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Robert Bresson

Theme week organized by
Sara Ghazi AsadollahiGeorgia State University

What if Bresson’s Crew Had Not?

By Raymond Watkins

Robert Bresson’s The Devil, Probably: The Rhythms of Proletarian Life

By Colin Burnett Alan Zhou

On the Odd Satisfaction of Bresson

By Jordan Schonig

Christ and Metal: Une femme douce and its symmetries

By Vahid Mortazavi

Bresson’s Choreography of Writing

By Sara Ghazi Asadollahi

Labor and the Moving Image

Theme week organized by
Jordan ChrietzbergGeorgia State University

The Labor of Spectatorship

By Pansy Duncan

Of Widows and Maids: Production, Reproduction, Caregiving

By Alessandra Raengo

Media War: Boron Lockout

By John T. Caldwell

Zoned for Interest (Notes With and Around Serge Daney)

By Jordan Chrietzberg

Critique and the Moving Image III

Theme week organized by
Jordan ChrietzbergGeorgia State University

Ideology, Critique, and Post-Cinema

By Michael Cramer

On the Borders of Virtual Reality

By Juan Llamas-Rodriguez

The Digital Crowd

By Kartik Nair

Form as Critique: On Fire at Sea

By Mauro Resmini

Children’s Television: Sesame Franchise

Theme week organized by
Kate MorganNewscastic/The Electric Feast

Sesame Street and the Chromatic Scale Jazz Soundtrack

By Kate Morgan

Empowering Futures: Africa and School/Street Projects

By Kizito Moses

Children's Television Impact: Global Thoughts on Public Television

By Leah Adihambo

Sesame Street and Shared International Party Traditions

By Oluwakemi Oluwagesun

Sesame Street and Hair Positivity

By Kiana Stringfield

Barbie

Theme week organized by
Jennifer L. PenaUniversity of Miami

Perceptions of Barbie in Popular Culture

By Jennifer L. Pena

Plastic Representation in Barbie’s Vlogs

By Claudia Kinahan

Barbie’s Feminisms?

By Pamela Thoma

Mojo Dojo Casa House and Masculinity in the Popular Imagination

By Michael Soriano

Star Trek: Legacy and Fandom

Theme week organized by
Anthony DannarAuburn University

Star Trek, The Riker Maneuver, and Gestural Fandom

By Paul Booth

Star Trek: The Reinhard Generation

By CarrieLynn D. Reinhard

An Encyclopedia of Star Trek Facts and Trivia: Patrick Stewart’s Late-Night Trek Fandom

By Bridget Kies

(Nu)Trek: Race, Gender, and Fans

By Carey Millsap-Spears

Hollywood Film Style and the Production Code

Theme week organized by
Tom BrownKing's College London

Hollywood Film Style and the Production Code: Criticism and History

By Tom Brown

Choosing the Toilet View: Censorship and Collaboration within Hollywood’s Prison Industrial Complex

By Eli Boonin-Vail

Scarlet Nails, Seduction, and a Game of Chess: Chromatic Subversion in Blood and Sand (1941)

By Hannah Garibaldi

The Miracle of Morgan’s Creek: previewing a hybrid article

By John Gibbs

A Terrible Cold-Blooded Murder of an Innocent Woman

By Alison Peirse

Critique and the Moving Image II

Theme week organized by
Jordan ChrietzbergGeorgia State University

Mandela Cinema

By Daniel Fairfax

Cognitive Mapping and Critical Images of Infrastructure

By Erica Stein

Everything’s Connected: Conspiracy, Critique, and Articulation

By John Roberts

Images of Struggle as Having “Lives of Their Own”—Or Not

By Jane M. Gaines

Critique and the Moving Image I

Theme week organized by
Jordan ChrietzbergGeorgia State University

For Interpretation

By Nico Baumbach

Filming/No Filming. Notes on the latest films of Hong Sang-soo

By Sulgi Lie

Performative Ontologies

By Chang-Min Yu

Film, Still

By Genevieve Yue

From Screen to Pleat: Deleuzian Inflections in Visual and Media Discourses

Theme week organized by
Sara Ghazi AsadollahiGeorgia State University

Enfolding-unfolding Aesthetics

By Laura U. Marks

Folding the Politics of Touch

By Tim Murray

Folds to Black or White

By Tanya Shilina-Conte

The Fold as Poetic Event

By Saige Walton

Follow the Pleat: Deleuze, Design, and the Hollywood Musical

By James Tweedie

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