In Media Res

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• In Media Res
  

  Appraising the adapted Red Wedding’s fidelity to emotional impact

  By

  Andrea Nevitt Keele University

  September 22, 2014

  6 comments

  Appraising the adapted Red Wedding’s fidelity to emotional impact Game of Thrones fan practices adaptation Curator's Note The GoT third season episode ‘The Rains of Castamere’, was hotly anticipated by ASoIaF fans because they expected it to include ...
• In Media Res
  

  Creating Game of Thrones’ Cross-Demographic Appeal through Genre-Mixing Iconicity

  By

  Garret Castleberry Mid-America Christian University

  September 23, 2014

  6 comments

  Creating Game of Thrones’ Cross-Demographic Appeal through Genre-Mixing Iconicity audience appeal Game of Thrones genre conventions genre hybridity iconicity Spaghetti Westerns Curator's Note HBO's Game of Thrones  achieves cross-medium success ...
• In Media Res
  Re: Creating Game of Thrones’ Cross-Demographic Appeal through Genre-Mixing Iconicity

  What a pair!

  By

  Sarah Hanks University of Oklahoma

  Tuesday, September 23, 2014 — 4:42 pm

  and makes me think of other possible locations of genre mixing in the GoT narrative. For instance, ... themes found in GoT and Spaghetti Westerns. But I’m left with a question: Are there father-daughter ...
• In Media Res
  Re: Appraising the adapted Red Wedding’s fidelity to emotional impact

  Re: Every person has a code

  By

  Andrea Nevitt Keele University

  Tuesday, September 23, 2014 — 5:23 pm

  with regards to the expectations of fans. As a fan of both texts I’m actually interested in how that is ...
• In Media Res
  

  Why interactive?

  By

  Craig Hight University of Waikao

  September 29, 2014

  6 comments

  Why interactive? users interactive documentary interactive documentary Audience reception Curator's Note A familiar trait of discourses associated with emerging media is a bias toward the 'new', an almost inevitable rhetoric claiming that n ...
• In Media Res
  

  Tabletop Documentary: The Configurative Praxis of Train

  By

  Jordan Wood Syracuse University

  September 29, 2014

  with passengers in the most efficient way possible. On their turn, players roll a die and then either ...
• In Media Res
  Re: Why interactive?

  Why Interactive?

  By

  Mandy Rose i-Docs, Digital Cultures Research Centre, University of the West of England

  Tuesday, September 30, 2014 — 9:00 am

  that documentary is doing within this busy, fast-developing field. What I’m observing as a key trend, ...
• In Media Res
  

  Place and Voice in Bear 71

  By

  Sarah O'Brien Georgia Institute of Technology

  October 01, 2014

  4 comments

  Place and Voice in Bear 71 surveillance identification digital animals Curator's Note  The interactive documentary Bear 71   (Jeremy Mendes and Leanne Allison, National Film Board of Canada, 2012) invites users to toggle between a data visualization ...
• In Media Res
  Re: Place and Voice in Bear 71

  Personalisation

  By

  Mandy Rose i-Docs, Digital Cultures Research Centre, University of the West of England

  Wednesday, October 1, 2014 — 11:07 am

  music video Wilderness Downtown for another example of what’s possible.) As the French Interactive ...
• In Media Res
  Re: Why interactive?

  Form and Content

  By

  Mandy Rose i-Docs, Digital Cultures Research Centre, University of the West of England

  Thursday, October 2, 2014 — 2:18 pm

  Playlists of recommended work. I’m pretty sure that the creator whose name is mentioned most often in those ...

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