In Media Res

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• In Media Res
  Re: Creating Game of Thrones’ Cross-Demographic Appeal through Genre-Mixing Iconicity

  What a pair!

  By

  Sarah Hanks University of Oklahoma

  Tuesday, September 23, 2014 — 4:42 pm

  and makes me think of other possible locations of genre mixing in the GoT narrative. For instance, ... themes found in GoT and Spaghetti Westerns. But I’m left with a question: Are there father-daughter ...
• In Media Res
  Re: Appraising the adapted Red Wedding’s fidelity to emotional impact

  Re: Every person has a code

  By

  Andrea Nevitt Keele University

  Tuesday, September 23, 2014 — 5:23 pm

  with regards to the expectations of fans. As a fan of both texts I’m actually interested in how that is ...
• In Media Res
  

  Why interactive?

  By

  Craig Hight University of Waikao

  September 29, 2014

  6 comments

  Why interactive? users interactive documentary interactive documentary Audience reception Curator's Note A familiar trait of discourses associated with emerging media is a bias toward the 'new', an almost inevitable rhetoric claiming that n ...
• In Media Res
  

  Tabletop Documentary: The Configurative Praxis of Train

  By

  Jordan Wood Syracuse University

  September 29, 2014

  with passengers in the most efficient way possible. On their turn, players roll a die and then either ...
• In Media Res
  Re: Why interactive?

  Why Interactive?

  By

  Mandy Rose i-Docs, Digital Cultures Research Centre, University of the West of England

  Tuesday, September 30, 2014 — 9:00 am

  that documentary is doing within this busy, fast-developing field. What I’m observing as a key trend, ...
• In Media Res
  

  Place and Voice in Bear 71

  By

  Sarah O'Brien Georgia Institute of Technology

  October 01, 2014

  4 comments

  Place and Voice in Bear 71 surveillance identification digital animals Curator's Note  The interactive documentary Bear 71   (Jeremy Mendes and Leanne Allison, National Film Board of Canada, 2012) invites users to toggle between a data visualization ...
• In Media Res
  Re: Place and Voice in Bear 71

  Personalisation

  By

  Mandy Rose i-Docs, Digital Cultures Research Centre, University of the West of England

  Wednesday, October 1, 2014 — 11:07 am

  music video Wilderness Downtown for another example of what’s possible.) As the French Interactive ...
• In Media Res
  Re: Why interactive?

  Form and Content

  By

  Mandy Rose i-Docs, Digital Cultures Research Centre, University of the West of England

  Thursday, October 2, 2014 — 2:18 pm

  Playlists of recommended work. I’m pretty sure that the creator whose name is mentioned most often in those ...
• In Media Res
  Re: Why interactive?

  The dangers of over claiming

  By

  Judith Aston University of the West of England

  Thursday, October 2, 2014 — 9:56 pm

  replace but to complement other forms and possibilities. As member of the i-docs academic circles to which ... possibilities. That would be a form of technological determinism, to which I am fundamentally opposed. ...
• In Media Res
  

  Naked For Your Protection: Penetrating Vision in the Security Line

  By

  Kian Bergstrom Roosevelt University

  October 09, 2014

  1 comment

  States. Assuming that most of them wanted to go through airport security as quickly as possible, that ...

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