Elena Razlogova is the author of The Listener's Voice: Early Radio and the American Public (University of Pennsylvania Press, 2011) and co-editor of “Radical Histories in Digital Culture” issue of the Radical History Review (2013). She has published articles on U.S. radio history, music recommendation and recognition algorithms, film translation, Global South cinema networks, and Soviet international film festivals, in American Quarterly, JCMS: Journal of Cinema and Media Studies, SubStance, Studies in European Cinema, Radio Journal, Social Media & Society and other venues. She is currently working on two book projects, “A Cinematic International: Global Liberation Routes through Soviet Film Festivals” and “Fleecing Freeform: WFMU, Open Source Software, and the Rise of Algorithmic Music Culture.”
