Tag: Hollywood Residual Payments and the Fight for Fair Compensation for Labor in HollywoodBy Jennifer Porst Monday, October 2, 2023 In an Idled Hollywood, a Residuals Dispute is Once Again KeyBy Jonathan Handel Monday, October 2, 2023 WGA/SAG-AFTRA StrikesOctober 2, 2023 to October 8, 2023Theme week organized by Kate FortmuellerGeorgia State UniversityMiranda BanksLoyola Marymount University The BirdsBy Kate Fortmueller Miranda Banks Monday, October 2, 2023 In an Idled Hollywood, a Residuals Dispute is Once Again KeyBy Jonathan Handel Monday, October 2, 2023 Residual Payments and the Fight for Fair Compensation for Labor in HollywoodBy Jennifer Porst Monday, October 2, 2023 Writers and Actors Can Strike, But Not Their Assistants: On Paying ‘Real Money’ for Unskilled LaborBy Lesley Stevenson Monday, October 2, 2023 “We’re Not Rich! We’re Not Fancy!”: Working Actors as Precariously Employed Public FiguresBy Kristina Brüning Monday, October 2, 2023 Labor Over Likes: The Messy Boundaries of Media Labor OrganizationBy Lesley Willard Monday, October 2, 2023 New Black Hollywood November 9, 2020 to November 13, 2020Theme week organized by djonesGeorgia State University Black Women as Godfathers and Gangstas: Set It Off's Divergence from the New Black AestheticBy Philana Payton Monday, November 9, 2020 Run Faster: The Racial Politics of John SingletonBy Kyle Barrowman Tuesday, November 10, 2020 Live, Love, Labor: Bill Duke's The Killing Floor and the Performance of Politicized SocialityBy NicholasForster Wednesday, November 11, 2020 BLADE and the Foundations of Marvel Superhero's Movie EmpireBy Dan Hassler-Forest Thursday, May 31, 2018 1 comment Showing Black Lives Matter: Queen Sugar's Revisionist Plantation Mythologies By Jacqueline Pinkowitz Saturday, October 7, 2017 Best Interests and Bad Decisions: The Hollywoodization of Custody Battles By Katie Barnett Friday, August 30, 2019 2 comments An Avant-Garde Promotional Film Directed by USC Student George LucasBy andymyers Wednesday, September 19, 2018 1 comment The Making of The Night of the Iguana in MexicoBy Daniel Steinhart Tuesday, September 18, 2018 3 comments X-Men: Apocalypse, Irony, and the Commercial Film MarketBy Ryan Pumroy Saturday, September 17, 2016 Red Carpet, Black Hair: Viola Davis and the Politics of Respectability at the OscarsBy Raffi Sarkissian Monday, February 29, 2016 2 comments “The Self-Referentiality of Backstudio Pictures: The Trailer for A Star Is Born (1937) as Case Study”By Steven Cohan Monday, April 20, 2015 2 comments
