Archives

[in]Transition has moved! New content, as well as all archived issues, can be found at https://intransition.openlibhums.org/.

Displaying 31 - 40 of 40

Journal of Videographic Film & Moving Image Studies, 3.2, 2016

Curated by
Christian KeathleyMiddlebury College

Quantum Haunting

By Kevin L. Ferguson
Reviewed by Laura Rascaroli Shane Denson

Honolulu Mon Amour

By Nick Warr
Reviewed by Gordon Hon Christine Becker

Stereotowns

By Miriam Ross
Reviewed by Eric Faden Maria A. Velez-Serna

Opening Movements in Ophuls

By John Gibbs
Reviewed by David T. Johnson Susan Smith

Revisiting Bruxelles-Transit

By Jasper Stratil
Reviewed by Alisa Lebow Franklin Cason

Journal of Videographic Film & Moving Image Studies, 3.1, 2016

Curated by
Catherine GrantAarhus Universitet

Facing the Subject (On Observation)

By Irene Gustafson
Reviewed by Seung-hoon Jeong Richard Misek

ADAPTATION.'s Anomalies

By Jason Mittell
Reviewed by Adrian Martin Kevin L. Ferguson

Kataskopos: The Extraterrestrial View of the Earth in Film

By Anthony Patrickson
Reviewed by Shane Denson Steve Anderson

The Spielberg Touchscreen

By Ken Provencher
Reviewed by Kelli Marshall Chiara Grizzaffi

Mothers on the Line: The Allure of Julianne Moore

By Cüneyt Çakırlar
Reviewed by Jaap Kooijman Liz Greene
4 comments

Journal of Videographic Film & Moving Image Studies, 2.4, 2016

Curated by
Christian KeathleyMiddlebury College
Jason MittellMiddlebury College

Fembot in a Red Dress

By Allison de Fren
Reviewed by Elana Levine Kevin Lee

Sight and Sound Conspire: Monstrous Audio-Vision in James Whale’s Frankenstein

By Shane Denson
Reviewed by Drew Morton Steven Shaviro

A Homeless Ghost: The Moving Camera and its Analogies

By Patrick Keating
Reviewed by Matt Zoller Seitz Kristin Thompson

Success

By Jaap Kooijman
Reviewed by Chiara Grizzaffi Richard Dyer

Encounters

By Michael Talbott
Reviewed by Michael Koresky Austin Fisher

Journal of Videographic Film & Moving Image Studies, 2.3, 2015

Curated by
Drew MortonTexas A&M University-Texarkana

Tag

By Rob Stone
Reviewed by Gordon Hon Chiara Grizzaffi

Joining Up: Scotland, Cinema and the First World War

By David Archibald and Maria A. Velez-Serna
Reviewed by Eric Faden Laura Rascaroli

Ceylan's Women: Looking | Being Looked At

By Elif Akcali
Reviewed by Serena Bramble Pasquale Iannone
2 comments

Observe-Engage-Adapt: Hulot's Method in Playtime

By Glenn Stillar
Reviewed by Benjamin Sampson Jennifer Porst Miklos Kiss

There Is Nothing Outside the Real: Preston Sturges on André Bazin

By David Sorfa
Reviewed by Kevin Lee Patricia Pisters

Journal of Videographic Film & Moving Image Studies, 2.2, 2015

Curated by
Catherine GrantAarhus Universitet

Spaghettis in Translation

By Austin Fisher
2 comments

Against the Real

By Cristina Álvarez López and Adrian Mart
1 comment

So's Nephew by Remes (thanx to Michael Snow) by Jorrie Penn Croft

By Jennifer Proctor
1 comment

The Definition of Film

By Richard Misek
3 comments

The Time Passing

By Benjamin Sampson

Journal of Videographic Film & Moving Image Studies, 2.1, 2015

Curated by
Christian KeathleyMiddlebury College

Frames of Mind

By Jordan Tynes and Maurizio Viano
Reviewed by Chiara Grizzaffi Adrian Martin

Emoticons

By Patricia Pisters
Reviewed by Richard Misek Catherine Fowler

Volumetric Cinema

By Kevin L. Ferguson
Reviewed by Virginia Kuhn Steve Anderson

Screening Surveillance

By Steve Anderson
Reviewed by Kevin Lee

Busting Out

By Manohla Dargis Jennifer Moorman Dawn Fratini
Reviewed by Catherine Grant

Journal of Videographic Film & Moving Image Studies, 1.4, 2014

Curated by
Drew MortonTexas A&M University-Texarkana

"Look. I Know You're Not Following What I'm Saying Anyway.": The Problem of the "Video Essay" and Scorsese as Cinematic Essayist

By Drew Morton

Revisiting Spike Lee’s “Racial Slur Montage”: Ya Need to Cool that Shit Out

By Douglas Julien

Essay Meets Plot: JFK and the Boundaries of Narrative

By Benjamin Sampson

The Chicken Between the Teeth: Spatial Soliloquy in the Films of Wes Anderson

By David O'Grady

Dialectical Montage in Steven Soderbergh’s PSYCHOS

By R. Colin Tait

Journal of Videographic Film & Moving Image Studies, 1.3, 2014

Curated by
Catherine GrantAarhus Universitet

The Audiovisual Essay: My Favorite Things

By Catherine Grant
3 comments

The Inward/Outward Turn

By Adrian Martin
2 comments

From Idea to Concept

By Cristina Álvarez López
5 comments

The Poetics of the Explanatory Audiovisual Essay

By Ian Garwood
4 comments

The Audiovisual Research Essay as an Alternative to Text-Based Scholarship

By Miklos Kiss
7 comments

Journal of Videographic Film & Moving Image Studies, 1.2, 2014

Curated by
Christian KeathleyMiddlebury College

The ABCs of Forms & Genres

By Christian Keathley
6 comments

Intersection

By Girish Shambu
7 comments

On Video Tributes

By Chiara Grizzaffi
5 comments

Compilation and Found-Footage Traditions

By Corey K Creekmur
6 comments

Journal of Videographic Film & Moving Image Studies, 1.1, 2014

Curated by
Catherine GrantAarhus Universitet
Christian KeathleyMiddlebury College
Drew MortonTexas A&M University-Texarkana

[in]Transition: Editors' Introduction

By Catherine Grant
5 comments

WHAT IS NEOREALISM (Kogonada)

By Christian Keathley

LAYERS OF PARADOX IN F FOR FAKE (Benjamin Sampson)

By Drew Morton
2 comments

BERGMAN SENSES (Thomas Elsaesser, Anne Bachmann and Jonas Moberg)

By Catherine Grant
1 comment

Pages