Paul Frith is a post-doctoral research associate on the AHRC funded project ‘The Eastmancolor Revolution and British Cinema, 1955-1985’, based at the University of East Anglia (UK). In 2014, he completed his thesis on horror and realism in Britain during the 1940s, with publications on this subject appearing in The Journal of British Cinema and Television and Horror Studies. His research specialism is in British cinema with an emphasis upon censorship, horror, and amateur filmmaking. He is also the co-author of Colour Films in Britain: The Eastmancolor Revolution to be published by Bloomsbury in 2021.
