A still frame from the film Hit the Road ( 2021, Panah Panahi) Through Forbidden Frames: New Visions in Contemporary Iranian CinemaMonday, February 24, 2025 to Friday, February 28, 2025Theme week organized by Sara Ghazi AsadollahiGeorgia State UniversityIranian cinemacontemporary cinemafilm festivalscensorship Preposterous cinema, or The Death of a Nation By WilliamBrown Monday, February 24, 2025 Gender, Ethnicity, and Subtraction of Blackness in Mohammad Rasoulof's (Trans)National CinemaBy Mehran Abdollahi Tuesday, February 25, 2025 Between Fact and Fiction: Reading Rasoulof’s The Seed of the Sacred Fig as Documentary By Michelle Quay Wednesday, February 26, 2025 The fictional construction of reality in Careless Crime By Venus Bayat Thursday, February 27, 2025 Emerging Trends in Iranian Cinema: 2010-2025By Mehrdad Babadi Friday, February 28, 2025
