From his position in the English department, Garrett Stewart regularly teaches film in graduate courses on critical methodology and media ecology. Beyond his studies of narrative fiction, poetics, and conceptual art, his books on screen media include Between Film and Screen (1999), Framed Time: Toward a Postfilmic Cinema (2007), Closed Circuits: Screening Narrative Surveillance (2015), Cinesthesia: Museum Film and the Curated Screen (2018), Cinemachines (2020), and The Metanarrative Hall of Mirrors: Reflex Action in Fiction and Film (2022).
