In Media Res

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• In Media Res
  

  Bittersweet: 1990s Russian Commercials for Imported Chocolate

  By

  Natalia Andrievskikh Binghamton University

  October 30, 2014

  2 comments

  Bittersweet: 1990s Russian Commercials for Imported Chocolate Russian cyberspace representation nostalgia cultural memory commercials Candyland Audience reception Curator's Note From the Soviet-time deficit of quality chocolate that was accessible to ...
• In Media Res
  

  Dreaming of Qatar: The Spectacle and Fantasies of World Cup 2022

  By

  Michael Butterworth Ohio University

  October 24, 2014

  their lives to make it possible or the citizens for whom Qatar’s wealth remains out of reach.  At the ... Possibility.”  In the wake of World Cup 2014, and in the context of global capitalism, we would be well served to ... ask, “Possibility, for whom?”   ...
• In Media Res
  Re: Commoditized Visibility: Coca-Cola, The World Cup, and the People

  Symbolic Property

  By

  Christopher M. Toula Georgia State University

  Wednesday, October 22, 2014 — 2:26 pm

  possibilities as well as the various paths those narratives can take. I think you're on to something when ... that actively police possible meanings. Its as though meaning is now subject to vertical integration in ...
• In Media Res
  Re: Commoditized Visibility: Coca-Cola, The World Cup, and the People

  Culture Sharing

  By

  Christopher M. Toula Georgia State University

  Wednesday, October 22, 2014 — 1:51 pm

  possibility of "tiers" when it comes to media content. Bud and Coke are mass consumer products, the ...
• In Media Res
  

  Commoditized Visibility: Coca-Cola, The World Cup, and the People

  By

  Christopher M. Toula Georgia State University

  October 20, 2014

  6 comments

  Commoditized Visibility: Coca-Cola, The World Cup, and the People politics of visibility Fùtbol! Reflections on the World Cup Coca-Cola branding Curator's Note A man rides in a small boat over the calm waters of the Amazon at dawn; a young woman in h ...
• In Media Res
  

  Naked For Your Protection: Penetrating Vision in the Security Line

  By

  Kian Bergstrom Roosevelt University

  October 09, 2014

  1 comment

  States. Assuming that most of them wanted to go through airport security as quickly as possible, that ...
• In Media Res
  Re: Why interactive?

  The dangers of over claiming

  By

  Judith Aston University of the West of England

  Thursday, October 2, 2014 — 9:56 pm

  replace but to complement other forms and possibilities. As member of the i-docs academic circles to which ... possibilities. That would be a form of technological determinism, to which I am fundamentally opposed. ...
• In Media Res
  Re: Why interactive?

  Form and Content

  By

  Mandy Rose i-Docs, Digital Cultures Research Centre, University of the West of England

  Thursday, October 2, 2014 — 2:18 pm

  Playlists of recommended work. I’m pretty sure that the creator whose name is mentioned most often in those ...
• In Media Res
  Re: Place and Voice in Bear 71

  Personalisation

  By

  Mandy Rose i-Docs, Digital Cultures Research Centre, University of the West of England

  Wednesday, October 1, 2014 — 11:07 am

  music video Wilderness Downtown for another example of what’s possible.) As the French Interactive ...
• In Media Res
  

  Place and Voice in Bear 71

  By

  Sarah O'Brien Georgia Institute of Technology

  October 01, 2014

  4 comments

  Place and Voice in Bear 71 surveillance identification digital animals Curator's Note  The interactive documentary Bear 71   (Jeremy Mendes and Leanne Allison, National Film Board of Canada, 2012) invites users to toggle between a data visualization ...

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