A still frame from the film Hit the Road ( 2021, Panah Panahi) 

 

Through Forbidden Frames: New Visions in Contemporary Iranian Cinema

Theme week organized by
Sara Ghazi AsadollahiGeorgia State University

Preposterous cinema, or The Death of a Nation 

By WilliamBrown

Gender, Ethnicity, and Subtraction of Blackness in Mohammad Rasoulof's (Trans)National Cinema

By Mehran Abdollahi

Between Fact and Fiction: Reading Rasoulof’s The Seed of the Sacred Fig as Documentary

By Michelle Quay

The fictional construction of reality in Careless Crime

By Venus Bayat

Emerging Trends in Iranian Cinema: 2010-2025

By Mehrdad Babadi