Archives Displaying 1 - 10 of 594 Sort by Oldest firstNewest first WGA/SAG-AFTRA StrikesOctober 2, 2023 to October 8, 2023Theme week organized by Kate FortmuellerGeorgia State UniversityMiranda BanksEmerson College The BirdsBy Kate Fortmueller Miranda Banks Monday, October 2, 2023 In an Idled Hollywood, a Residuals Dispute is Once Again KeyBy Jonathan Handel Monday, October 2, 2023 Residual Payments and the Fight for Fair Compensation for Labor in HollywoodBy Jennifer Porst Monday, October 2, 2023 Writers and Actors Can Strike, But Not Their Assistants: On Paying ‘Real Money’ for Unskilled LaborBy Lesley Stevenson Monday, October 2, 2023 “We’re Not Rich! We’re Not Fancy!”: Working Actors as Precariously Employed Public FiguresBy Kristina Brüning Monday, October 2, 2023 Labor Over Likes: The Messy Boundaries of Media Labor OrganizationBy Lesley Willard Monday, October 2, 2023 Reactionary FandomSeptember 25, 2023 to October 1, 2023Theme week organized by Anthony DannarGeorgia State University “Just joined mugclub”: Fan Consumer Activism meets the Culture WarsBy Mel Stanfill Monday, September 25, 2023 From Fans to Users: Studying Diversity in Academic and Media Industry ResearchBy Matt Griffin Tuesday, September 26, 2023 #SpeakUpNow: “I want Taylor Swift to do better”: Reflecting on a reactionary moment in a fandom By Simone Driessen Wednesday, September 27, 2023 “Don’t Ask Me About My Agenda” or the Silencing Discussions of Racism in Reactionary and Transformative FandomsBy Lauren Rouse Thursday, September 28, 2023 Jordan Peterson Fandom and the Growing Influence of the “Dark Intellectual Web” By Anthony Dannar Friday, September 29, 2023 liquid blackness Presents: Music Video as Black Art: Claiming the B-SideSeptember 11, 2023 to September 17, 2023Theme week organized by liquid blacknessGeorgia State University liquid blackness Presents: Music Video as Black Art: Claiming the B-SideBy Alessandra Raengo Monday, September 11, 2023 Black Study as Practice: Claiming the B-Side as Black StudyBy djones Tuesday, September 12, 2023 A Pedagogy of the B-SideBy Daren Fowler Wednesday, September 13, 2023 “It’s already legit”: Rhizomatic Influence in Contemporary Black FilmmakingBy Jenny Gunn Thursday, September 14, 2023 Haptic Aesthetics as a Form of Strategic Slowness in Black CinemaBy Corey Couch Friday, September 15, 2023 Media and Marginalized Trans IdentitiesSeptember 4, 2023 to September 10, 2023Theme week organized by Dean Leetal My Default State is PhasedBy Stephanie Burt Monday, September 4, 2023 Thinking the non-binary, incommensurability, and sex in Thiagarajan Kumararaja’s Super Deluxe (2019)By Sneha Kumar Tuesday, September 5, 2023 On the Spectrum: Non-binary and NeurodivergentBy Marty Heath Wednesday, September 6, 2023 She Is Candy What?? Gender and Racial Identity in Non-Human CharactersBy Emma Logsdon Thursday, September 7, 2023 “Half an hour ago, I was a white-haired Scotsman:” Neuroqueerness in Doctor WhoBy Mars Nicolí Friday, September 8, 2023 ChatGPT and the Specters of AuthorshipMay 15, 2023 to May 21, 2023Theme week organized by Martin P. RossouwUniversity of the Free StateRick De VilliersUniversity of the Free State Of Chatbots and Crackpots: ChatGPT as Crisis of the ImageBy Martin P. Rossouw Monday, May 15, 2023 DefectionBy Steven Connor Monday, May 15, 2023 Who Owns Language? ChatGPT: Biases, Blind Spots and Silicon ValleyBy Virginia Kuhn Monday, May 15, 2023 GPTs’ Dependence on Appropriation and Remix: Forethoughts about Speed and CreativityBy Eduardo Navas Monday, May 15, 2023 ChatGPTlön, or Prompts towards a Supreme FictionBy Rick De Villiers Monday, May 15, 2023 Six Brief Responses by ChatGPTBy Navid Darvishzadeh Monday, May 15, 2023 RPTF Conference: A Century of BroadcastingMay 8, 2023 to May 14, 2023Theme week organized by Tanya D. Zuk, Ph.D.Georgia State UniversityNoah ArceneauxSan Diego State University Revisiting & Recontextualizing “The War of the Worlds” BroadcastBy Tanya D. Zuk, Ph.D. Monday, May 8, 2023 Documenting the UndocumentedBy Noah Arceneaux Tuesday, May 9, 2023 Stop, Collaborate, and Listen: Innovative Partnerships at RPTF 2023By Laurie Grobe Wednesday, May 10, 2023 Black Women in Radio Collection Revered from The White House to the Library of CongressBy Felecia Love Thursday, May 11, 2023 The Kitchen Sisters' Accidental ArchiveBy Tanya D. Zuk, Ph.D. Friday, May 12, 2023 House of the DragonApril 17, 2023 to April 23, 2023Theme week organized by Mychal Reiff-Shanks Audience Expectations for Intertextual Engagement with the Musical Score for House of the DragonBy James Denis Mc Glynn Monday, April 17, 2023 “Especially cruel to you:” Viscerys Targaryen & Reactions to DisabilityBy Marty Heath Tuesday, April 18, 2023 Docile DragonsBy John Rose Wednesday, April 19, 2023 A Song of Whitewashing and Misrepresentation: The Diversity Issue in House of the Dragon CastingBy Jazmine R. Hudson Thursday, April 20, 2023 Quantumania, the Multiverse, and the State of the MCUApril 10, 2023 to April 16, 2023Theme week organized by Anthony DannarGeorgia State University Anger and Fear and FeminismBy Christina Knopf Monday, April 10, 2023 Intruders from Reality: Entertainment Turned HomeworkBy Sovi Herring Tuesday, April 11, 2023 Multiverse of Blackness: Examining Black Futurity and Queer TimeBy Mychal Reiff-Shanks Wednesday, April 12, 2023 All the Way Home: Disney Dominance and the State of Brand Assimilation in the MCU By Matthew J. Smith Trevor Smith Thursday, April 13, 2023 Visibility and Representation: Ms. Marvel’s Journey of BecomingBy Malcolm Evans Lindsay Duede Friday, April 14, 2023 The Contemporary Streaming Style IIApril 24, 2023 to April 30, 2023Theme week organized by Jordan ChrietzbergGeorgia State University The Unbingeable (or, Saying no to Netflix)By Neta Alexander Monday, April 24, 2023 Streaming Mind, Streaming BodyBy Shane Denson Tuesday, April 25, 2023 Of Orcs and Gridirons: Amazon’s Prime Video’s Streaming StyleBy Ethan Tussey Wednesday, April 26, 2023 Analyzing Short Audiovisual Forms through "Atmospheres," Neuroscience, and Parametric ApproachesBy Carol Vernallis Thursday, April 27, 2023 Getting Ahead of Ourselves on TikTokBy Jennifer Barker Friday, April 28, 2023 The Off-ScreenMarch 27, 2023 to March 31, 2023Theme week organized by Navid DarvishzadehGeorgia State UniversityJordan ChrietzbergGeorgia State University Five Notes on Time, Space, and the FrameBy Daniel Morgan Monday, March 27, 2023 A Plea for Mise en EspritBy Julian Hanich Monday, March 27, 2023 On Antonioni’s Late ModernismBy Sulgi Lie Monday, March 27, 2023 The Off-screen Caught in BecomingBy Navid Darvishzadeh Monday, March 27, 2023 The Maggie Cheung We Don’t SeeBy Xueli Wang Monday, March 27, 2023 Pages1 2 3 4 5 6 7 8 9 … next › last »