Tag: SCMS Fandom and the Cultural Wars March 28, 2022 to April 3, 2022Theme week organized by Anthony DannarGeorgia State University Antifandom of CRT as Fannish Attachment to WhitenessBy Mel Stanfill Monday, March 28, 2022 "I Only Mind Forced Diversity": Anti-Fandom and White SupremacyBy Christina Wurst Tuesday, March 29, 2022 “Fill Our Hearts with Tolerance”: Progressive Politics in Marvel’s BrandBy Matt Griffin Wednesday, March 30, 2022 The Tactical Body and the White Masculine Crusader Fan IdentityBy Anthony Dannar Thursday, March 31, 2022 Conspiracies grown in the online white gardenBy lhowell Friday, April 1, 2022 JCMS: In Focus- "Modes of Black Liquidity: Music Video as Black Art"April 26, 2020 to April 30, 2020Theme week organized by Alessandra RaengoGeorgia State UniversityLauren McLeod CramerUniversity of Toronto Black Music Videos and the Popular to ComeBy Alessandra Raengo Lauren McLeod Cramer Monday, April 27, 2020 3 comments Miles Davis, Spike Lee, and the Sonic Establishing ShotBy Charles P. Linscott Tuesday, April 28, 2020 3 comments The Music Film as ArgumentBy James Tobias Wednesday, April 29, 2020 2 comments “The Persistence of “Wild Style” : Hip-Hop and Music Video Culture at the Intersection of Performance and ProvocationBy Michele Prettyman Thursday, April 30, 2020 5 comments The Redux of REBIRTH IS NECESSARY By Jenny Gunn Friday, May 1, 2020 SCMS In Focus: 50th Anniversary of the InternetFebruary 9, 2020 to February 13, 2020Theme week organized by Ashley JonesGeorgia Southwestern State University Media Studies and the Fluidity of Online NetworkingBy Derek Kompare Sunday, February 9, 2020 Netflix in Real LifeBy Mattias Frey Tuesday, February 11, 2020 AudioNet and the Origins of Online Content AggregationBy Andrew Bottomley Wednesday, February 12, 2020 Culture and Anarchy, from Matthew Arnold to the InternetBy Grant Bollmer Thursday, February 13, 2020
