Archives

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Montage/Composite/Exchange II

Theme week organized by
Jordan ChrietzbergGeorgia State University

From Editing to Découpage, and from Classical to Modern Cinema

By Dudley Andrew

Montage and/as Relation

By Ryan Conrath

Oración para Marilyn Monroe

By Sean Cubitt

Montage Opaque

By Adrian Martin

Cinema and Visual Arts

Theme week organized by
Sara Ghazi AsadollahiGeorgia State University

Ornaments of Horror: Kubrick’s Carpet, Wallpaper, and the Rococo Survival

By Tomáš Jirsa

Hiding in Plain Sight: Blackamoors in Classical Hollywood Cinema

By Susan Felleman

100 Years of Eternity (Between Cinema and Painting)

By Jennifer J. Wild

The Dictionary of Obscure Figures

By Alper Gobel

The Curse

Theme week organized by
Mychal Reiff-Shanks

Fielder Atones in The Curse

By Jason Potel

Backyard Holocausts: The Curse and The Zone of Interest

By Paul Dobryden

Horrible White Neoliberal Feminism in The Curse

By Sarah Lahm

The Use of Music in The Curse

By Mychal Reiff-Shanks

Nathan's Curse

By Vinícius Portella

Robert Bresson

Theme week organized by
Sara Ghazi AsadollahiGeorgia State University

What if Bresson’s Crew Had Not?

By Raymond Watkins

Robert Bresson’s The Devil, Probably: The Rhythms of Proletarian Life

By Colin Burnett Alan Zhou

On the Odd Satisfaction of Bresson

By Jordan Schonig

Christ and Metal: Une femme douce and its symmetries

By Vahid Mortazavi

Bresson’s Choreography of Writing

By Sara Ghazi Asadollahi

Labor and the Moving Image

Theme week organized by
Jordan ChrietzbergGeorgia State University

The Labor of Spectatorship

By Pansy Duncan

Of Widows and Maids: Production, Reproduction, Caregiving

By Alessandra Raengo

Media War: Boron Lockout

By John T. Caldwell

Zoned for Interest (Notes With and Around Serge Daney)

By Jordan Chrietzberg

Critique and the Moving Image III

Theme week organized by
Jordan ChrietzbergGeorgia State University

Ideology, Critique, and Post-Cinema

By Michael Cramer

On the Borders of Virtual Reality

By Juan Llamas-Rodriguez

The Digital Crowd

By Kartik Nair

Form as Critique: On Fire at Sea

By Mauro Resmini

Children’s Television: Sesame Franchise

Theme week organized by
Kate MorganNewscastic/The Electric Feast

Sesame Street and the Chromatic Scale Jazz Soundtrack

By Kate Morgan

Empowering Futures: Africa and School/Street Projects

By Kizito Moses

Children's Television Impact: Global Thoughts on Public Television

By Leah Adihambo

Sesame Street and Shared International Party Traditions

By Oluwakemi Oluwagesun

Sesame Street and Hair Positivity

By Kiana Stringfield

Barbie

Theme week organized by
Jennifer L. PenaUniversity of Miami

Perceptions of Barbie in Popular Culture

By Jennifer L. Pena

Plastic Representation in Barbie’s Vlogs

By Claudia Kinahan

Barbie’s Feminisms?

By Pamela Thoma

Mojo Dojo Casa House and Masculinity in the Popular Imagination

By Michael Soriano

Star Trek: Legacy and Fandom

Theme week organized by
Anthony DannarAuburn University

Star Trek, The Riker Maneuver, and Gestural Fandom

By Paul Booth

Star Trek: The Reinhard Generation

By CarrieLynn D. Reinhard

An Encyclopedia of Star Trek Facts and Trivia: Patrick Stewart’s Late-Night Trek Fandom

By Bridget Kies

(Nu)Trek: Race, Gender, and Fans

By Carey Millsap-Spears

Hollywood Film Style and the Production Code

Theme week organized by
Tom BrownKing's College London

Hollywood Film Style and the Production Code: Criticism and History

By Tom Brown

Choosing the Toilet View: Censorship and Collaboration within Hollywood’s Prison Industrial Complex

By Eli Boonin-Vail

Scarlet Nails, Seduction, and a Game of Chess: Chromatic Subversion in Blood and Sand (1941)

By Hannah Garibaldi

The Miracle of Morgan’s Creek: previewing a hybrid article

By John Gibbs

A Terrible Cold-Blooded Murder of an Innocent Woman

By Alison Peirse

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