Archives Displaying 1 - 10 of 38 Sort by Oldest firstNewest first Journal of Videographic Film & Moving Image Studies, 10.3, 2023October 26, 2023Curated by Catherine FowlerUniversity of Otago Feminist Videographic Diptychs: IntroductionBy Catherine Fowler Friday, September 29, 2023 Dressed to Kill Cis Hetero PatriarchyBy Nicole Morse Reviewed by Rox Samer Laura Horak Saturday, September 30, 2023 chaste/unchasteBy Maryam Tafakory Reviewed by Maria Walsh Catherine Grant Monday, October 16, 2023 Mobilizing Women In a Few Easy Steps! (A Feminist Triptych)By Melissa Dollman, PhD Reviewed by Lee Grieveson Marina Dahlquist Friday, September 29, 2023 The Responsive Eye, or, The Morning Show May Destroy YouBy Catherine Fowler Reviewed by Tanya Horeck Isabelle McNeill Friday, September 29, 2023 Re-animating the vanishing woman: from invisible labour to embodied gestureBy Paola Voci Reviewed by Kelly Gallagher Karen Pearlman Thursday, September 28, 2023 Resilient Ageing Women: A Question of PerformanceBy Maud Ceuterick Reviewed by Barbara Zecchi Allan Cameron Friday, September 29, 2023 Journal of Videographic Film & Moving Image Studies, 10.2, 2023June 4, 2023Curated by Catherine GrantAarhus UniversitetBarbara ZecchiUniversity Massachusetts AmherstEva HagemanUniversity of Maryland College ParkDrew MortonTexas A&M University-TexarkanaNeepa MajumdarUniversity of Pittsburgh A History Of The World According To Getty ImagesBy Richard Misek Reviewed by Jennifer Proctor Eric Faden Tuesday, June 20, 2023 Eye-Camera-NinagawaBy Colleen Laird Reviewed by Kate Taylor-Jones Jay McRoy Saturday, June 17, 2023 'Isn’t that going to be awfully dull and drab?' George Hoyningen-Huene’s use of neutralsBy Lucy Fife Donaldson Reviewed by Sarah Street Paul Frith Monday, August 7, 2023 Speculative Identification: (a character study)By Samantha Close Reviewed by Louisa Stein Melanie Kohnen Wednesday, June 14, 2023 Extra Local: Extras as Actors in Breaking AwayBy Jacob Smith Reviewed by Aaron Taylor Patrick Keating Wednesday, June 14, 2023 Men Shouting: A History in 7 Episodes By Alan O'Leary Reviewed by Jenny Oyallon-Koloski Cormac Donnelly Sunday, June 18, 2023 'Who Speaks?' Possessing LyotardBy Oscar Mealia Reviewed by David Sorfa William Brown Friday, June 16, 2023 Vital Coasts, Mortal Oceans: The Pearl Button as Media Environmental PhilosophyBy Matthew Holtmeier Reviewed by Jeffrey Romero Middents Wednesday, June 14, 2023 A Cinema of Bodily SenseBy Adam Cook Reviewed by Corrado Neri Andrea Bachner Friday, June 16, 2023 Embodied Visual Meaning [in] MotionBy Maarten Coegnarts Reviewed by Stephen Mamber Miklos Kiss Saturday, June 17, 2023 Everybody’s Gotta Learn SometimeBy Drew Morton Reviewed by Patricia Ventura Maria Pramaggiore Thursday, June 22, 2023 Cutting Across Time: Oblique Editing in Arrival By Gregory Brophy Shawn Malley Reviewed by Anne Carruthers Ken Provencher Sunday, August 6, 2023 Journal of Videographic Film & Moving Image Studies, 10.1, 2023May 7, 2023Curated by Catherine GrantAarhus UniversitetBarbara ZecchiUniversity Massachusetts AmherstEva HagemanUniversity of Maryland College ParkChiara GrizzaffiUniversità IULM - MilanDrew MortonTexas A&M University-TexarkanaChristian KeathleyMiddlebury College GeoMarkrBy Chloé Galibert-Laîné Guillaume Grandjean Reviewed by Alisa Lebow Virginia Kuhn Sunday, April 23, 2023 Mad Men's 'Babylon'. Mapping Out a Musical MetaphorBy Ariane Hudelet Reviewed by Kathleen Loock Catherine Grant Friday, March 17, 2023 Colors of PalestineBy Niall Ó Murchú Kevin Snyder Mark J Miller Reviewed by Meryem Kamil Viviane Saglier Monday, April 24, 2023 My Americans: Intertextual Meaning Making and Television DramaBy David R. Coon Reviewed by Jason Mittell Isabel Pinedo Friday, April 21, 2023 Home is Bleak. Is Home Bleak?By Delal Yatci Reviewed by Nikolina Dobreva Elif Akcali Monday, April 24, 2023 The Feminist Narrative: Analysing the Location of ActionBy Catherine Gough-Brady Reviewed by Alexandra Juhasz Irene Gustafson Sunday, April 23, 2023 Rain: A Phenomenal CatalogueBy Stephen Broomer Reviewed by Jasper Stratil Derek Long Monday, April 24, 2023 @Concert: Liveness in the Time of CoronavirusBy Landon Palmer Reviewed by Sureshkumar Sekar James Denis Mc Glynn Friday, April 28, 2023 Journal of Videographic Film & Moving Image Studies, 9.4, 2023February 16, 2023Curated by Ariel AvissarTel Aviv UniversityEvelyn KreutzerFilm University Babelsberg KONRAD WOLFCatherine GrantAarhus UniversitetChiara GrizzaffiUniversità IULM - Milan Once Upon a Screen Vol. 2, Part 2, Introduction by Co-Guest EditorsBy Evelyn Kreutzer Ariel Avissar Katie Bird Reviewed by Katie Bird Wednesday, February 8, 2023 Down a Dark SpiralBy Johannes Binotto Reviewed by Maria Hofmann Wednesday, February 8, 2023 En sortant du cinémaBy Evelyn Kreutzer Reviewed by Chloé Galibert-Laîné Wednesday, February 8, 2023 Insect InsideBy Gregory Brophy Reviewed by Jiří Anger, Veronika Hanakova Wednesday, February 8, 2023 That MomentBy Barbara Zecchi Reviewed by Cormac Donnelly Wednesday, February 8, 2023 The 39 ShotsBy Ariel Avissar Reviewed by Philip Brubaker Wednesday, February 8, 2023 Vanity PlateBy Will Webb Reviewed by Evelyn Kreutzer, Ariel Avissar Wednesday, February 8, 2023 A Song of the EraBy Clair Richards Reviewed by Alan O'Leary Wednesday, February 8, 2023 Recreated MemoriesBy Oswald Iten Reviewed by Julia Schoenheit Tuesday, February 7, 2023 Journal of Videographic Film & Moving Image Studies, 9.3, 2022December 9, 2022Curated by Ariel AvissarTel Aviv UniversityEvelyn KreutzerFilm University Babelsberg KONRAD WOLFCatherine GrantAarhus Universitet Once Upon a Screen Vol. 2, Part 1, Introduction by Co-Guest EditorsBy Ariel Avissar Evelyn Kreutzer Reviewed by Catherine Grant Friday, October 21, 2022 The Clown, The Tree, The ShadowsBy Jiří Anger Veronika Hanakova Reviewed by Clair Richards Friday, October 21, 2022 Who’s the Monster NowBy Maria Hofmann Reviewed by Gregory Brophy Friday, October 21, 2022 Radical ElsewhereBy Philip Brubaker Reviewed by Johannes Binotto Friday, October 21, 2022 In The Control RoomBy Julia Schoenheit Reviewed by Evelyn Kreutzer Friday, October 21, 2022 Can I Remember It Differently?By Cormac Donnelly Reviewed by Ariel Avissar Saturday, October 22, 2022 True EnoughBy Chloé Galibert-Laîné Reviewed by Will Webb Friday, October 21, 2022 AngstlustBy Alan O'Leary Reviewed by Oswald Iten Friday, October 21, 2022 Mirror, MirrorBy Ariel Avissar Evelyn Kreutzer Reviewed by Barbara Zecchi Saturday, October 22, 2022 Journal of Videographic Film & Moving Image Studies, 9.2, 2022October 9, 2022Curated by Catherine GrantAarhus UniversitetNeepa MajumdarUniversity of PittsburghJuan Llamas-RodriguezUniversity of Pennsylvania, Annenberg School for CommunicationChristian KeathleyMiddlebury CollegeDrew MortonTexas A&M University-Texarkana shiplapBy Eva Hageman Reviewed by Brandy Monk-Payton Terri Francis Thursday, September 1, 2022 Displacement, Intimacy & Embodiment: Nearby Alain Gomis’ Multi Sensory CinemaBy Estrella Sendra Reviewed by Sada Niang Vlad Dima Thursday, September 1, 2022 Four Ways to Be a Woman Artist… According to the MoviesBy Susan Felleman Hannah Shikle Reviewed by Belén Vidal Lucy Fife Donaldson Thursday, September 1, 2022 That’s a Long Time… A RECTIFY Video EssayBy Christine Becker Tanner Cipriano Reviewed by R. Colin Tait Elana Levine Tuesday, August 30, 2022 Alan Bates ‘78By Jacob Smith Reviewed by Melanie Williams Jennifer O'Meara Thursday, September 1, 2022 Like There’s No TomorrowBy Joel Blackledge Reviewed by Selmin Kara Shane Denson Thursday, September 1, 2022 Why So Serious? Clowning, the Method, and Performative Adaptations of the JokerBy Aaron Taylor Bryn Hewko C. Blake Evernden Ryan Harper-Brown Reviewed by Tosha Taylor Drew Morton Thursday, September 1, 2022 Journal of Videographic Film & Moving Image Studies, 9.1, 2022March 30, 2022Curated by Catherine GrantAarhus UniversitetKatie BirdThe University of Texas at El PasoHoi Lun LawUniversity of EdinburghChiara GrizzaffiUniversità IULM - MilanKevin L. FergusonQueens College / CUNYNeepa MajumdarUniversity of Pittsburgh The StairwellBy Stephen Broomer Reviewed by Amanda Ann Klein Serena Bramble Wednesday, March 23, 2022 Ripple, rustle, shimmer and shake: the cinematic rapture of grassBy Anne Rutherford Reviewed by Lucy Fife Donaldson Jennifer Barker Monday, March 7, 2022 The Spaces Beyond: Experimenting with the Theory of Audiovisual ConcrèteBy Holly Rogers Heather Britton Reviewed by Amy Skjerseth Christian Gosvig Olesen Monday, March 7, 2022 Studio LAIKA and the Ghosts of Invisible LaborBy Mihaela Mihailova Reviewed by Patrick Sullivan Andrea Comiskey Thursday, March 17, 2022 The End ...Or Is It?By Mathias Bonde Korsgaard Reviewed by Keith M. Johnston Sean O'Sullivan Monday, March 7, 2022 Film-with-Live-Orchestra Concerts: A New HopeBy Sureshkumar Sekar Reviewed by James Denis Mc Glynn Brooke McCorkle Okazaki Monday, March 7, 2022 What is Neo-Snyderism?By Ariel Avissar Reviewed by James MacDowell Rob Stone Monday, February 14, 2022 Journal of Videographic Film & Moving Image Studies, 8.3, 2021October 26, 2021Curated by Catherine GrantAarhus UniversitetChristian KeathleyMiddlebury CollegeAriel AvissarTel Aviv University The Moment of Recognition: Phantom Lady and Sorry, Wrong NumberBy Patrick Keating Reviewed by Janet Bergstrom Daniel Morgan Wednesday, October 6, 2021 Mediated AuscultationBy Emilija Talijan Reviewed by Scott Curtis Neil Verma Wednesday, October 6, 2021 Setting the Scene: The Opening 164 Seconds of The WireBy Erlend Lavik Reviewed by Jason Mittell Elizabeth Alsop Tuesday, October 5, 2021 Barbara Stanwyck Rides AgainBy Catherine Russell Shannon Harris Reviewed by Maria Pramaggiore Jacob Smith Tuesday, October 5, 2021 A Woman's Place: Home in CinemaBy Louise Radinger Field Reviewed by Miriam de Rosa Jessica McGoff Tuesday, October 5, 2021 Journal of Videographic Film & Moving Image Studies, 8.2, 2021June 13, 2021Curated by Drew MortonTexas A&M University-Texarkana Transitional Moments in Cinematic Virtual RealityBy Professor Sarah Atkinson Reviewed by Steve Anderson Sarah Thomas Monday, June 14, 2021 Cinema Turns: Catalan Creative DocumentaryBy Celia Sainz Reviewed by Maria Hofmann Elizabeth Ramirez-Soto Tuesday, June 15, 2021 Stories of Haunted Houses: Female Subjects and Domestic Spaces in Contemporary Gothic Films and TV SeriesBy Chiara Grizzaffi Giulia Scomazzon Reviewed by Murray Leeder Martha Shearer Wednesday, June 16, 2021 Hausu of the Rising Sun: Death of the GirlBy Georgia Thomas-Parr Reviewed by Dana Och Lori Morimoto Thursday, June 17, 2021 Shoot to Kill: The Weaponized Gaze of the American Action FilmBy Lennart Soberon Reviewed by Robert Burgoyne Matthew Thomas Payne Saturday, June 19, 2021 Journal of Videographic Film & Moving Image Studies, 8.1, 2021March 31, 2021Curated by Kevin L. FergusonQueens College / CUNY The Coffee SetBy Barbara Zecchi Reviewed by Stefan Solomon Tiago de Luca Wednesday, March 31, 2021 Uncertain PresenceBy Harrison Wade Reviewed by Sarah Keller Kyle Stevens Wednesday, March 31, 2021 Grammatology of the Nymph: Godard and WarburgBy Miguel Mesquita Duarte Reviewed by Giles Fielke Michael Witt Wednesday, March 31, 2021 Wong Kar-wai’s SleepersBy Ken Provencher Jiro Plutschow Reviewed by Catherine Grant Wednesday, March 31, 2021 Distant Journey through the DesktopBy Jiří Anger Jiří Žák Reviewed by Chloé Galibert-Laîné Jasper Stratil Wednesday, March 31, 2021 Pages1 2 3 4 next › last »