In Media Res

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• In Media Res
  Re: Why interactive?

  Why Interactive?

  By

  Mandy Rose i-Docs, Digital Cultures Research Centre, University of the West of England

  Tuesday, September 30, 2014 — 9:00 am

  that documentary is doing within this busy, fast-developing field. What I’m observing as a key trend, ...
• In Media Res
  

  Tabletop Documentary: The Configurative Praxis of Train

  By

  Jordan Wood Syracuse University

  September 29, 2014

  with passengers in the most efficient way possible. On their turn, players roll a die and then either ...
• In Media Res
  

  Why interactive?

  By

  Craig Hight University of Waikao

  September 29, 2014

  6 comments

  Why interactive? users interactive documentary interactive documentary Audience reception Curator's Note A familiar trait of discourses associated with emerging media is a bias toward the 'new', an almost inevitable rhetoric claiming that n ...
• In Media Res
  Re: Nasty, Brutish, and Short: "Game of Thrones," History, and the Violence of Women's Lives

  Joffrey's Phallic Arrows

  By

  Sarah Hanks University of Oklahoma

  Wednesday, September 24, 2014 — 6:18 pm

  are being destabilized by the loss of this fighting hand. As an interesting aside, this scene received ...
• In Media Res
  

  Nasty, Brutish, and Short: "Game of Thrones," History, and the Violence of Women's Lives

  By

  Thomas J. West III Syracuse University

  September 24, 2014

  4 comments

  Nasty, Brutish, and Short: "Game of Thrones," History, and the Violence of Women's Lives violence against women violence HBO game of thrones and women Game of Thrones Curator's Note This speech, perhaps one of the most (in)famous to ye ...
• In Media Res
  Re: Appraising the adapted Red Wedding’s fidelity to emotional impact

  Re: Every person has a code

  By

  Andrea Nevitt Keele University

  Tuesday, September 23, 2014 — 5:23 pm

  with regards to the expectations of fans. As a fan of both texts I’m actually interested in how that is ...
• In Media Res
  Re: Creating Game of Thrones’ Cross-Demographic Appeal through Genre-Mixing Iconicity

  What a pair!

  By

  Sarah Hanks University of Oklahoma

  Tuesday, September 23, 2014 — 4:42 pm

  and makes me think of other possible locations of genre mixing in the GoT narrative. For instance, ... would not have been able to do in the undisclosed historical setting of ASoIaF and GoT. (As an aside ... themes found in GoT and Spaghetti Westerns. But I’m left with a question: Are there father-daughter ...
• In Media Res
  

  Creating Game of Thrones’ Cross-Demographic Appeal through Genre-Mixing Iconicity

  By

  Garret Castleberry Mid-America Christian University

  September 23, 2014

  6 comments

  Creating Game of Thrones’ Cross-Demographic Appeal through Genre-Mixing Iconicity audience appeal Game of Thrones genre conventions genre hybridity iconicity Spaghetti Westerns Curator's Note HBO's Game of Thrones  achieves cross-medium success ...
• In Media Res
  

  Appraising the adapted Red Wedding’s fidelity to emotional impact

  By

  Andrea Nevitt Keele University

  September 22, 2014

  6 comments

  Appraising the adapted Red Wedding’s fidelity to emotional impact Game of Thrones fan practices adaptation Curator's Note The GoT third season episode ‘The Rains of Castamere’, was hotly anticipated by ASoIaF fans because they expected it to include ...
• In Media Res
  Re: The Visibility of the Economy

  The Materiality of le sensible

  By

  Louis-Georges Schwartz Ohio University

  Thursday, September 18, 2014 — 11:13 am

  a condition of possibility of the economy, instead of the economy's product, one doesn't end up with ...

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