelevisionBy Leah Adihambo Wednesday, February 21, 2024 Sesame Street and Shared International Party Traditions By Oluwakemi Oluwagesun Thursday, February 22, 2024 Sesame Street and Hair PositivityBy Kiana Stringfield Friday, February 23, 2024 Barbie January 29, 2024 to February 4, 2024Theme week organized by Jennifer L. PenaUniversity of Miami Perceptions of Barbie in Popular CultureBy Jennifer L. Pena Monday, January 29, 2024 Plastic Representation in Barbie’s VlogsBy Claudia Kinahan Tuesday, January 30, 2024 Barbie’s Feminisms?By Pamela Thoma Wednesday, January 31, 2024 Mojo Dojo Casa House and Masculinity in the Popular ImaginationBy Michael Soriano Thursday, February 1, 2024 Star Trek: Legacy and FandomFebruary 5, 2024 to February 9, 2024Theme week organized by Anthony DannarGeorgia State University Star Trek, The Riker Maneuver, and Gestural FandomBy Paul Booth Monday, February 5, 2024 Star Trek: The Reinhard GenerationBy CarrieLynn D. Reinhard Tuesday, February 6, 2024 An Encyclopedia of Star Trek Facts and Trivia: Patrick Stewart’s Late-Night Trek FandomBy Bridget Kies Wednesday, February 7, 2024 (Nu)Trek: Race, Gender, and FansBy Carey Millsap-Spears Thursday, February 8, 2024 Hollywood Film Style and the Production CodeJanuary 22, 2024 to January 28, 2024Theme week organized by Tom BrownKing's College London Hollywood Film Style and the Production Code: Criticism and HistoryBy Tom Brown Monday, January 22, 2024 Choosing the Toilet View: Censorship and Collaboration within Hollywood’s Prison Industrial ComplexBy Eli Boonin-Vail Tuesday, January 23, 2024 Scarlet Nails, Seduction, and a Game of Chess: Chromatic Subversion in Blood and Sand (1941)By Hannah Garibaldi Wednesday, January 24, 2024 The Miracle of Morgan’s Creek: previewing a hybrid articleBy John Gibbs Thursday, January 25, 2024 A Terrible Cold-Blooded Murder of an Innocent WomanBy Alison Peirse Friday, January 26, 2024 Critique and the Moving Image IIDecember 11, 2023 to December 17, 2023Theme week organized by Jordan ChrietzbergGeorgia State University Mandela CinemaBy Daniel Fairfax Monday, December 11, 2023 Cognitive Mapping and Critical Images of InfrastructureBy Erica Stein Tuesday, December 12, 2023 Everything’s Connected: Conspiracy, Critique, and ArticulationBy John Roberts Wednesday, December 13, 2023 Images of Struggle as Having “Lives of Their Own”—Or NotBy Jane M. Gaines Friday, December 15, 2023 Critique and the Moving Image INovember 27, 2023 to December 3, 2023Theme week organized by Jordan ChrietzbergGeorgia State University For InterpretationBy Nico Baumbach Monday, November 27, 2023 Filming/No Filming. Notes on the latest films of Hong Sang-sooBy Sulgi Lie Monday, November 27, 2023 Performative OntologiesBy Chang-Min Yu Monday, November 27, 2023 Film, StillBy Genevieve Yue Monday, November 27, 2023 From Screen to Pleat: Deleuzian Inflections in Visual and Media DiscoursesNovember 6, 2023 to November 12, 2023Theme week organized by Sara Ghazi AsadollahiGeorgia State University Enfolding-unfolding AestheticsBy Laura U. Marks Monday, November 6, 2023 Folding the Politics of TouchBy Tim Murray Monday, November 6, 2023 Folds to Black or WhiteBy Tanya Shilina-Conte Monday, November 6, 2023 The Fold as Poetic EventBy Saige Walton Monday, November 6, 2023 Follow the Pleat: Deleuze, Design, and the Hollywood MusicalBy James Tweedie Monday, November 6, 2023 Pages1 2 3 4 5 6 7 8 9 … next › last »