In Media Res

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• In Media Res
  Re: Performance and the Pursuit of Stardom in Anvil: The Story of Anvil

  Last Days Here, Big Star, and This is Spinal Tap

  By

  Jesse Schlotterbeck Denison University

  Wednesday, August 12, 2015 — 11:29 pm

  the filmmakers to indulge more in the humorous side of the subject—juxtaposing the pretense and ...
• In Media Res
  

  "A River Runs Through It": Visualizing Fluency

  By

  Michelle Baroody University of Minnesota

  August 16, 2015

  2 comments

  everyday life. The viewer, knowingly or unknowingly confronted by a visual merger of, or possible dialogue ...
• In Media Res
  

  VHS Found Footage and the Material Horrors of Post-Cinematic Images

  By

  Shane Denson Stanford University

  August 17, 2015

  18 comments

  possibilities and dispositions that came to permeate many lives in the 1980s when video technologies entered ...
• In Media Res
  Re: VHS Found Footage and the Material Horrors of Post-Cinematic Images

  Very beautifully put. To

  By

  Laura Wilson University of Manchester

  Monday, August 17, 2015 — 3:30 pm

  I would expect these viewers to be aware of the video format and I am trying to point to the possibility ...
• In Media Res
  Re: VHS Found Footage and the Material Horrors of Post-Cinematic Images

  V/H/S

  By

  Shane Denson Stanford University

  Monday, August 17, 2015 — 5:29 pm

  emphatically comparative approach, putting VHS and digital formats side by side. I also find it intriguing that ...
• In Media Res
  

  Affective Horror of the Found Footage Anthology

  By

  Laura Wilson University of Manchester

  August 18, 2015

  9 comments

  Affective Horror of the Found Footage Anthology V/H/S spectator horror Found Footage Video Aesthetics ethics anthology affect Curator's Note Released in 2012, V/H/S brings together two formats of the horror film: found footage and the anthology. Ofte ...
• In Media Res
  Re: VHS Found Footage and the Material Horrors of Post-Cinematic Images

  Thoughts about found footage vs faux-found footage

  By

  Leo L Goldsmith Eugene Lang College, The New School

  Tuesday, August 18, 2015 — 2:47 pm

  side by side this week. At very least it might inspire an experimental filmmaker to make a faux-found ...
• In Media Res
  Re: Affective Horror of the Found Footage Anthology

  I am a little embarrassed to

  By

  Laura Wilson University of Manchester

  Tuesday, August 18, 2015 — 3:16 pm

  anachronism, although I suppose it is always possible to convert anything back to video- gives the film and its ... recognised as such. It is possibly the reason why I have returned for repeated viewings of V/H/S, in spite of ...
• In Media Res
  Re: Affective Horror of the Found Footage Anthology

  Quick reply - I would agree

  By

  Laura Wilson University of Manchester

  Wednesday, August 19, 2015 — 3:33 pm

  specific body parts. This return is of course only possible for those transcendental moments, as it were. ...
• In Media Res
  Re: Affective Horror of the Found Footage Anthology

  Complexities of Immersion

  By

  Shane Denson Stanford University

  Wednesday, August 19, 2015 — 6:32 pm

  immersion/dispersion and embodiment, self-reflexivity, knowledge, etc. There are certainly a lot of possible ...

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