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Journal of Videographic Film & Moving Image Studies, 8.2, 2021

Curated by
Drew MortonTexas A&M University-Texarkana

Transitional Moments in Cinematic Virtual Reality

By Professor Sarah Atkinson
Reviewed by Steve Anderson Sarah Thomas

Cinema Turns: Catalan Creative Documentary

By Celia Sainz
Reviewed by Maria Hofmann Elizabeth Ramirez-Soto

Stories of Haunted Houses: Female Subjects and Domestic Spaces in Contemporary Gothic Films and TV Series

By Chiara Grizzaffi Giulia Scomazzon
Reviewed by Murray Leeder Martha Shearer

Hausu of the Rising Sun: Death of the Girl

By Georgia Thomas-Parr
Reviewed by Dana Och Lori Morimoto

Shoot to Kill: The Weaponized Gaze of the American Action Film

By Lennart Soberon
Reviewed by Robert Burgoyne Matthew Thomas Payne

Journal of Videographic Film & Moving Image Studies, 8.1, 2021

Curated by
Kevin L. FergusonQueens College / CUNY

The Coffee Set

By Barbara Zecchi
Reviewed by Stefan Solomon Tiago de Luca

Uncertain Presence

By Harrison Wade
Reviewed by Sarah Keller Kyle Stevens

Grammatology of the Nymph: Godard and Warburg

By Miguel Mesquita Duarte
Reviewed by Giles Fielke Michael Witt

Wong Kar-wai’s Sleepers

By Ken Provencher Jiro Plutschow
Reviewed by Catherine Grant

Distant Journey through the Desktop

By Jiří Anger Jiří Žák
Reviewed by Chloé Galibert-Laîné Jasper Stratil

Journal of Videographic Film & Moving Image Studies, 7.3, 2020

Curated by
Catherine GrantAarhus Universitet
Neepa MajumdarUniversity of Pittsburgh
Kevin L. FergusonQueens College / CUNY

The Television Will Not Be Summarized

By Elizabeth Alsop
Reviewed by Christine Becker Jeremy Butler

Muscular Nationalism, the Female Body, and Sports in India

By Sikata Banerjee Rachel Malia Newkirk Niall Ó Murchú
Reviewed by Sujata Moorti Anupama Prabhala Kapse

Amuse-œil

By Eric Faden
Reviewed by Malcolm Turvey Laura Mulvey

TERROR NULLIUS Unmixed

By Caitlin Lynch
Reviewed by Adrian Martin Jaimie Baron

Being Luke Skywalker: Transmedia Play and the Adaptation of the Trench Run

By Drew Morton
Reviewed by Suzanne Scott Louisa Stein

Visuality and Migration: Two Crises in Gianfranco Rosi’s Documentary “Fire at Sea”

By Erik Scaltriti
Reviewed by Giulia Scomazzon Alice Cati

Before the End

By Rob Stone
Reviewed by David T. Johnson Kim Wilkins

Journal of Videographic Film & Moving Image Studies, 7.2, 2020

Curated by
Christian KeathleyMiddlebury College

Power Trip

By Christopher Boulton
Reviewed by Tiago de Luca Anthony Patrickson

Why Hasn't Animated Horror Succeeded?

By Tuakana Metuarau
Reviewed by Aylish Wood

Clem

By William Brown
Reviewed by Maria Pramaggiore Ming-yu Lee

Why VR Does Not Promote Empathy

By Dirk Eitzen
Reviewed by Miriam Ross Adriano D'Aloia

Tarkovsky's Napes

By Pavel Tavares
Reviewed by Matilda Mroz Eric Faden

La Cupola: Revisiting L'Avventura through 'building' and 'dwelling'

By Peter Spence
Reviewed by Laura Rascaroli Adrian Martin

Journal of Videographic Film & Moving Image Studies, 7.1, 2020

Curated by
Drew MortonTexas A&M University-Texarkana

Feeling and Thought as They Take Form: Early Steadicam, Labor, and Technology (1974-1985)

By Katie Bird
Reviewed by Kerry Hegarty Patrick Keating

Reclaiming Uncanny Spaces: Australian Landscapes from the New Wave to the New Indigenous Cinema

By Matthew Campora
Reviewed by Austin Fisher Jennifer O'Meara

Who Ever Heard…?

By Matthew Thomas Payne
Reviewed by Corey K Creekmur Benjamin Sampson
1 comment

Santa y Teresa: A Walking Dialogue between two Cuban Characters

By Michelle Leigh Farrell
Reviewed by Dunja Fehimovic Dolores Tierney

Empathy with the Masses

By Catherine Gough-Brady
Reviewed by Alan O'Leary Julia Vassilieva

Journal of Videographic Film & Moving Image Studies, 6.4, 2019

Curated by
Julia VassilievaMonash University

Introduction: Montage Reloaded

By Julia Vassilieva

The Future Within Us

By Helen Grace
Reviewed by Julia Vassilieva

The Idea of a Series: Energy Vectors in Montage

By Adrian Martin Cristina Álvarez López
Reviewed by Ivan Pintor Iranzo

Reimagining Glass House

By Zoe Beloff
Reviewed by Dustin Condren

After the Facts

By Karen Pearlman
Reviewed by Jane M. Gaines

Journal of Videographic Film & Moving Image Studies, 6.3, 2019

Curated by
Drew MortonTexas A&M University-Texarkana

Occupying Time: The Battle of Algiers

By Alan O'Leary
Reviewed by Nick Warr Michael Talbott
3 comments

The ABCs of Bette Davis

By Pamela Wojcik
Reviewed by Jenny Oyallon-Koloski Allison McCracken

Watching The Pain of Others

By Chloé Galibert-Laîné
Reviewed by Alisa Lebow Maria Hofmann

Special Effectivities

By Ian Bryce Jones
Reviewed by Jamie Poster David O'Grady

Dr. Caligari’s Francis: A Sane Reading

By Alan Blanchard
Reviewed by Patrick Keating Thomas Elsaesser

Pan Scan Venkman

By Cormac Donnelly
Reviewed by Charlie Shackleton Caetlin Benson-Allott

The Technicolor Legacy, Color Consciousness and Hammer Horror

By Paul Frith
Reviewed by Simon Brown Darren Elliott-Smith

Reproductive Futurism and the Politics of the Sequel

By Kathleen Loock
Reviewed by Amanda Ann Klein Drew Morton

Journal of Videographic Film & Moving Image Studies, 6.2, 2019

Curated by
Neil VermaNorthwestern University
Jacob SmithNorthwestern University

Listening for Religion

By Lauren Pond
Reviewed by Neil Verma, Jacob Smith Shayna Silverstein

Catching Flies and Catching Memories: The Skin-Crawling Sounds of Yoko Ono's FLY (1970)

By Amy Skjerseth
Reviewed by Neil Verma, Jacob Smith Jean Ma

Itinéraire d’un ciné-fils de… #3: Le cercle rouge (1970)

By Christian Gosvig Olesen
Reviewed by Neil Verma, Jacob Smith Jeff Smith

Syrian Bodies, Sonic Ruptures

By Shayna Silverstein
Reviewed by Neil Verma, Jacob Smith Robert Beahrs

Eye Contact with the City: A Discourse on Contemporary Urban Sounds

By Budhaditya Chattopadhyay Maria Papadomanolaki
Reviewed by Neil Verma, Jacob Smith Stephan Moore

Am I Pretty?

By Jennifer Proctor
Reviewed by Neil Verma, Jacob Smith Kiri Miller

Covenant of the Tongue

By Karen Werner
Reviewed by Neil Verma, Jacob Smith Anna Friz

Record Everything: Archive 81 and the Sounds of Preservation

By Jeremy Morris Tom Welch
Reviewed by Neil Verma, Jacob Smith Josie Torres Barth

Journal of Videographic Film & Moving Image Studies, 6.1, 2019

Curated by
Chiara GrizzaffiUniversità IULM - Milan

Beyond the Screen #nofilter

By Maria Hofmann
Reviewed by Deane Williams Irene Gustafson

Message from Chile

By José Miguel Palacios Elizabeth Ramirez-Soto
Reviewed by Dolores Tierney Jeffrey Romero Middents

The Two Irises

By Eleni Palis
Reviewed by Jessica McGoff

A Dalek is (now) a many-splendored thing

By Keith M. Johnston
Reviewed by Susan Murray Matt Hills
1 comment

Echoes Beyond Time

By Padraic Killeen
Reviewed by Paul Ramaeker Rashna Wadia Richards

Journal of Videographic Film & Moving Image Studies, 5.4, 2019

Curated by
Chiara GrizzaffiUniversità IULM - Milan

The Birds After Hitchcock

By Miguel Mesquita Duarte
Reviewed by Catherine Fowler Gordon Hon

The Death of a Text

By David Safin
Reviewed by Jacob Smith Tom Brown

Gone Estray

By Melissa Dollman, PhD
Reviewed by Jaimie Baron Brian L. Frye
1 comment

Negative Space

By Allain Daigle
Reviewed by DanielleMBouchard Susan Potter

Visual Disturbances

By Eric Faden
Reviewed by Tessa Dwyer Steve Anderson

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