as badly as they do because I’m obsessed with intuitive improvisation, where every solo is ... guitar,—when I’m improvising over changes, where does the studied music end and the intuitive music begin? Is ... it possible to separate the two and play on pure creative intuition? I ask that same question of the ...
how? I’m thinking about this question- and the relation of Khalil Joseph’s films to the larger contexts ... speaks- in my understanding- and I’m paraphrasing and interpreting here using a critical idiom that Joseph ... comes in the rhythmic lyric of works like Shabazz Palaces chanting of “I’m free” in “Black Up,” which ...
room acquire the title, but not others that offer a better sense of familiarity and togetherness? I’m ... openness to all relations that would be possible within a Black world.[4] Such aliveness fundamentally ... possible by the affordances and limitations of the instrument used to depict it. Yet “more than ...
Distinction and Conjunction in the Films of Kahlil Joseph Sound liquid blackness Kahlil Joseph flying lotus Curator's Note In Kahlil Joseph’s short film Wildcat (2013), the concrete and the ephemeral are not merely contiguous, but also roughly commen ...
