RuPaul's Drag Race (RDR) nods to size diversity with at least one "big girl" every season, but they rarely make it far in the competition. In nine aired seasons, the first contestant ever eliminated was a fat queen, Victoria "Porkchop" Parker; only two have become finalists so far, season 7's Ginger Minj and season 8's Kim Chi; and none have been crowned America's Next Drag Superstar. The repeated marginalization of these fat queens reveals how, despite its ostensible celebration of non-mainstream identities, RDR sustains a hegemony of thinness in gay male culture.
Such marginalization is not limited to fatness; Asian and Latinx queens are treated similarly, represented by at least one queen every season but rarely making it to the finale. Kim Chi provides a useful example as the first fat Asian queen in the top three. RDR exoticizes Kim Chi through an intersection of size, race, and sexuality: her confessions reveal that she is a closeted virgin, partly because of her anxiety about her size and partly because of her Korean heritage. Such an experience is anomalous in the raunchy atmosphere of RDR. In episode 7, Kim ultimately celebrates her marginalized traits through a satirical political ad decrying the common online gay dating request "No Fats, No Fems, No Asians." This catalyzed the creation of her K-Pop-influenced finale song "Fat, Fem and Asian" by Lucian Piane. For the performance Kim honors her ethnicity by wearing drag based on traditional Korean garb and singing a verse in Korean. However, her back-up dancers undermine the challenge to hegemony in the song's verbal and visual signs. Buff and bare-chested, not all white but apparently not Asian either, these dancers represent the opposite of the intentions behind the song's message, upholding ideals Kim Chi has the potential to trouble. Though some meanings in the dancers' presence may be ambivalent, RDR's continued use of such classical bodies and crowning of slimmer queens maintains them as hegemonic. Just imagine how an actual chorus of more fats, more fems, and more Asians would have more strongly underscored the counterhegemonic message in Kim Chi's performance instead.