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Reflections on Music Video as Black Art: Claiming the B-SIde

Theme week organized by
liquid blacknessGeorgia State University

The Power of the Return

By Michele Prettyman

Sent to See

By Stefano Harney

Riffs on Spiritual Metadata

By Kya Lou

WGA/SAG-AFTRA Strikes

Theme week organized by
Kate FortmuellerGeorgia State University
Miranda BanksLoyola Marymount University

The Birds

By Kate Fortmueller Miranda Banks

In an Idled Hollywood, a Residuals Dispute is Once Again Key

By Jonathan Handel

Residual Payments and the Fight for Fair Compensation for Labor in Hollywood

By Jennifer Porst

Writers and Actors Can Strike, But Not Their Assistants: On Paying ‘Real Money’ for Unskilled Labor

By Lesley Stevenson

“We’re Not Rich! We’re Not Fancy!”: Working Actors as Precariously Employed Public Figures

By Kristina Brüning

Labor Over Likes: The Messy Boundaries of Media Labor Organization

By Lesley Willard

The Contemporary Streaming Style III

Theme week organized by
Jordan ChrietzbergGeorgia State University

Exposing Hollywood’s Atmospheric Operations: Notes on a New Form of Film Criticism

By Steffen Hven

The Cave of Forgotten Dreams: Some Belated Thoughts on “Barbenheimer”

By Dominic Pettman

Frame-line to On-line: Freezing the Medial Slipstream

By Garrett Stewart

Children in the Factory

By Pasi Väliaho

Reactionary Fandom

Theme week organized by
Anthony DannarAuburn University

“Just joined mugclub”: Fan Consumer Activism meets the Culture Wars

By Mel Stanfill

From Fans to Users: Studying Diversity in Academic and Media Industry Research

By Matt Griffin

#SpeakUpNow: “I want Taylor Swift to do better”: Reflecting on a reactionary moment in a fandom

By Simone Driessen

“Don’t Ask Me About My Agenda” or the Silencing Discussions of Racism in Reactionary and Transformative Fandoms

By Lauren Rouse

Jordan Peterson Fandom and the Growing Influence of the “Dark Intellectual Web”

By Anthony Dannar

liquid blackness Presents: Music Video as Black Art: Claiming the B-Side

Theme week organized by
liquid blacknessGeorgia State University

liquid blackness Presents: Music Video as Black Art: Claiming the B-Side

By Alessandra Raengo

Black Study as Practice: Claiming the B-Side as Black Study

By djones

A Pedagogy of the B-Side

By Daren Fowler

“It’s already legit”: Rhizomatic Influence in Contemporary Black Filmmaking

By Jenny Gunn

Haptic Aesthetics as a Form of Strategic Slowness in Black Cinema

By Corey Couch

Media and Marginalized Trans Identities

Theme week organized by
Dean Leetal

My Default State is Phased

By Stephanie Burt

Thinking the non-binary, incommensurability, and sex in Thiagarajan Kumararaja’s Super Deluxe (2019)

By Sneha Kumar

On the Spectrum: Non-binary and Neurodivergent

By Marty Heath

She Is Candy What?? Gender and Racial Identity in Non-Human Characters

By Emma Logsdon

“Half an hour ago, I was a white-haired Scotsman:” Neuroqueerness in Doctor Who

By Mars Nicolí

ChatGPT and the Specters of Authorship

Theme week organized by
Martin P. RossouwUniversity of the Free State
Rick De VilliersUniversity of the Free State

Of Chatbots and Crackpots: ChatGPT as Crisis of the Image

By Martin P. Rossouw

Defection

By Steven Connor

Who Owns Language? ChatGPT: Biases, Blind Spots and Silicon Valley

By Virginia Kuhn

GPTs’ Dependence on Appropriation and Remix: Forethoughts about Speed and Creativity

By Eduardo Navas

ChatGPTlön, or Prompts towards a Supreme Fiction

By Rick De Villiers

Six Brief Responses by ChatGPT

By Navid Darvishzadeh

RPTF Conference: A Century of Broadcasting

Theme week organized by
Tanya D. Zuk, Ph.D.Georgia State University
Noah ArceneauxSan Diego State University

Revisiting & Recontextualizing “The War of the Worlds” Broadcast

By Tanya D. Zuk, Ph.D.

Documenting the Undocumented

By Noah Arceneaux

Stop, Collaborate, and Listen: Innovative Partnerships at RPTF 2023

By Laurie Grobe

Black Women in Radio Collection Revered from The White House to the Library of Congress

By Felecia Love

The Kitchen Sisters' Accidental Archive

By Tanya D. Zuk, Ph.D.

House of the Dragon

Theme week organized by
Mychal Reiff-Shanks

Audience Expectations for Intertextual Engagement with the Musical Score for House of the Dragon

By James Denis Mc Glynn

“Especially cruel to you:” Viscerys Targaryen & Reactions to Disability

By Marty Heath

Docile Dragons

By John Rose

A Song of Whitewashing and Misrepresentation: The Diversity Issue in House of the Dragon Casting

By Jazmine R. Hudson

Quantumania, the Multiverse, and the State of the MCU

Theme week organized by
Anthony DannarAuburn University

Anger and Fear and Feminism

By Christina Knopf

Intruders from Reality: Entertainment Turned Homework

By Sovi Herring

Multiverse of Blackness: Examining Black Futurity and Queer Time

By Mychal Reiff-Shanks

All the Way Home: Disney Dominance and the State of Brand Assimilation in the MCU

By Matthew J. Smith Trevor Smith

Visibility and Representation: Ms. Marvel’s Journey of Becoming

By Malcolm Evans Lindsay Duede

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