exploitation in the annals of cinema that understands this issue alongside capitalism. From Modern Times (1936) ... commercial cinema. But what is frequently missed is not how these cinemas have worked alongside one another ...
black-and-white figure, at once a docile ghost and the very measure of what is possible when two human beings ... hard cuts and fades, and each of these brings a unique set of limitations and possibilities to ... possible within our present media landscape. Indeed, for Aumont, montage has generally been usurped, its ...
