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Five Thoughts on Shiva Baby Five Years Later

Theme week organized by
Joseph OziasCentral Methodist University

High Anxiety: Or, How Shiva Baby Approaches Horror

By Joseph Ozias

A Rhetorical Grammar Analysis of Shiva Baby’s Film Title

By Anna D'Orazio

Shiva Baby and the Wonders of Women’s Intuition

By Sydney Scott

The Use of Handheld Shots in  Shiva Baby

By Lindsey Crouch

Falling Apart at the Seams: Relating through Clothing in Shiva Baby

By Katie Monthie

Perspectives on What Defines a True-Life Adaptation

Theme week organized by
Monika Raesch

Perspectives on What Defines a True-Life Adaptation

By Fatima Litim

How To Do Reality Justice?

By Florian Daferner

Vlogs as a Form of True-Life Adaptation – Analyzing The Fifty Project

By Monika Raesch

Armenian-Americans American-Armenians

By Ken Martin

Motherhood Horrors in Contemporary Cinema

Theme week organized by
Brooke SonenreichMaster's degree

Black Maternal Horror and Rural Isolation in The Woman in the Yard

By Brooke Sonenreich

Maintaining the Neoliberal Home: Reproducing the Self through the Body of the Other

By Corey Couch

We Need To Talk About Kevin (2011): What culpability does a mother bear for the sins of her children?

By Sloan Joyner

Maternal Ambivalence and the horror of motherhood in You Are Not My Mother

By SarahArnold

Metaphor Across Media

Theme week organized by
Parsa NajiGeorgia State University

On the Theme "Metaphor Across Media"

By Parsa Naji

Metaphor: A key instrument to guide perspective in moving images

By Charles Forceville

EFFECT FOR CAUSE Metonymy in Cinema for Emotion Conceptualization

By Amirsaeid Moloodi

Visual and multimodal interaction of metaphor and metonymy: A study of Iranian and Dutch print advertisements

By Zahra Kashanizadeh

Mirrors of Our World: Metaphor, Satire and Social Commentary in Editorial Cartoons and Memes

By Aseel Zibin

Queer Animation: Past and Present (Part I)

Theme week organized by
Jacqueline RistolaUniversity of Bristol

Tracing Queer Animation’s Forms and Practices

By Jacqueline Ristola

Pre-Code - It Ain't All Happy & Gay

By Esther Bley

The Queer Animations of Barry JC Purves

By Ferdinando Cocco

Luz Diabla: Queer Horror in Argentinian Animation

By Sofía Poggi

The Personal Is Political: Korean Queer Animation Online, From Flash To Youtube

By Grace Han

Queer Animation: Past and Present (Part II)

Theme week organized by
Jacqueline RistolaUniversity of Bristol

Stay With Me: Watching Promare (2019) in English with Japanese Fans

By Cailtin Casiello

Redefining Shōnen Masculinity through Queer Strength in Wind Breaker

By Mihaela Mihailova

NiGHTS into Dreams: Trans Animation and Mythic Landscape

By Evelyn Ramiel

Unpacking Identity in Ambient Rooms

By T. R. Merchant-Knudsen

Reproduction Revisited: Voices from Console-ing Passions 2025

Theme week organized by
Sara Ghazi AsadollahiGeorgia State University

Sounding the Alarm: Canadian Academics, American Reality TV Labor, and Constrained Participation

By Wendy Peters

Chucky Three Ways: Narrative, Industry, Fandom

By Amanda Ann Klein Suzanne Scott Matt Boyd Smith

Lag(ging): Erykah Badu and J Dilla's Temporal Strategies 

By Lynette Mawolu Dixon

What is Trans Film (To Me)?

By AJ Castle

Critique of Audiovisual Criticism

Theme week organized by
Jane M. GainesColumbia University

Introduction to Special Issue on Audiovisual Criticism

By Jane M. Gaines

“The Instant in Which”: What Big Jet TV Livestreaming and TikTok Cat Videos Have in Common 

By Jane M. Gaines

“Goya and the Representation of War”

By Behrang Garakani

Trapped on a Pedestal

By Samantha Gordon

Carol (2015): Discontinuity in Pursuit of Jean Epstein's Photogénie

By Lillian Cummings

Turning Up the Red Queen

By Matthew Solomon

The Screening Group – Antagonism – Part One

Theme week organized by
Jordan ChrietzbergGeorgia State University

The Information

By Jordan Chrietzberg

Macho Dancer: Agonizing Contexts, or What to do about hot men gyrating?

By Daren Fowler

Posterior Antagonisms in Larisa Shepitko's Heat (1962)

By Jayson William Quearry

“See Me as I Feel You”: Manhunter (1986) and the Antagonistic use of The Prime Movers

By Thomas Goodchild

The Screening Group – Antagonism – Part Two

Theme week organized by
Jordan ChrietzbergGeorgia State University

One is Never Enough

By Jenny Gunn

You Can’t Unfuck a Myth-Poetic: (failed?) Antagonism in Battle in Heaven

By Christopher Minz

Excavations and Confrontations with Labor in Kaori Oda's Aragane

By Jarred Biederstaedt

An Argument in the Ordinary

By Sara Ghazi Asadollahi

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