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Re: Refereeing the Streaming Wars: The Regeneration of Third-Party Audience Metrics

Third party metrics or comparing Apples and oranges?

By

Jason Scott Leeds Trinity University

Thursday, May 7, 2020 — 5:22 pm

model on which the company has, at least partially, grown during the Home Entertainment era. Really ...

In Media Res

Does Netflix’s Success Signal The Return of Vertical Integration?

By

Jonathan Wroot University of Greenwich

May 08, 2020

1 comment

Does Netflix’s Success Signal The Return of Vertical Integration? Netflix DVD home media distribution Curator's Note The above clip is one of many unboxing videos that can now be found for Criterion’s DVD and Blu-Ray release of Roma (dir. Alfonso Cua ...

In Media Res

Re: Does Netflix’s Success Signal The Return of Vertical Integration?

Original and/or Exclusive?

By

Jason Scott Leeds Trinity University

Monday, May 11, 2020 — 10:08 am

(but not the other One-Shots, at least with my UK subscription). Disney has even more reason to ... maintain exclusivity, at least as it grows its global subscriber base and manages churn, to bolster its ...

In Media Res

Disidentifying with White Queerness in Gay Mean Girls

By

Jessica Sage Rauchberg McMaster University

May 18, 2020

a colonial project. As Lucy tells Clara she is homophobic, Miranda does not intervene but secretly begins ...

In Media Res

Rick Mercer: A Ranting Patriot

By

ShellyG Michigan Technological University

May 19, 2020

almost two decades, Rick Mercer has been a staple of the Canadian comedy scene, beginning with his ...

In Media Res

Queer World Making in Canadian Comedies

By

Jason Edward Black University of North Carolina at Charlotte

May 22, 2020

storylines involve the Roses interacting disastrously (at least at first) with the "less ...

In Media Res

Sexual Violence in Crime Dramas of the 1950s

By

Samantha Freeman Northwestern University

June 01, 2020

4 comments

beginning of this scene, Casey aggressively provokes Molly, the girlfriend of the murder suspect, for more ...

In Media Res

The Counternarratives of Ava DuVernay’s When They See Us

By

Jonathan Nichols-Pethick

June 02, 2020

4 comments

are at least partially in question. I’ve argued elsewhere that the police genre constitutes ... nauseum, the police drama – as a vast corpus of texts – creates openings within the texts for at least ... Richardson in “Part 1” of the series unfolds on the page like a typical interrogation scene, beginning with ...

In Media Res

Re: The Counternarratives of Ava DuVernay’s When They See Us