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The Marlboro Marine and His Collaborators: Documentary as Collective

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September 06, 2011

The Marlboro Marine and His Collaborators: Documentary as Collective collaboration documentary new media Curator's Note How does a documentary capture what’s true? This may be the genre’s fundamental challenge: to give an accurate take on the events ...

In Media Res

Re: The Case for the Slow Internet

Feeling Fine (or at Least Optimistic)

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Eric LeMay Ohio University

Monday, September 5, 2011 — 7:35 pm

way a medium is currently being used—or misused—isn’t exhaustive of all the possible ways in which it ...

In Media Res

Re: Fragments of unconscious machines

A new occultism

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Patricia MacCormack Anglia Ruskin University

Monday, September 5, 2011 — 6:57 am

outside which replaces knowledge only possible within epistemic slaughter of affects the idea of belief (a ...

In Media Res

The Case for the Slow Internet

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Jennifer Proctor University of Michigan-Dearborn

September 05, 2011

3 comments

The Case for the Slow Internet online cinema internet studies interactive documentary interactive Curator's Note On April 1 st of this year, NPR aired this spoof story about the latest online trend: the Slow Internet. While the feature pokes fun at a ...

In Media Res

Re: Fragments of unconscious machines

Affective Labor (continued)

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Karin Sellberg and Michael O'Rourke The University of Queensland; Independent Colleges Dublin

Friday, September 2, 2011 — 5:18 am

I’m saying ‘potential antagonisms’ because the network is a very open form and it does not mean that ...

In Media Res

Re: Fragments of unconscious machines

Free Labor and Affect

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Karin Sellberg and Michael O'Rourke The University of Queensland; Independent Colleges Dublin

Friday, September 2, 2011 — 5:12 am

problematized in ways that help to understand the difficulties I’m having in answering your very important ...

In Media Res

A Response

By

Steven Shaviro Wayne State University

September 02, 2011

conceived as the actual negation of the former, or just as its zero degree). Rather than being on one side ... a glitch: she flubs a line, looks to the side and seems to be bantering with someone off-camera. Then she ...

In Media Res

Re: Fragments of unconscious machines