In Media Res

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• In Media Res
  

  Paulie Walnuts

  By

  David Lavery Brunel University, London

  June 25, 2007

  2 comments

  Paulie Walnuts character fandom fan vids The Sopranos Curator's Note In its six season run ...
• In Media Res
  

  Sunday driver: What does AMC's scheduling say about its branding?

  By

  Andrew Daglas ChicagoNow.com

  November 03, 2011

  1 comment

  back at least to The Sopranos, which aired its first-run episodes on Sundays between 1999 and 2007. ... be first-class dramas. As a sign of this, AMC has restricted its first-run original programming to ...
• In Media Res
  

  Of the Cinematic and the Televisual

  By

  Martha P. Nochimson David Lynch Graduate Program in Cinematic Arts

  March 22, 2019

  2 comments

  Of the Cinematic and the Televisual cinematic The Sopranos auteur televisual Curator's Note My most profound interest in television studies concerns the audio-visual force created by the art of television auteurs that impacts the way we think about, ...
• In Media Res
  

  Stranger in a strange land: Quality television's episodic failures

  By

  Cory Barker Bradley University

  April 21, 2011

  6 comments

  FlashForward and recently, Lone Star. It also recalls the controversial conclusions of long-running programs ...
• In Media Res
  

  “Money, Shame and Reparation: A Moment from The Sopranos”

  By

  Jason Jacobs University of Queensland

  June 28, 2007

  2 comments

  “Money, Shame and Reparation: A Moment from The Sopranos” character narrative race HBO The Sopranos aesthetics camera movement decor Curator's Note Season three, ‘Another Toothpick’ and Tony and Carmela are driving home after a joint session with Mel ...
• In Media Res
  

  Feminist Sopranos

  By

  Maurice Yacowar University of Calgary

  June 29, 2007

  3 comments

  Feminist Sopranos HBO gender masculinity The Sopranos Curator's Note The drama opens on this sculpture in Dr Melfi's office. Tony is introduced as discomfited by Woman, indeed caught in its scissor. The old skirt-chaser fears the feminine. He� ...