In Media Res

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• In Media Res
  

  FX Brand Feminism and Justified's Older Women

  By

  Jorie Lagerwey University College Dublin

  April 28, 2014

  4 comments

  rural, possibly insane or otherwise marginalized; characters like Katey Sagal’s biker gang matriarch on ...
• In Media Res
  Re: Inside Out: Collaborative Creativity and the Pixar Braintrust

  What does collaboration really look like for the directors?

  By

  Morgan Jaffe Media Education Lab, Harrington School of Communication and Media

  Thursday, April 24, 2014 — 8:52 pm

  working rather than simply a useful step within the creative process.” Forgive me if I’m missing ...
• In Media Res
  

  WALL-E and Utopia

  By

  Gerry Canavan Marquette University

  April 24, 2014

  3 comments

  a few scant minutes at least, becomes unfixed; the curse is lifted; another, better world is possible. ...
• In Media Res
  

  Pixar's RenderMan and Proprietary Technology in CGI Animation

  By

  Alla Gadassik Emily Carr University of Art + Design

  April 22, 2014

  2 comments

  channels, but on Pixar's RenderMan website. Carefully positioned to the side of Pixar’s entertainment ... has not only made Pixar’s animated films technically possible, it also, in part, defined the company’s ...
• In Media Res
  

  Inside Out: Collaborative Creativity and the Pixar Braintrust

  By

  Christopher Holliday King's College London

  April 21, 2014

  8 comments

  Inside Out: Collaborative Creativity and the Pixar Braintrust Pixar Animation Studios Hollywood cinema Disney corporate creativity computer animation Curator's Note The recent publication of Pixar Animation Studios President Ed Catmull’s Creativity, ...
• In Media Res
  Re: Orphan Black and the Performance Text of Attractions

  Versatility & TV acting

  By

  Aaron Taylor University of Lethbridge

  Sunday, April 13, 2014 — 2:23 pm

  the confluences of performance styles and modalities that only seem possible in serialized media. If ...
• In Media Res
  Re: Bloody Accents!

  American exports

  By

  Justin Owen Rawlins The University of Tulsa

  Wednesday, April 9, 2014 — 10:46 pm

  attempt such accents. Side note: in revisiting the show, I'm struck by just how varied all of the ...
• In Media Res
  Re: Orphan Black and the Performance Text of Attractions

  Longevity, plus

  By

  Aaron Hunter Queen's University Belfast

  Tuesday, April 8, 2014 — 4:05 pm

  work's authorship. On the flip side, though, I wonder how often longevity leads to an actor's ...
• In Media Res
  

  Bloody Accents!

  By

  Christine Becker University of Notre Dame

  April 08, 2014

  4 comments

  status? Regardless, I’m already certain the biggest problem I’ll have with Gracepoint is that “Bloody ...
• In Media Res
  Re: Orphan Black and the Performance Text of Attractions

  Range

  By

  Christine Becker University of Notre Dame

  Monday, April 7, 2014 — 11:40 pm

  previous one, whether it's similar or different. If the actor shows a new side, like Bryan Cranston in ...

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