Archives Displaying 11 - 20 of 612 Sort by Oldest firstNewest first Barbie January 29, 2024 to February 4, 2024Theme week organized by Jennifer L. PenaUniversity of Miami Perceptions of Barbie in Popular CultureBy Jennifer L. Pena Monday, January 29, 2024 Plastic Representation in Barbie’s VlogsBy Claudia Kinahan Tuesday, January 30, 2024 Barbie’s Feminisms?By Pamela Thoma Wednesday, January 31, 2024 Mojo Dojo Casa House and Masculinity in the Popular ImaginationBy Michael Soriano Thursday, February 1, 2024 Star Trek: Legacy and FandomFebruary 5, 2024 to February 9, 2024Theme week organized by Anthony DannarGeorgia State University Star Trek, The Riker Maneuver, and Gestural FandomBy Paul Booth Monday, February 5, 2024 Star Trek: The Reinhard GenerationBy CarrieLynn D. Reinhard Tuesday, February 6, 2024 An Encyclopedia of Star Trek Facts and Trivia: Patrick Stewart’s Late-Night Trek FandomBy Bridget Kies Wednesday, February 7, 2024 (Nu)Trek: Race, Gender, and FansBy Carey Millsap-Spears Thursday, February 8, 2024 Hollywood Film Style and the Production CodeJanuary 22, 2024 to January 28, 2024Theme week organized by Tom BrownKing's College London Hollywood Film Style and the Production Code: Criticism and HistoryBy Tom Brown Monday, January 22, 2024 Choosing the Toilet View: Censorship and Collaboration within Hollywood’s Prison Industrial ComplexBy Eli Boonin-Vail Tuesday, January 23, 2024 Scarlet Nails, Seduction, and a Game of Chess: Chromatic Subversion in Blood and Sand (1941)By Hannah Garibaldi Wednesday, January 24, 2024 The Miracle of Morgan’s Creek: previewing a hybrid articleBy John Gibbs Thursday, January 25, 2024 A Terrible Cold-Blooded Murder of an Innocent WomanBy Alison Peirse Friday, January 26, 2024 Critique and the Moving Image IIDecember 11, 2023 to December 17, 2023Theme week organized by Jordan ChrietzbergGeorgia State University Mandela CinemaBy Daniel Fairfax Monday, December 11, 2023 Cognitive Mapping and Critical Images of InfrastructureBy Erica Stein Tuesday, December 12, 2023 Everything’s Connected: Conspiracy, Critique, and ArticulationBy John Roberts Wednesday, December 13, 2023 Images of Struggle as Having “Lives of Their Own”—Or NotBy Jane M. Gaines Friday, December 15, 2023 Critique and the Moving Image INovember 27, 2023 to December 3, 2023Theme week organized by Jordan ChrietzbergGeorgia State University For InterpretationBy Nico Baumbach Monday, November 27, 2023 Filming/No Filming. Notes on the latest films of Hong Sang-sooBy Sulgi Lie Monday, November 27, 2023 Performative OntologiesBy Chang-Min Yu Monday, November 27, 2023 Film, StillBy Genevieve Yue Monday, November 27, 2023 From Screen to Pleat: Deleuzian Inflections in Visual and Media DiscoursesNovember 6, 2023 to November 12, 2023Theme week organized by Sara Ghazi AsadollahiGeorgia State University Enfolding-unfolding AestheticsBy Laura U. Marks Monday, November 6, 2023 Folding the Politics of TouchBy Tim Murray Monday, November 6, 2023 Folds to Black or WhiteBy Tanya Shilina-Conte Monday, November 6, 2023 The Fold as Poetic EventBy Saige Walton Monday, November 6, 2023 Follow the Pleat: Deleuze, Design, and the Hollywood MusicalBy James Tweedie Monday, November 6, 2023 Reflections on Music Video as Black Art: Claiming the B-SIdeOctober 30, 2023 to November 5, 2023Theme week organized by liquid blacknessGeorgia State University The Power of the ReturnBy Michele Prettyman Monday, October 30, 2023 Sent to SeeBy Stefano Harney Tuesday, October 31, 2023 Riffs on Spiritual Metadata By Kya Lou Wednesday, November 1, 2023 WGA/SAG-AFTRA StrikesOctober 2, 2023 to October 8, 2023Theme week organized by Kate FortmuellerGeorgia State UniversityMiranda BanksLoyola Marymount University The BirdsBy Kate Fortmueller Miranda Banks Monday, October 2, 2023 In an Idled Hollywood, a Residuals Dispute is Once Again KeyBy Jonathan Handel Monday, October 2, 2023 Residual Payments and the Fight for Fair Compensation for Labor in HollywoodBy Jennifer Porst Monday, October 2, 2023 Writers and Actors Can Strike, But Not Their Assistants: On Paying ‘Real Money’ for Unskilled LaborBy Lesley Stevenson Monday, October 2, 2023 “We’re Not Rich! We’re Not Fancy!”: Working Actors as Precariously Employed Public FiguresBy Kristina Brüning Monday, October 2, 2023 Labor Over Likes: The Messy Boundaries of Media Labor OrganizationBy Lesley Willard Monday, October 2, 2023 The Contemporary Streaming Style IIIOctober 16, 2023 to October 22, 2023Theme week organized by Jordan ChrietzbergGeorgia State University Exposing Hollywood’s Atmospheric Operations: Notes on a New Form of Film Criticism By Steffen Hven Monday, October 16, 2023 The Cave of Forgotten Dreams: Some Belated Thoughts on “Barbenheimer”By Dominic Pettman Monday, October 16, 2023 Frame-line to On-line: Freezing the Medial SlipstreamBy Garrett Stewart Monday, October 16, 2023 Children in the FactoryBy Pasi Väliaho Monday, October 16, 2023 Reactionary FandomSeptember 25, 2023 to October 1, 2023Theme week organized by Anthony DannarGeorgia State University “Just joined mugclub”: Fan Consumer Activism meets the Culture WarsBy Mel Stanfill Monday, September 25, 2023 From Fans to Users: Studying Diversity in Academic and Media Industry ResearchBy Matt Griffin Tuesday, September 26, 2023 #SpeakUpNow: “I want Taylor Swift to do better”: Reflecting on a reactionary moment in a fandom By Simone Driessen Wednesday, September 27, 2023 “Don’t Ask Me About My Agenda” or the Silencing Discussions of Racism in Reactionary and Transformative FandomsBy Lauren Rouse Thursday, September 28, 2023 Jordan Peterson Fandom and the Growing Influence of the “Dark Intellectual Web” By Anthony Dannar Friday, September 29, 2023 Pages« first ‹ previous 1 2 3 4 5 6 7 8 9 … next › last »