Archives Displaying 561 - 570 of 609 Sort by Oldest firstNewest first Intersectional Environmental Activism in Digital SpacesApril 11, 2022 to April 17, 2022Theme week organized by Natalia AndrievskikhNYU Counterstory as Intersectional Environmental ActivismBy Natalia Andrievskikh Monday, April 11, 2022 Tweeting the Climate CrisisBy Cassandra Troy Tuesday, April 12, 2022 Making Space for Mental Health: An Environmental Humanities Approach to Social Media By Julia Kiernan Wednesday, April 13, 2022 Women, Disasters, & Climate ChangeBy Sweta Baniya Thursday, April 14, 2022 Succession, American Capitalism, and the MediaApril 18, 2022 to April 24, 2022Theme week organized by Jeremy SarachanSt. John Fisher College ‘Is He Safe?’: Trauma, Violence, and Fatherhood in SuccessionBy Jeremy Sarachan Monday, April 18, 2022 Complicated airflow: The theatre of self-presentation in "Succession"By Daniel Binns Tuesday, April 19, 2022 Picking the Next PresidentBy Ben Jiaxu Li Wednesday, April 20, 2022 "Have you read Plato?” Philosophical literacy and the acceptance of fascism in "Succession" By KC McGinnis Thursday, April 21, 2022 ‘We Hear For You”: Communicative Capitalism, Media, and Power in HBO’s Succession. By Robert Foschia Friday, April 22, 2022 Euphoria April 25, 2022 to May 1, 2022Theme week organized by Ryan BanfiNew York University Euphoria: IntroductionBy Ryan Banfi Monday, April 25, 2022 The New Makeup: Euphoria’s Glitter TearsBy Ryan Banfi Monday, April 25, 2022 Euphoria: A Surrealist SuburbiaBy Emma Parker Tuesday, April 26, 2022 Fantasizing FatnessBy Madeline Ha-Eun Hawk Wednesday, April 27, 2022 In the Defense of Excess: Euphoria, A Maximalist Teen Show By Paige Neyman Thursday, April 28, 2022 Dislodging the Stereotype: Empathy in EuphoriaBy Gabriella Frisch Friday, April 29, 2022 “Alternative” and Othered Bodies in MediaSeptember 5, 2022 to September 11, 2022Theme week organized by Ashley JonesGeorgia Southwestern State University Fatness, Maternity, and Hybrid Female Monstrosity: God of War II's EuryaleBy Sarah Stang Monday, September 5, 2022 Beauty Standards in "Tall Girl"By Margarita Artoglou Tuesday, September 6, 2022 Fat in Fantasy: A Video Essay on TikTok's Algorithmic Bias and Community StrengthBy Jill Fredenburg Wednesday, September 7, 2022 BLACK AND HEAVYBy Kristin Denise Rowe Thursday, September 8, 2022 “Real” Men: Compulsory Able-Bodiedness & Heroic InjuryBy Marty Heath Friday, September 9, 2022 Film School Praxis September 11, 2022 to September 17, 2022Theme week organized by In Media ResGeorgia State University Creative Expression of Dementia StoriesBy Elizabeth A. Spencer Monday, September 12, 2022 Ethics and Informal Learning in VlogsBy Monika Raesch Tuesday, September 13, 2022 Our Work on Us: Allegoresis, Labor, and the ‘Social Thriller’By Jordan Chrietzberg Tuesday, September 13, 2022 Film Schools and the ManifestoBy Chris Nunn Thursday, September 15, 2022 Activations and immersive experiences September 19, 2022 to September 25, 2022Theme week organized by Sara Ghazi AsadollahiGeorgia State University Framed, De-framed, Reframed!By Sara Ghazi Asadollahi Monday, September 19, 2022 Positive Implications of Pedagogical Application of Art ExhibitionsBy Elizabeth A. Spencer Tuesday, September 20, 2022 Remixing Apartheid: An Analog/Digital ExperienceBy Margaret E Baker Wednesday, September 21, 2022 Cinema Journal In Focus: AnthropoceneSeptember 26, 2022 to October 2, 2022Theme week organized by Jennifer L. PetersonWoodbury UniversityGraig UhlinOklahoma State University One Film, Two Epochs?By Jennifer Fay Monday, February 25, 2019 Climate Chaos SurrealismBy James Leo Cahill Tuesday, February 26, 2019 From Ecstasy to AnnihilationBy Graig Uhlin Wednesday, February 27, 2019 1 comment Nature, Artifice, InfrastructureBy Jennifer L. Peterson Thursday, February 28, 2019 Sync HolesBy Karl Schoonover Friday, March 1, 2019 The Work of Jordan PeeleOctober 3, 2022 to October 9, 2022Theme week organized by Mychal Reiff-Shanks Tethered to the Past: Deconstruction of Reagan's Optimism in Jordan Peele's USBy Alexandra Nakelski Monday, October 3, 2022 The Birds, the Shark and the Clouds…and a Horse! – Jordan Peele & the Universal ArchiveBy Jazmine R. Hudson Tuesday, October 4, 2022 Get Out’s Reel AntagonistBy Jamie Elizabeth Ascher Wednesday, October 5, 2022 Strength & Visibility In the Ordinary: Jordan Peele's Use of Black Women in Black Horror By Rockia K. Harris Asha S. Winfield Thursday, October 6, 2022 We Got 5 On It, An Anthem: possibilities and cultural techniques of Black audio-visual textsBy Mirella Ntahonsigaye Friday, October 7, 2022 Examining Animality In Jordan Peele's WorkBy Mychal Reiff-Shanks Friday, October 7, 2022 Digital Nocturnes: Sonic Sleep MediaOctober 10, 2022 to October 16, 2022Theme week organized by Devon BateConcordia University, Montreal Orphic Media Practices and the Emptying of ‘Content’By Devon Bate Monday, October 10, 2022 Affording Digital Audio Sleep MediaBy Ian Derk Tuesday, October 11, 2022 Bodies, Emptiness, and Sleep in Ghost TropicBy Valentin Via Wednesday, October 12, 2022 Wellness Tech and the Utility of Ambient MusicBy Max Alper Thursday, October 13, 2022 Board Games as Return and ReinventionOctober 24, 2022 to October 30, 2022Theme week organized by Ashley JonesGeorgia Southwestern State University Oregon Trail and Manifest DestinyBy Catherine Case Monday, October 24, 2022 The Return of Old Games?By Krislyn McKinney Tuesday, October 25, 2022 From Virtual to Physical: Materiality and the Crusader Kings Board GameBy Jeff Greene Wednesday, October 26, 2022 Nostalgic Trends, Board Games, and COVID-19: Socializing Post VaccinesBy Eva B Salas Thursday, October 27, 2022 Pages« first ‹ previous … 53 54 55 56 57 58 59 60 61 next › last »
