Holly Rogers is Reader in Music at Goldsmiths, University of London, UK where she convenes the MA Music (Audiovisual Cultures). She is author of Sounding the Gallery: Video and the Rise of Art-Music (OUP, 2013) and Twentieth-Century Music in the West (CUP, 2022) and editor of Music and Sound in Documentary Film (Routledge, 2014), The Music and Sound of Experimental Film (Bloomsbury, 2017), Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics (Bloomsbury, 2019), Cybermedia: Explorations in Science, Sound and Vision (Bloomsbury, 2021) and YouTube and Music, Vols 1&2 (Bloomsbury, 2022). Holly is a founding editor of the Bloomsbury Book Series New Approaches to Music, Sound and Media, and director of the creative research journal Sonic Scope: New Approaches to Audiovisual Culture. She lives in London with her scottie dog Monty.
