Archives Displaying 31 - 40 of 40 Sort by Oldest firstNewest first Journal of Videographic Film & Moving Image Studies, 3.2, 2016Curated by Christian KeathleyMiddlebury College Quantum HauntingBy Kevin L. Ferguson Reviewed by Laura Rascaroli Shane Denson Monday, June 13, 2016 Honolulu Mon AmourBy Nick Warr Reviewed by Gordon Hon Christine Becker Monday, June 20, 2016 StereotownsBy Miriam Ross Reviewed by Eric Faden Maria A. Velez-Serna Monday, June 13, 2016 Opening Movements in OphulsBy John Gibbs Reviewed by David T. Johnson Susan Smith Monday, June 13, 2016 Revisiting Bruxelles-TransitBy Jasper Stratil Reviewed by Alisa Lebow Franklin Cason Friday, July 7, 2017 Journal of Videographic Film & Moving Image Studies, 3.1, 2016Curated by Catherine GrantAarhus Universitet Facing the Subject (On Observation) By Irene Gustafson Reviewed by Seung-hoon Jeong Richard Misek Monday, March 14, 2016 ADAPTATION.'s AnomaliesBy Jason Mittell Reviewed by Adrian Martin Kevin L. Ferguson Friday, March 18, 2016 Kataskopos: The Extraterrestrial View of the Earth in FilmBy Anthony Patrickson Reviewed by Shane Denson Steve Anderson Friday, March 18, 2016 The Spielberg TouchscreenBy Ken Provencher Reviewed by Kelli Marshall Chiara Grizzaffi Friday, March 18, 2016 Mothers on the Line: The Allure of Julianne MooreBy Cüneyt Çakırlar Reviewed by Jaap Kooijman Liz Greene Monday, March 14, 2016 4 comments Journal of Videographic Film & Moving Image Studies, 2.4, 2016Curated by Christian KeathleyMiddlebury CollegeJason MittellMiddlebury College Fembot in a Red DressBy Allison de Fren Reviewed by Elana Levine Kevin Lee Monday, December 28, 2015 Sight and Sound Conspire: Monstrous Audio-Vision in James Whale’s FrankensteinBy Shane Denson Reviewed by Drew Morton Steven Shaviro Wednesday, December 30, 2015 A Homeless Ghost: The Moving Camera and its AnalogiesBy Patrick Keating Reviewed by Matt Zoller Seitz Kristin Thompson Tuesday, December 29, 2015 SuccessBy Jaap Kooijman Reviewed by Chiara Grizzaffi Richard Dyer Tuesday, December 29, 2015 EncountersBy Michael Talbott Reviewed by Michael Koresky Austin Fisher Wednesday, December 30, 2015 Journal of Videographic Film & Moving Image Studies, 2.3, 2015Curated by Drew MortonTexas A&M University-Texarkana TagBy Rob Stone Reviewed by Gordon Hon Chiara Grizzaffi Thursday, July 30, 2015 Joining Up: Scotland, Cinema and the First World WarBy David Archibald and Maria A. Velez-Serna Reviewed by Eric Faden Laura Rascaroli Thursday, July 30, 2015 Ceylan's Women: Looking | Being Looked AtBy Elif Akcali Reviewed by Serena Bramble Pasquale Iannone Wednesday, August 5, 2015 2 comments Observe-Engage-Adapt: Hulot's Method in PlaytimeBy Glenn Stillar Reviewed by Benjamin Sampson Jennifer Porst Miklos Kiss Monday, August 3, 2015 There Is Nothing Outside the Real: Preston Sturges on André BazinBy David Sorfa Reviewed by Kevin Lee Patricia Pisters Thursday, July 30, 2015 Journal of Videographic Film & Moving Image Studies, 2.2, 2015Curated by Catherine GrantAarhus Universitet Spaghettis in TranslationBy Austin Fisher Friday, May 15, 2015 2 comments Against the RealBy Cristina Álvarez López and Adrian Mart Friday, May 15, 2015 1 comment So's Nephew by Remes (thanx to Michael Snow) by Jorrie Penn CroftBy Jennifer Proctor Sunday, May 17, 2015 1 comment The Definition of FilmBy Richard Misek Monday, May 18, 2015 3 comments The Time PassingBy Benjamin Sampson Monday, May 18, 2015 Journal of Videographic Film & Moving Image Studies, 2.1, 2015Curated by Christian KeathleyMiddlebury College Frames of MindBy Jordan Tynes and Maurizio Viano Reviewed by Chiara Grizzaffi Adrian Martin Thursday, March 12, 2015 Emoticons By Patricia Pisters Reviewed by Richard Misek Catherine Fowler Tuesday, March 10, 2015 Volumetric CinemaBy Kevin L. Ferguson Reviewed by Virginia Kuhn Steve Anderson Tuesday, March 10, 2015 Screening SurveillanceBy Steve Anderson Reviewed by Kevin Lee Wednesday, March 11, 2015 Busting OutBy Manohla Dargis Jennifer Moorman Dawn Fratini Reviewed by Catherine Grant Sunday, March 22, 2015 Journal of Videographic Film & Moving Image Studies, 1.4, 2014Curated by Drew MortonTexas A&M University-Texarkana "Look. I Know You're Not Following What I'm Saying Anyway.": The Problem of the "Video Essay" and Scorsese as Cinematic EssayistBy Drew Morton Friday, December 12, 2014 Revisiting Spike Lee’s “Racial Slur Montage”: Ya Need to Cool that Shit OutBy Douglas Julien Friday, December 12, 2014 Essay Meets Plot: JFK and the Boundaries of NarrativeBy Benjamin Sampson Friday, December 12, 2014 The Chicken Between the Teeth: Spatial Soliloquy in the Films of Wes AndersonBy David O'Grady Friday, December 12, 2014 Dialectical Montage in Steven Soderbergh’s PSYCHOSBy R. Colin Tait Friday, December 12, 2014 Journal of Videographic Film & Moving Image Studies, 1.3, 2014Curated by Catherine GrantAarhus Universitet The Audiovisual Essay: My Favorite ThingsBy Catherine Grant Tuesday, August 26, 2014 3 comments The Inward/Outward TurnBy Adrian Martin Tuesday, August 26, 2014 2 comments From Idea to ConceptBy Cristina Álvarez López Tuesday, August 26, 2014 5 comments The Poetics of the Explanatory Audiovisual EssayBy Ian Garwood Tuesday, August 26, 2014 4 comments The Audiovisual Research Essay as an Alternative to Text-Based ScholarshipBy Miklos Kiss Friday, August 22, 2014 7 comments Journal of Videographic Film & Moving Image Studies, 1.2, 2014Curated by Christian KeathleyMiddlebury College The ABCs of Forms & GenresBy Christian Keathley Monday, June 16, 2014 6 comments IntersectionBy Girish Shambu Friday, June 20, 2014 7 comments On Video TributesBy Chiara Grizzaffi Monday, June 23, 2014 5 comments Compilation and Found-Footage TraditionsBy Corey K Creekmur Saturday, June 28, 2014 6 comments Journal of Videographic Film & Moving Image Studies, 1.1, 2014March 1, 2016 to March 7, 2016Curated by Catherine GrantAarhus UniversitetChristian KeathleyMiddlebury CollegeDrew MortonTexas A&M University-Texarkana [in]Transition: Editors' IntroductionBy Catherine Grant Tuesday, March 4, 2014 5 comments WHAT IS NEOREALISM (Kogonada)By Christian Keathley Friday, February 28, 2014 LAYERS OF PARADOX IN F FOR FAKE (Benjamin Sampson)By Drew Morton Thursday, February 27, 2014 2 comments BERGMAN SENSES (Thomas Elsaesser, Anne Bachmann and Jonas Moberg)By Catherine Grant Friday, February 28, 2014 1 comment Pages« first ‹ previous 1 2 3 4
