In Media Res

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• In Media Res
  

  David Milch’s “connecting interior doors”: Private Space and Commonplace, Beginnings and Ends

  By

  Martin Zirulnik UCLA

  April 25, 2012

  2 comments

  David Milch’s “connecting interior doors”: Private Space and Commonplace, Beginnings and Ends ... unfamiliar homes as well.  Luck can begin, just as Deadwood could, only as soon as a principal actor in the ...
• In Media Res
  

  "Throw Yourself Into the Barbs": Morality, Pixelation and Spatial Legibility in Alexander Ocias's Loved

  By

  Whitney Pow Northwestern University

  May 12, 2017

  digital aesthetics Curator's Note The video game Loved by Alexander Ocias begins with white text on ... begins to question the text as it asks more and more of her: “Throw yourself into the barbs,” it orders, ...
• In Media Res
  

  Close Encounters of the Fourth Kind

  By

  Maeve Connolly Dun Laoghaire Institute of Art, Design & Technology

  April 01, 2008

  2 comments

  perspective. As such, it is possible to track (or at least imagine) a narrative progression extending from the ...
• In Media Res
  

  Slow TV and the Loop

  By

  Edward D. Miller College of Staten Island/CUNY

  March 08, 2021

  minutt, so trains are back—at least on popular media. The series Snowpiercer (based on the 2013 Bong Joon ...
• In Media Res
  

  Five Notes on Time, Space, and the Frame

  By

  Daniel Morgan University of Chicago

  March 27, 2023

  midst of the conversation that we had heard the recording of at the beginning of the shot. A similar ...