In Media Res

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• In Media Res
  

  Love Death + Robots: Netflix and the Global Sci-Fi Anthology

  By

  Rusty Hatchell The University of Texas at Austin

  March 15, 2019

  1 comment

  (Bukatman, 265) presents a space for “science, technology, nature run amok, alien invasion, conspiracy, ... platform as well as the show’s structure of short installments (running from 5 to 15 minutes each) raises ...
• In Media Res
  

  What's Going On? Cinematic Montage and Televisual Narrative

  By

  Corey K Creekmur University of Iowa

  March 18, 2019

  2 comments

  of the 1 st season, directed by Tom Tykwer, best known for his film  Run Lola Run (1998). The ...
• In Media Res
  

  Of the Cinematic and the Televisual

  By

  Martha P. Nochimson David Lynch Graduate Program in Cinematic Arts

  March 22, 2019

  2 comments

  Of the Cinematic and the Televisual cinematic The Sopranos auteur televisual Curator's Note My most profound interest in television studies concerns the audio-visual force created by the art of television auteurs that impacts the way we think about, ...
• In Media Res
  Re: Of the Cinematic and the Televisual

  Televisual Seriality, Cinematic Sequels, and Comics Continuity

  By

  Corey K Creekmur University of Iowa

  Friday, March 22, 2019 — 8:22 pm

  over years rather than the running time of a single movie).  Has film learned this extended ...
• In Media Res
  

  VR: Neither Cinematic nor (Necessarily) Ludic

  By

  Dooley Murphy University of Copenhagen

  April 05, 2019

  5 comments

  entertainment, yet which seemingly defy both categorisations equally. Virtual Virtual Reality (2017) runs at the ...
• In Media Res
  

  Infinity Stones: the MacGuffin at the Heart of the MCU

  By

  Dan Hassler-Forest Utrecht University

  April 16, 2019

  2 comments

  Curator's Note "The main thing I've learned over the years is that the MacGuffin is nothing." ...
• In Media Res
  Re: Infinity Stones: the MacGuffin at the Heart of the MCU

  Could not agree more. 

  By

  Jayson Quearry Georgia State University

  Tuesday, April 16, 2019 — 2:17 pm

  Could not agree more.  Marvel Studios has had to learn how to negotiate serialized continuity in ...
• In Media Res
  

  Retroactive Continuity to the Maximoff: Scarlet Witch, Quicksilver and the impact of MCU Narratives on Marvel’s Comic Pages

  By

  Monica Roxanne Sandler UCLA, Cinema & Media Studies

  April 18, 2019

  3 comments

  after Ultron ’s release, they learned that they were never actually mutants; they instead gained their ... Maximoff’s learn their true origin, in Uncanny Avengers #4, published May 2015. Upon publication, many ...
• In Media Res
  Re: Retroactive Continuity to the Maximoff: Scarlet Witch, Quicksilver and the impact of MCU Narratives on Marvel’s Comic Pages

  Thanks for the response

  By

  Jayson Quearry Georgia State University

  Friday, April 19, 2019 — 5:51 pm

  a fresh perspective (Jason Aaron's Jane Foster-Thor run is still one of my favorites).  I will have ... to keep an eye open for your paper in the future, as I want to learn more about when and why Marvel ...
• In Media Res
  

  Classifying Stand-Up Specials with Netflix's Algorithmic Genres

  By

  Stephanie Brown Washington College

  April 22, 2019

  4 comments

  Data genre Curator's Note In the most recent episode of his long-running podcast WTF, stand-up ...

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