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Journal of Videographic Film & Moving Image Studies, 10.4B, 2024

Curated by
Ariel AvissarTel Aviv University

TV Dictionary - Hannibal

By Karin Spisakova
Reviewed by Ariel Avissar

TV Dictionary - I May Destroy You

By Joy Hunter
Reviewed by Barbara Zecchi

TV Dictionary - Terrace House

By Rotem Sudman
Reviewed by Colleen Laird

TV Dictionary - Actor

By Jan Kinzl
Reviewed by Jiří Anger, Veronika Hanakova

TV Dictionary - Neon Genesis Evangelion

By James DeLisio
Reviewed by David.Martin-Jones

TV Dictionary - Fleabag #2

By SharonAbramovich
Reviewed by Evelyn Kreutzer

TV Dictionary - Maid

By Niki Radman
Reviewed by Ariel Avissar

Journal of Videographic Film & Moving Image Studies, 10.4A, 2023

Curated by
Ariel AvissarTel Aviv University

The Age of Longing

By Lia Dekel
Reviewed by Oswald Iten

Thoughts on “In Praise of Blur”

By Ron Shetrit
Reviewed by Richard Misek

Space Perception / Movement in Water

By Shira Havron Ido Harambam
Reviewed by Catherine Grant

Saturday Fight Fever

By Nitzan Kimel Nadav Leshem
Reviewed by Kevin Lee

The Constant Tension Between Speed & Stillness

By Katia Arieli
Reviewed by Grace Lee

Experiments on Women’s Time-Image / Liminal Time

By Alma Rechter Maya Gadash
Reviewed by Jessica McGoff

Journal of Videographic Film & Moving Image Studies, 10.3, 2023

Curated by
Catherine FowlerUniversity of Otago

Feminist Videographic Diptychs: Introduction

By Catherine Fowler

Dressed to Kill Cis Hetero Patriarchy

By Nicole Morse
Reviewed by Rox Samer Laura Horak

chaste/unchaste

By Maryam Tafakory
Reviewed by Maria Walsh Catherine Grant

Mobilizing Women In a Few Easy Steps! (A Feminist Triptych)

By Melissa Dollman, PhD
Reviewed by Lee Grieveson Marina Dahlquist

The Responsive Eye, or, The Morning Show May Destroy You

By Catherine Fowler
Reviewed by Tanya Horeck Isabelle McNeill

Re-animating the vanishing woman: from invisible labour to embodied gesture

By Paola Voci
Reviewed by Kelly Gallagher Karen Pearlman

Resilient Ageing Women: A Question of Performance

By Maud Ceuterick
Reviewed by Barbara Zecchi Allan Cameron

Journal of Videographic Film & Moving Image Studies, 10.2, 2023

Curated by
Catherine GrantAarhus Universitet
Barbara ZecchiUniversity Massachusetts Amherst
Eva HagemanUniversity of Maryland College Park
Drew MortonTexas A&M University-Texarkana
Neepa MajumdarUniversity of Pittsburgh

A History Of The World According To Getty Images

By Richard Misek
Reviewed by Jennifer Proctor Eric Faden

Eye-Camera-Ninagawa

By Colleen Laird
Reviewed by Kate Taylor-Jones Jay McRoy

'Isn’t that going to be awfully dull and drab?' George Hoyningen-Huene’s use of neutrals

By Lucy Fife Donaldson
Reviewed by Sarah Street Paul Frith

Speculative Identification: (a character study)

By Samantha Close
Reviewed by Louisa Stein Melanie Kohnen

Extra Local: Extras as Actors in Breaking Away

By Jacob Smith
Reviewed by Aaron Taylor Patrick Keating

Men Shouting: A History in 7 Episodes

By Alan O'Leary
Reviewed by Jenny Oyallon-Koloski Cormac Donnelly

'Who Speaks?' Possessing Lyotard

By Oscar Mealia
Reviewed by David Sorfa William Brown

Vital Coasts, Mortal Oceans: The Pearl Button as Media Environmental Philosophy

By Matthew Holtmeier
Reviewed by Jeffrey Romero Middents

A Cinema of Bodily Sense

By Adam Cook
Reviewed by Corrado Neri Andrea Bachner

Embodied Visual Meaning [in] Motion

By Maarten Coegnarts
Reviewed by Stephen Mamber Miklos Kiss

Everybody’s Gotta Learn Sometime

By Drew Morton
Reviewed by Patricia Ventura Maria Pramaggiore

Cutting Across Time: Oblique Editing in Arrival 

By Gregory Brophy Shawn Malley
Reviewed by Anne Carruthers Ken Provencher

Journal of Videographic Film & Moving Image Studies, 10.1, 2023

Curated by
Catherine GrantAarhus Universitet
Barbara ZecchiUniversity Massachusetts Amherst
Eva HagemanUniversity of Maryland College Park
Chiara GrizzaffiUniversità IULM - Milan
Drew MortonTexas A&M University-Texarkana
Christian KeathleyMiddlebury College

GeoMarkr

By Chloé Galibert-Laîné Guillaume Grandjean
Reviewed by Alisa Lebow Virginia Kuhn

Mad Men's 'Babylon'. Mapping Out a Musical Metaphor

By Ariane Hudelet
Reviewed by Kathleen Loock Catherine Grant

Colors of Palestine

By Niall Ó Murchú Kevin Snyder Mark J Miller
Reviewed by Meryem Kamil Viviane Saglier

My Americans: Intertextual Meaning Making and Television Drama

By David R. Coon
Reviewed by Jason Mittell Isabel Pinedo

Home is Bleak. Is Home Bleak?

By Delal Yatci
Reviewed by Nikolina Dobreva Elif Akcali

The Feminist Narrative: Analysing the Location of Action

By Catherine Gough-Brady
Reviewed by Alexandra Juhasz Irene Gustafson

Rain: A Phenomenal Catalogue

By Stephen Broomer
Reviewed by Jasper Stratil Derek Long

@Concert: Liveness in the Time of Coronavirus

By Landon Palmer
Reviewed by Sureshkumar Sekar James Denis Mc Glynn

Journal of Videographic Film & Moving Image Studies, 9.4, 2023

Curated by
Ariel AvissarTel Aviv University
Evelyn KreutzerFilm University Babelsberg KONRAD WOLF
Catherine GrantAarhus Universitet
Chiara GrizzaffiUniversità IULM - Milan

Once Upon a Screen Vol. 2, Part 2, Introduction by Co-Guest Editors

By Evelyn Kreutzer Ariel Avissar
Reviewed by Katie Bird

Down a Dark Spiral

By Johannes Binotto
Reviewed by Maria Hofmann

En sortant du cinéma

By Evelyn Kreutzer
Reviewed by Chloé Galibert-Laîné

Insect Inside

By Gregory Brophy
Reviewed by Jiří Anger, Veronika Hanakova

That Moment

By Barbara Zecchi
Reviewed by Cormac Donnelly

The 39 Shots

By Ariel Avissar
Reviewed by Philip Brubaker

Vanity Plate

By Will Webb
Reviewed by Evelyn Kreutzer, Ariel Avissar

A Song of the Era

By Clair Richards
Reviewed by Alan O'Leary

Recreated Memories

By Oswald Iten
Reviewed by Julia Schoenheit

Journal of Videographic Film & Moving Image Studies, 9.3, 2022

Curated by
Ariel AvissarTel Aviv University
Evelyn KreutzerFilm University Babelsberg KONRAD WOLF
Catherine GrantAarhus Universitet

Once Upon a Screen Vol. 2, Part 1, Introduction by Co-Guest Editors

By Ariel Avissar Evelyn Kreutzer
Reviewed by Catherine Grant

The Clown, The Tree, The Shadows

By Jiří Anger Veronika Hanakova
Reviewed by Clair Richards

Who’s the Monster Now

By Maria Hofmann
Reviewed by Gregory Brophy

Radical Elsewhere

By Philip Brubaker
Reviewed by Johannes Binotto

In The Control Room

By Julia Schoenheit
Reviewed by Evelyn Kreutzer

Can I Remember It Differently?

By Cormac Donnelly
Reviewed by Ariel Avissar

True Enough

By Chloé Galibert-Laîné
Reviewed by Will Webb

Angstlust

By Alan O'Leary
Reviewed by Oswald Iten

Mirror, Mirror

By Ariel Avissar Evelyn Kreutzer
Reviewed by Barbara Zecchi

Journal of Videographic Film & Moving Image Studies, 9.2, 2022

Curated by
Catherine GrantAarhus Universitet
Neepa MajumdarUniversity of Pittsburgh
Juan Llamas-RodriguezUniversity of Pennsylvania, Annenberg School for Communication
Christian KeathleyMiddlebury College
Drew MortonTexas A&M University-Texarkana

shiplap

By Eva Hageman
Reviewed by Brandy Monk-Payton Terri Francis

Displacement, Intimacy & Embodiment: Nearby Alain Gomis’ Multi Sensory Cinema

By Estrella Sendra
Reviewed by Sada Niang Vlad Dima

Four Ways to Be a Woman Artist… According to the Movies

By Susan Felleman Hannah Shikle
Reviewed by Belén Vidal Lucy Fife Donaldson

That’s a Long Time… A RECTIFY Video Essay

By Christine Becker Tanner Cipriano
Reviewed by R. Colin Tait Elana Levine

Alan Bates ‘78

By Jacob Smith
Reviewed by Melanie Williams Jennifer O'Meara

Like There’s No Tomorrow

By Joel Blackledge
Reviewed by Selmin Kara Shane Denson

Why So Serious? Clowning, the Method, and Performative Adaptations of the Joker

By Aaron Taylor Bryn Hewko C. Blake Evernden Ryan Harper-Brown
Reviewed by Tosha Taylor Drew Morton

Journal of Videographic Film & Moving Image Studies, 9.1, 2022

Curated by
Catherine GrantAarhus Universitet
Katie BirdThe University of Texas at El Paso
Hoi Lun LawUniversity of Edinburgh
Chiara GrizzaffiUniversità IULM - Milan
Kevin L. FergusonQueens College / CUNY
Neepa MajumdarUniversity of Pittsburgh

The Stairwell

By Stephen Broomer
Reviewed by Amanda Ann Klein Serena Bramble

Ripple, rustle, shimmer and shake: the cinematic rapture of grass

By Anne Rutherford
Reviewed by Lucy Fife Donaldson Jennifer Barker

The Spaces Beyond: Experimenting with the Theory of Audiovisual Concrète

By Holly Rogers Heather Britton
Reviewed by Amy Skjerseth Christian Gosvig Olesen

Studio LAIKA and the Ghosts of Invisible Labor

By Mihaela Mihailova
Reviewed by Patrick Sullivan Andrea Comiskey

The End ...Or Is It?

By Mathias Bonde Korsgaard
Reviewed by Keith M. Johnston Sean O'Sullivan

Film-with-Live-Orchestra Concerts: A New Hope

By Sureshkumar Sekar
Reviewed by James Denis Mc Glynn Brooke McCorkle Okazaki

What is Neo-Snyderism?

By Ariel Avissar
Reviewed by James MacDowell Rob Stone

Journal of Videographic Film & Moving Image Studies, 8.3, 2021

Curated by
Catherine GrantAarhus Universitet
Christian KeathleyMiddlebury College
Ariel AvissarTel Aviv University

The Moment of Recognition: Phantom Lady and Sorry, Wrong Number

By Patrick Keating
Reviewed by Janet Bergstrom Daniel Morgan

Mediated Auscultation

By Emilija Talijan
Reviewed by Scott Curtis Neil Verma

Setting the Scene: The Opening 164 Seconds of The Wire

By Erlend Lavik
Reviewed by Jason Mittell Elizabeth Alsop

Barbara Stanwyck Rides Again

By Catherine Russell Shannon Harris
Reviewed by Maria Pramaggiore Jacob Smith

A Woman's Place: Home in Cinema

By Louise Radinger Field
Reviewed by Miriam de Rosa Jessica McGoff

Journal of Videographic Film & Moving Image Studies, 8.2, 2021

Curated by
Drew MortonTexas A&M University-Texarkana

Transitional Moments in Cinematic Virtual Reality

By Professor Sarah Atkinson
Reviewed by Steve Anderson Sarah Thomas

Cinema Turns: Catalan Creative Documentary

By Celia Sainz
Reviewed by Maria Hofmann Elizabeth Ramirez-Soto

Stories of Haunted Houses: Female Subjects and Domestic Spaces in Contemporary Gothic Films and TV Series

By Chiara Grizzaffi Giulia Scomazzon
Reviewed by Murray Leeder Martha Shearer

Hausu of the Rising Sun: Death of the Girl

By Georgia Thomas-Parr
Reviewed by Dana Och Lori Morimoto

Shoot to Kill: The Weaponized Gaze of the American Action Film

By Lennart Soberon
Reviewed by Robert Burgoyne Matthew Thomas Payne

Journal of Videographic Film & Moving Image Studies, 8.1, 2021

Curated by
Kevin L. FergusonQueens College / CUNY

The Coffee Set

By Barbara Zecchi
Reviewed by Stefan Solomon Tiago de Luca

Uncertain Presence

By Harrison Wade
Reviewed by Sarah Keller Kyle Stevens

Grammatology of the Nymph: Godard and Warburg

By Miguel Mesquita Duarte
Reviewed by Giles Fielke Michael Witt

Wong Kar-wai’s Sleepers

By Ken Provencher Jiro Plutschow
Reviewed by Catherine Grant

Distant Journey through the Desktop

By Jiří Anger Jiří Žák
Reviewed by Chloé Galibert-Laîné Jasper Stratil

Journal of Videographic Film & Moving Image Studies, 7.3, 2020

Curated by
Catherine GrantAarhus Universitet
Neepa MajumdarUniversity of Pittsburgh
Kevin L. FergusonQueens College / CUNY

The Television Will Not Be Summarized

By Elizabeth Alsop
Reviewed by Christine Becker Jeremy Butler

Muscular Nationalism, the Female Body, and Sports in India

By Sikata Banerjee Rachel Malia Newkirk Niall Ó Murchú
Reviewed by Sujata Moorti Anupama Prabhala Kapse

Amuse-œil

By Eric Faden
Reviewed by Malcolm Turvey Laura Mulvey

TERROR NULLIUS Unmixed

By Caitlin Lynch
Reviewed by Adrian Martin Jaimie Baron

Being Luke Skywalker: Transmedia Play and the Adaptation of the Trench Run

By Drew Morton
Reviewed by Suzanne Scott Louisa Stein

Visuality and Migration: Two Crises in Gianfranco Rosi’s Documentary “Fire at Sea”

By Erik Scaltriti
Reviewed by Giulia Scomazzon Alice Cati

Before the End

By Rob Stone
Reviewed by David T. Johnson Kim Wilkins

Journal of Videographic Film & Moving Image Studies, 7.2, 2020

Curated by
Christian KeathleyMiddlebury College

Power Trip

By Christopher Boulton
Reviewed by Tiago de Luca Anthony Patrickson

Why Hasn't Animated Horror Succeeded?

By Tuakana Metuarau
Reviewed by Aylish Wood

Clem

By William Brown
Reviewed by Maria Pramaggiore Ming-yu Lee

Why VR Does Not Promote Empathy

By Dirk Eitzen
Reviewed by Miriam Ross Adriano D'Aloia

Tarkovsky's Napes

By Pavel Tavares
Reviewed by Matilda Mroz Eric Faden

La Cupola: Revisiting L'Avventura through 'building' and 'dwelling'

By Peter Spence
Reviewed by Laura Rascaroli Adrian Martin

Journal of Videographic Film & Moving Image Studies, 7.1, 2020

Curated by
Drew MortonTexas A&M University-Texarkana

Feeling and Thought as They Take Form: Early Steadicam, Labor, and Technology (1974-1985)

By Katie Bird
Reviewed by Kerry Hegarty Patrick Keating

Reclaiming Uncanny Spaces: Australian Landscapes from the New Wave to the New Indigenous Cinema

By Matthew Campora
Reviewed by Austin Fisher Jennifer O'Meara

Who Ever Heard…?

By Matthew Thomas Payne
Reviewed by Corey K Creekmur Benjamin Sampson
1 comment

Santa y Teresa: A Walking Dialogue between two Cuban Characters

By Michelle Leigh Farrell
Reviewed by Dunja Fehimovic Dolores Tierney

Empathy with the Masses

By Catherine Gough-Brady
Reviewed by Alan O'Leary Julia Vassilieva

Journal of Videographic Film & Moving Image Studies, 6.4, 2019

Curated by
Julia VassilievaMonash University

Introduction: Montage Reloaded

By Julia Vassilieva

The Future Within Us

By Helen Grace
Reviewed by Julia Vassilieva

The Idea of a Series: Energy Vectors in Montage

By Adrian Martin Cristina Álvarez López
Reviewed by Ivan Pintor Iranzo

Reimagining Glass House

By Zoe Beloff
Reviewed by Dustin Condren

After the Facts

By Karen Pearlman
Reviewed by Jane M. Gaines

Journal of Videographic Film & Moving Image Studies, 6.3, 2019

Curated by
Drew MortonTexas A&M University-Texarkana

Occupying Time: The Battle of Algiers

By Alan O'Leary
Reviewed by Nick Warr Michael Talbott
3 comments

The ABCs of Bette Davis

By Pamela Wojcik
Reviewed by Jenny Oyallon-Koloski Allison McCracken

Watching The Pain of Others

By Chloé Galibert-Laîné
Reviewed by Alisa Lebow Maria Hofmann

Special Effectivities

By Ian Bryce Jones
Reviewed by Jamie Poster David O'Grady

Dr. Caligari’s Francis: A Sane Reading

By Alan Blanchard
Reviewed by Patrick Keating Thomas Elsaesser

Pan Scan Venkman

By Cormac Donnelly
Reviewed by Charlie Shackleton Caetlin Benson-Allott

The Technicolor Legacy, Color Consciousness and Hammer Horror

By Paul Frith
Reviewed by Simon Brown Darren Elliott-Smith

Reproductive Futurism and the Politics of the Sequel

By Kathleen Loock
Reviewed by Amanda Ann Klein Drew Morton

Journal of Videographic Film & Moving Image Studies, 6.2, 2019

Curated by
Neil VermaNorthwestern University
Jacob SmithNorthwestern University

Listening for Religion

By Lauren Pond
Reviewed by Neil Verma, Jacob Smith Shayna Silverstein

Catching Flies and Catching Memories: The Skin-Crawling Sounds of Yoko Ono's FLY (1970)

By Amy Skjerseth
Reviewed by Neil Verma, Jacob Smith Jean Ma

Itinéraire d’un ciné-fils de… #3: Le cercle rouge (1970)

By Christian Gosvig Olesen
Reviewed by Neil Verma, Jacob Smith Jeff Smith

Syrian Bodies, Sonic Ruptures

By Shayna Silverstein
Reviewed by Neil Verma, Jacob Smith Robert Beahrs

Eye Contact with the City: A Discourse on Contemporary Urban Sounds

By Budhaditya Chattopadhyay Maria Papadomanolaki
Reviewed by Neil Verma, Jacob Smith Stephan Moore

Am I Pretty?

By Jennifer Proctor
Reviewed by Neil Verma, Jacob Smith Kiri Miller

Covenant of the Tongue

By Karen Werner
Reviewed by Neil Verma, Jacob Smith Anna Friz

Record Everything: Archive 81 and the Sounds of Preservation

By Jeremy Morris Tom Welch
Reviewed by Neil Verma, Jacob Smith Josie Torres Barth

Journal of Videographic Film & Moving Image Studies, 6.1, 2019

Curated by
Chiara GrizzaffiUniversità IULM - Milan

Beyond the Screen #nofilter

By Maria Hofmann
Reviewed by Deane Williams Irene Gustafson

Message from Chile

By José Miguel Palacios Elizabeth Ramirez-Soto
Reviewed by Dolores Tierney Jeffrey Romero Middents

The Two Irises

By Eleni Palis
Reviewed by Jessica McGoff

A Dalek is (now) a many-splendored thing

By Keith M. Johnston
Reviewed by Susan Murray Matt Hills
1 comment

Echoes Beyond Time

By Padraic Killeen
Reviewed by Paul Ramaeker Rashna Wadia Richards

Journal of Videographic Film & Moving Image Studies, 5.4, 2019

Curated by
Chiara GrizzaffiUniversità IULM - Milan

The Birds After Hitchcock

By Miguel Mesquita Duarte
Reviewed by Catherine Fowler Gordon Hon

The Death of a Text

By David Safin
Reviewed by Jacob Smith Tom Brown

Gone Estray

By Melissa Dollman, PhD
Reviewed by Jaimie Baron Brian L. Frye
1 comment

Negative Space

By Allain Daigle
Reviewed by DanielleMBouchard Susan Potter

Visual Disturbances

By Eric Faden
Reviewed by Tessa Dwyer Steve Anderson

Journal of Videographic Film & Moving Image Studies, 5.3, 2018

Curated by
Christian KeathleyMiddlebury College

Cruising Différance in 3 Scenes

By Marc Francis
Reviewed by Joe Wlodarz Luke Robinson

Some People Like Hearing Sad Things

By Nicole Morse
Reviewed by Michele Aaron Patricia White

Sound in Hanna-Barbera

By Patrick Sullivan
Reviewed by Jason Mittell Nic Sammond

America is (Not) Cool

By Jenny Oyallon-Koloski
Reviewed by Catherine Grant Cara Hagan

Journal of Videographic Film & Moving Image Studies, 5.2, 2018

Curated by
Drew MortonTexas A&M University-Texarkana

Women's Time-Image

By Jessica McGoff
Reviewed by Kristi McKim David Sorfa

Playing at the Margins

By John Gibbs and Suzana Reck Miranda
Reviewed by Ian Garwood

A Place in the Nation: Nationhood in Larraín's NO (2013)

By Niall Ó Murchú
Reviewed by Cristina Álvarez López

Of Love and Longing

By Allain Daigle
Reviewed by Melanie Kohnen Jaap Kooijman

Suffering In Rhythm: The ‘Haunting Melody’ in Film Noir

By Padraic Killeen
Reviewed by Robert Miklitsch Jennifer Proctor

Journal of Videographic Film & Moving Image Studies, 5.1, 2018

Curated by
Christian KeathleyMiddlebury College
Jason MittellMiddlebury College

I Feel, Therefore I Can Be Free

By Nzingha Kendall
Reviewed by Dolores Tierney

Berlin Moves

By Evelyn Kreutzer
Reviewed by Nick Warr

Remixing Rose Hobart

By Derek Long
Reviewed by Kevin Lee

Cinders of La Invasion

By Nike Nivar Ortiz
Reviewed by Robert Burgoyne Jeffrey Romero Middents

The Follow Shot

By Jordan Schonig
Reviewed by Luis Rocha Antunes Patrick Keating

Journal of Videographic Film & Moving Image Studies, 4.4, 2017

Curated by
Chiara GrizzaffiUniversità IULM - Milan

Lizard Train

By Kevin L. Ferguson
Reviewed by Tracy Cox-Stanton

Inception – A Surrealist Tale About Lost Love

By Agnieszka Piotrowska
Reviewed by Benjamin Sampson Douglas Julien

Flow/Job

By Darren Elliott-Smith
Reviewed by Jennifer Moorman

"The fire and the rose are one." Motifs of Tarkovsky

By Peter Kravanja
Reviewed by Matilda Mroz Anne Bachmann

The Sexuality of Space: St Mary Magdalen’s Home Movies

By William Brown
Reviewed by Darren Elliott-Smith Cüneyt Çakırlar
Heatmap

Journal of Videographic Film & Moving Image Studies, 4.3, 2017

Curated by
Tessa DwyerMonash University
Sean RedmondDeakin University
Claire PerkinsMonash University

Unseen Screens: Eye Tracking, Magic and Misdirection

By Tessa Dwyer
Reviewed by Sarah Thomas Dan North
5 comments

Materialisation, Emotion, & Attention: Tracking Sound’s Perceptual Effects in Film

By Darrin Verhagen
Reviewed by Murray Smith William Brown

The Ear That Dreams: Eye Tracking Sound in the Moving Image

By Sean Redmond
Reviewed by Murray Smith Drew Morton

Dead Time

By Claire Perkins Catherine Fowler
Reviewed by Christian Keathley Matilda Mroz

Journal of Videographic Film & Moving Image Studies, 4.2b, 2017

Curated by
Richard MisekUniversity of Bergen

Martyrs for the Mass

By Kevin Lee
Reviewed by Drew Morton

Flicker and Shutter

By Tracy Cox-Stanton
Reviewed by Chiara Grizzaffi

WTF IS THAT? The Pre- and Post-Cinematic Tendencies of Paranormal Activity

By Allison de Fren
Reviewed by Catherine Grant

In Praise of Blur

By Richard Misek

Emerald Transmutations

By Patricia Pisters
Reviewed by Christian Keathley

Journal of Videographic Film & Moving Image Studies, 4.2a, 2017

Curated by
Richard MisekUniversity of Bergen

Indefinite Visions: An Introduction

By Richard Misek

Frames and Containers

By Charlie Shackleton
Reviewed by Drew Morton

Ray/Godard

By David Verdeure
Reviewed by Catherine Grant

The Black Screen

By Richard Misek
Reviewed by Chiara Grizzaffi

The Blackout Period

By Patricia Pisters

Journal of Videographic Film & Moving Image Studies, 4.1, 2017

Looking at To-Be-Looked-at-Ness: Feminist Videographic Criticism

By Catherine Grant

Let Them Speak! Against Standardization in Videographic Criticism

By Chiara Grizzaffi

Digital Technologies and Videographic Research Practice

By Christian Keathley

Videographic Telephilia

By Jason Mittell

Videographic Criticism and Documentary Modes

By Drew Morton

Journal of Videographic Film & Moving Image Studies, 3.4, 2016

Curated by
Catherine GrantAarhus Universitet
Chiara GrizzaffiUniversità IULM - Milan

Thinking Through Acting: Performative Indices and Philosophical Assertions

By Aaron Taylor Bryn Hewko
Reviewed by Jennifer O'Meara
1 comment

Give Me a Smile

By Caroline Rumley
Reviewed by Rob Stone Adrian Martin

HANNIBAL: A Fanvid

By Lori Morimoto
Reviewed by Louisa Stein Francesca Coppa

Don’t Look Now: Paradoxes of Suture

By Shane Denson
Reviewed by Alisa Lebow Richard Misek

Landscape in Paradigms: Ford’s Monument Valley

By Booth Wilson
Reviewed by Stephen Mamber Allison Butler

Journal of Videographic Film & Moving Image Studies, 3.3, 2016

Curated by
Nicolas PoppeMiddlebury College
Michael TalbottCastleton University

"You Looking at Me?" The Misleading Counter-Shot in The Hour of the Star (1986)

By Nilo Couret
Reviewed by Kerry Hegarty Tatiana Signorelli Heise

Still Brazil

By Stefan Solomon
Reviewed by Violet Lucca Tiago de Luca

Hunger and Rotten Flesh: Cinema Novo, Pasolini, Eisenstein

By Albert Elduque
Reviewed by Rielle Navitski Liz Greene

¿Por qué me miras así? Magaly, Dolores, and the Authentic Indigenous Icon

By Jeffrey Romero Middents
Reviewed by Amalia Cordova Niamh Thornton

Buñuel in Mexico: The Logic of Delirium

By Cristina Álvarez López

Journal of Videographic Film & Moving Image Studies, 3.2, 2016

Curated by
Christian KeathleyMiddlebury College

Quantum Haunting

By Kevin L. Ferguson
Reviewed by Laura Rascaroli Shane Denson

Honolulu Mon Amour

By Nick Warr
Reviewed by Gordon Hon Christine Becker

Stereotowns

By Miriam Ross
Reviewed by Eric Faden Maria A. Velez-Serna

Opening Movements in Ophuls

By John Gibbs
Reviewed by David T. Johnson Susan Smith

Revisiting Bruxelles-Transit

By Jasper Stratil
Reviewed by Alisa Lebow Franklin Cason

Journal of Videographic Film & Moving Image Studies, 3.1, 2016

Curated by
Catherine GrantAarhus Universitet

Facing the Subject (On Observation)

By Irene Gustafson
Reviewed by Seung-hoon Jeong Richard Misek

ADAPTATION.'s Anomalies

By Jason Mittell
Reviewed by Adrian Martin Kevin L. Ferguson

Kataskopos: The Extraterrestrial View of the Earth in Film

By Anthony Patrickson
Reviewed by Shane Denson Steve Anderson

The Spielberg Touchscreen

By Ken Provencher
Reviewed by Kelli Marshall Chiara Grizzaffi

Mothers on the Line: The Allure of Julianne Moore

By Cüneyt Çakırlar
Reviewed by Jaap Kooijman Liz Greene
4 comments

Journal of Videographic Film & Moving Image Studies, 2.4, 2016

Curated by
Christian KeathleyMiddlebury College
Jason MittellMiddlebury College

Fembot in a Red Dress

By Allison de Fren
Reviewed by Elana Levine Kevin Lee

Sight and Sound Conspire: Monstrous Audio-Vision in James Whale’s Frankenstein

By Shane Denson
Reviewed by Drew Morton Steven Shaviro

A Homeless Ghost: The Moving Camera and its Analogies

By Patrick Keating
Reviewed by Matt Zoller Seitz Kristin Thompson

Success

By Jaap Kooijman
Reviewed by Chiara Grizzaffi Richard Dyer

Encounters

By Michael Talbott
Reviewed by Michael Koresky Austin Fisher

Journal of Videographic Film & Moving Image Studies, 2.3, 2015

Curated by
Drew MortonTexas A&M University-Texarkana

Tag

By Rob Stone
Reviewed by Gordon Hon Chiara Grizzaffi

Joining Up: Scotland, Cinema and the First World War

By David Archibald and Maria A. Velez-Serna
Reviewed by Eric Faden Laura Rascaroli

Ceylan's Women: Looking | Being Looked At

By Elif Akcali
Reviewed by Serena Bramble Pasquale Iannone
2 comments

Observe-Engage-Adapt: Hulot's Method in Playtime

By Glenn Stillar
Reviewed by Benjamin Sampson Jennifer Porst Miklos Kiss

There Is Nothing Outside the Real: Preston Sturges on André Bazin

By David Sorfa
Reviewed by Kevin Lee Patricia Pisters

Journal of Videographic Film & Moving Image Studies, 2.2, 2015

Curated by
Catherine GrantAarhus Universitet

Spaghettis in Translation

By Austin Fisher
2 comments

Against the Real

By Cristina Álvarez López and Adrian Mart
1 comment

So's Nephew by Remes (thanx to Michael Snow) by Jorrie Penn Croft

By Jennifer Proctor
1 comment

The Definition of Film

By Richard Misek
3 comments

The Time Passing

By Benjamin Sampson

Journal of Videographic Film & Moving Image Studies, 2.1, 2015

Curated by
Christian KeathleyMiddlebury College

Frames of Mind

By Jordan Tynes and Maurizio Viano
Reviewed by Chiara Grizzaffi Adrian Martin

Emoticons

By Patricia Pisters
Reviewed by Richard Misek Catherine Fowler

Volumetric Cinema

By Kevin L. Ferguson
Reviewed by Virginia Kuhn Steve Anderson

Screening Surveillance

By Steve Anderson
Reviewed by Kevin Lee

Busting Out

By Manohla Dargis Jennifer Moorman Dawn Fratini
Reviewed by Catherine Grant

Journal of Videographic Film & Moving Image Studies, 1.4, 2014

Curated by
Drew MortonTexas A&M University-Texarkana

"Look. I Know You're Not Following What I'm Saying Anyway.": The Problem of the "Video Essay" and Scorsese as Cinematic Essayist

By Drew Morton

Revisiting Spike Lee’s “Racial Slur Montage”: Ya Need to Cool that Shit Out

By Douglas Julien

Essay Meets Plot: JFK and the Boundaries of Narrative

By Benjamin Sampson

The Chicken Between the Teeth: Spatial Soliloquy in the Films of Wes Anderson

By David O'Grady

Dialectical Montage in Steven Soderbergh’s PSYCHOS

By R. Colin Tait

Journal of Videographic Film & Moving Image Studies, 1.3, 2014

Curated by
Catherine GrantAarhus Universitet

The Audiovisual Essay: My Favorite Things

By Catherine Grant
3 comments

The Inward/Outward Turn

By Adrian Martin
2 comments

From Idea to Concept

By Cristina Álvarez López
5 comments

The Poetics of the Explanatory Audiovisual Essay

By Ian Garwood
4 comments

The Audiovisual Research Essay as an Alternative to Text-Based Scholarship

By Miklos Kiss
7 comments

Journal of Videographic Film & Moving Image Studies, 1.2, 2014

Curated by
Christian KeathleyMiddlebury College

The ABCs of Forms & Genres

By Christian Keathley
6 comments

Intersection

By Girish Shambu
7 comments

On Video Tributes

By Chiara Grizzaffi
5 comments

Compilation and Found-Footage Traditions

By Corey K Creekmur
6 comments

Journal of Videographic Film & Moving Image Studies, 1.1, 2014

Curated by
Catherine GrantAarhus Universitet
Christian KeathleyMiddlebury College
Drew MortonTexas A&M University-Texarkana

[in]Transition: Editors' Introduction

By Catherine Grant
5 comments

WHAT IS NEOREALISM (Kogonada)

By Christian Keathley

LAYERS OF PARADOX IN F FOR FAKE (Benjamin Sampson)

By Drew Morton
2 comments

BERGMAN SENSES (Thomas Elsaesser, Anne Bachmann and Jonas Moberg)

By Catherine Grant
1 comment